Memorable Dance Scenes in 80s and 90s Movies

There are certain movie moments that have an enduring impact, resonating with film-watchers long after they've left the theater or turned off the DVD. Dance scenes in particular resonate well with movie fans. When executed well, these moments have the power to morph into iconic imagery, inspiring their fair share of parody and mocking. We may all be sick of Pulp Fiction dance knock-offs, but it's a testament to the original that it's spawned so many lesser imitators. Much, much lesser.

While some of these movies may predate some of us children of 90s' birthdates by a year or two, their popularity was long-standing enough to make them a memorable part of our childhood. Whether you blame on VHS or incessant TV re-running, these movies are well-known to kids coming of age in the 90s. Plus, it would be pretty difficult to compile a list of favorite dance movie moments while completely overlooking the 80s; the easy cheesiness of 80s movies was a prime breeding ground for iconic dance scenes.

Just to be clear, there's a fine line in defining these categories here at Children of the 90s. Avid readers (I'm probably flattering myself here) may remember a feature entitled "80s and 90s Spontaneous Group Dance Scenes Where Everyone Knows Exactly What to Do." This blog has never been short on specificity. If we're splitting hairs, we (okay, I) may as well set some ground rules for these entirely different set of dance scene movie moments:

1. They're generally in character. Most of these moments don't have us suspending our disbelief at completely uncharacteristic behavior from our principal actors. The moves might be over-the-top or silly, but these dances are reasonably within the parameters of the characters' behavior and ability.

2. They may be prerehearsed. Unlike the She's All That style prom dance phenomenon, the majority of these dances involve some sort of choregraphing backstory. In the case of the 80s movies, these rehearsals are best shown to us in the form of a training montage, culminating in the achievement of a tough move timed at the most climactic moment in the corresponding background music. If the moment does occur spontaneously, it's realistically within the ability of our stars.

3. They usually involve relatively few dancers. Instead of large scale Fame-style scenes that could now be classified as formidable flash mobs, plain old "dance moments" are mostly sparsely populated affairs.

With those rules that I've just made up firmly in place, it's time to meet our contenders for memorable 80s and 90s movie dance scenes:


(I've Had) the Time of my Life (Dirty Dancing)


dirty dancing - time of my life (video)2
Uploaded by carlson.

Oh, how I once longed for Jennifer Grey's dress in this scene. It probably wouldn't be quite so twirly without the dancing talent, but I like to think wearing it would have given me the motivation to learn. Few of us can ever hear "(I've Had) the Time of my Life" without immediately thinking of the big lift at the end. It's also purportedly the third most popular song played at British funerals. That fact is from Wikipedia, so take it as you will, but if it's true it's incredibly ridiculous.


What A Feeling and Maniac (Flashdance)?



If you ever need inspiration for costuming yourself for an 80s party, look no further than Flashdance. This movie is an 80s cliche goldmine, from it's ripped-neck off the shoulder t-shirts to the ubiquitous leg warmers. The movie also serves as a great guide for how to cast your dance movie with a non-dancing star through heavy reliance on misleading body doubles. If she's wearing the same leg warmers, it's got to be the same person, right?



Footloose (Footloose)



Based on movie industry standards, we're all just a mere six degrees from starring in this movie. Really makes you feel a part of it, doesn't it? Kevin Bacon plays Ren, a city teen who finds himself in an oppressive small town with a serious aversion to rock n' roll. I do mean serious. Sense of humor isn't really the town's strong suit. Somehow, though, Ren stages a full 180, and everyone realizes just how great rock music and dancing can be. It's cheesy, but everyone seems to be having such a genuinely good time it's tough not to get caught up in it.


You Can Never Tell (Pulp Fiction)



This scene is pure Tarantino, a man who's vision can be pretty divisive. His work is very stylized, full of personal trademarks, meta-references, and usually reliant on a nonlinear storytelling method. Whether you love him or you hate him, it's tough to deny the appeal of this scene. Something about it just works. Maybe it's the way they seem to be taking themselves so seriously, or possibly it's the thrill of seeing John Travolta back in dancing action. Whatever it is, it all adds up to an incredibly memorable dance scene.


Tango (Scent of a Woman)



This truly is a beautiful scene, expertly choreographed and set to the instrumental "Por Una Corbeza". It's quieter and less outwardly dramatic than some of the dances on this list, but it's moving in its own right. As Lieutenant Colonel Slade tells Donna, "If you make a mistake and get all tangled up, just tango on." Wise words, indeed.


Old Time Rock n' Roll (Risky Business)



When I first started living by myself, I had to constantly repress my impulse to don men's briefs and some Wayfarer sunglasses while blasting some Bob Seger. After watching this movie, it can become a tough prospect to resist. That and turning your home into an impromptu brothel. Really, we all fall into that trap from time to time

Risky Business established Tom Cruise as a bona fide sex symbol, shaping his career for the better part of the next decade or so. Recently, his public image has gone sort of the way of Britney Spears; that is, their names were once used as incredibly favorable comparisons, they're still putting out arguably solid work, but their forays in crazy public behavior has led to a drop in their celebrity stock. Whenever I see clips of Tom Cruise couch-jumping with glee or accusing Matt Lauer of glibness, I try to block it all out with the image from the above scene. It's pretty powerful--it usually does the trick.



Chopsticks/Heart and Soul (Big)



Big is big on heart, effectively capturing the earnestness of children before they're inevitably ravaged by the cynicism of imagination-crushing adulthood. It may sound bleak, but there are moments of reprieve when we can transport ourselves back to our childhood mindset. That's why you're here reading, after all.

Tom Hanks plays a magically aged man-child, and his innocence and enthusiasm is contagious to his adult peers. Some might argue that this is not a dance per se, but if you've ever attempted any sort of cohesive melody on the giant piano mat at FAO Schwarz you know it takes an incredible amount of kinesthetic coordination. Dance or not, it's pretty darn heartwarming.



Dancing in Heaven (Girls Just Want to Have Fun)



It's entirely possible this movie played a significantly smaller role in your childhood than in mine, but as someone whose family owned a very limited number of VHS tapes my daily watching regimen was regularly split between this movie and The Sound of Music. On the sum of these alternating days, I watched Girls Just Want to Have Fun something like 200 times, yet I never managed to master the dance at their DTV final on-air competition. This movie's got the requisite 80s montage and tons of great dancing footage, not to mention some awesome costumes. If you ever see Helen Hunt's lizard hat in a thrift shop somewhere, please pick it up for me. I promise to pay you back.


Doesn't this all just make you want to have a life-affirming dance moment in your day? It seems like the perfect culminating event to wrap up your day's story line. Imagine how much more interesting a day at the office would be if the climax of your workday was marked by a Baby and Johnny-style dramatic lift? That's the world I'd like to someday live in. Someday.

Number One Hits of the 90s: 1994 Edition

Welcome to a brand new feature here at Children of the 90s. We've spent a lot of time looking at one-hit wonders, but what about those lucky few who may have gone on to sell more records? Multiple-hit wonders deserve 90s love too. If you're going to use these lists as fodder for worthy iTunes 90s playlists, you should probably have some variety. I wouldn't want all your friends thinking you're only into fleetingly popular musicians, now, would I?

So, with the readers best interests at heart (you know, like always) I present the new Top Charting Hits feature. Here's your chance to reminisce at the ridiculous songs we loved so dearly that we sent them soaring to the top of the Billboard top 100 charts.

This list should hopefully bring forth since-repressed memories of traumatic school dances, Bar Mitzvah party slow dance fiascos, and haunt-you-for-life level embarrassing talent show performances. If you're brave, feel free to share yours in the comments section of this post. Here, to make you feel more comfortable, I'll get this party started: a DJ played "I'll Make Love to You" at probably every middle school dance I ever attended. Not only was it totally inappropriate, but it was also comically unfit for our preferred method of slow dancing: arms extended straight to ensure maximum distance between us and our partner of the opposite sex. Perhaps they should have recorded a junior high dance version entitled, "I'll Make Love to You...From a Distance."


Hero (Mariah Carey)



Geez, Mariah Carey has been pumping out top-charting hits for over 15 years now. No wonder she feels she has license to marry desirable younger men and dress in lavishly diva-esque outfits: she's earned that right. I'm pretty sure we sang this song in our 7th grade chorus, but our arrangement undoubtedly did no justice to the belt-it-out singer's version. The song might have highlighted our inner strength, but it also brought forth our outer vocal weakness. Sorry, Mariah. You deserved better.


All for Love (Sting/Brian Adams/Rod Stewart)



It takes a special occasion to bring together a group of prominent artists. You know, like recording a track The Three Musketeers movie soundtrack. That was the case with Sting, Rod Stewart, and Brian Adams' hit single "All for Love." Maybe they just all happened to have a lot of free time that weekend. To their credit, the song is much better than the movie.


The Power of Love (Celine Dion)



Celine Dion had quite a thing going in the 90s. This song was a major international hit, cementing Dion's position as a global superstar. The song is actually a cover of a 1985 Jennifer Rush song. Rush's original version charted well outside the US, but the song was unfamiliar to wide American audiences. Like the song, Celine Dion was similarly lesser known amongst American music listeners, so it was a good fit.


The Sign (Ace of Base)



Admittedly, a video like this would get laughed out of a music vid countdown these days. It's just so heavy on the over-the-top slow motion, super-imposing special effects. Luckily, they don't really show music videos on TV much anymore, so it's sort of a moot point.

Ace of Base were some of the foremost artists of the wave of mid-90s Europop hits. "The Sign" is undeniably catchy, repetitive, and it has a beat you can dance to. Well, a beat you can dance to using signature 90s moves. It might not jive so well with the dance styles most popular on today's club scene, but in the 90s it was a near-perfect fit.

Of course, some of you may also remember this classic Full House cover version by Steph, Gia and friends. I must say, it is totally necessary for them to have that many instruments in their ensemble.




Stay (I Missed You) (Lisa Loeb)



It's a rare accomplishment to hear your hit single on the radio without even procuring a record deal, but Lisa Loeb achieved just that with her 1994 release "Stay (I Missed You)". The song gained popularity from its position on the much-hyped Reality Bites movie soundtrack. Lisa Loeb has a certain likability; she just seems nice. Maybe it's her glasses. That said, Loeb is probably responsible for hundreds of sexy librarian fantasies amongst boys coming of age in the 90s.


Bump n' Grind (R Kelly)



Back in the days before R. Kelly found himself entrenched in lawsuits and scandals, he was putting out solid number one hits like this one. Okay, so "solid" is pretty open to interpretation, but let's just all agree the album falls more clearly into that defined category than gaseous or liquid. His moves in this video are pure 90s slow jam, by the way. Classic performance stance, plus we get some bonus zoom moments on our video girls in their spelunking hard hats. If that's not sexy, I don't know what is.


I'll Make Love to You (Boyz II Men)



This platinum-selling single held the top spot on the Billboard charts for a then-record 14 weeks. It was wildly popular at the time, and, as I mentioned above, often awkwardly played in adolescent slow dance/slow roller skate-type situations. Just imagine the sheer number of people who have played this song during their most intimate moments--Boyz II Men probably deserves some form of honorable mention from cheesy music-loving men everywhere for sufficiently setting the mood.


I Swear (All 4 One)



All 4 One proved that Boyz II Men hadn't cornered the market on harmony-rich R&B male vocal groups. "I Swear" was their only major hit, but it made an indelible impact. There are few of us 90s kids out there who couldn't immediately fill-in-the-blanks for the lyrics following the "I swear..." lead in. In case you can't, it's "By the moon and the stars in the sky." Just for the record.


Here Comes the Hotstepper (Ini Kamoze)



I was pretty sure I'd never heard of this song until I listened to it and realized I knew it well, but had no idea the words were "Here comes the hotstepper, murderer." It always sounded to me more like "Here comes mmm mmm mmm mmm, turn it up!" It was Kamoze's sole number one hit in the US, but he definitely made his mark. Who can resist singing along to that "Na, na na na na, na na na na na na na na na na, na na na na" part? Yes, I counted those out, and yes, my count might be wrong. Deal with it.


On Bended Knee (Boyz II Men)



Boyz II Men were just about everywhere in the 90s. We were all suckers for well-arranged harmony, which explains for the explosion in boy bands in the later part of the decade. The Boyz were kings of the ballad during this time, cranking out slow jam after slow jam for our easy listening pleasure. "On Bended Knee" ascended to number one in December of 1994, reinforcing the band's popularity by reaching the milestone of replacing their own number one song (previously "I'll Make Love to You") with a new number one song. Boyz II Men is one of only a few acts to achieve this feat; the preceding benchmark-holders were The Beatles. Impressive stuff.


So, there you have it: the number one hits of 1994. Some are worth remembering, while others yet we may sooner wish to wipe from our memories entirely. One thing is for sure: at least one of these songs should embed itself somewhere deep within the fiber of your skull and play itself on incessant repeat until you can bear no more. It's just the way of catchy 90s singles. You'll thank me for the memories just as soon as you can extricate those pounding beats from your cerebral cortex.

80s and 90s Celebrity Endorsements

What impels us to buy something? Is it the quality of the item? The masterful craftsmanship? Maybe our deep sense of brand loyalty? Or, possibly, is it just because we saw someone famous using the product? They're cool and they use it, so my exceptional powers of deductive reasoning would lead me to believe that I too have the potential for coolness if only I would shell out the $19.99 plus shipping and handling for this incredibly handy and definitely not useless item.

The 90s would have most of us believing our reason to buy stems from the latter. Celebrity endorsements were everywhere, with actors, musicians, sports stars, and television personalities picking up side gigs hawking for every imaginable product. We couldn't turn on the TV or flip open a magazine without seeing our favorite stars' testimonials to some product or other that they were certain we had to have. Granted, our voyeurism had not yet reached Perez Hilton 24hour celebrity watchdog level, so it's possible these stars didn't have quite the level of influence and sway over us. That sounds suspiciously like a defensive excuse, though, from someone who bought a piece of junk because a celebrity told her to. Hey, I'm not saying it was me, but...okay, it was me. I'm still kicking myself for drinking milk just because those Got Milk? ads drew me in their catchy celebrity mustachioed photos with accompanying blurbs. I knew I should have listened to Fred Savage and had a Pepsi instead.

This strategy, like any marketing style, has its pitfalls. Recently we've seen companies pull the plug on celebrity spokespeople following some form of public relations debacle, such as in the cases of Kate Moss's cocaine allegations and Tiger Wood's insatiable appetite for questionable women. Having a celebrity as your spokesperson can undoubtedly lend some credibility and clout to your product, but there's no guarantee your chosen celebrity will conduct himself in a manner aligned with your company's public image.

The list below is by no means exhaustive; countless celebrities signed on to promotional deals during the decade. It does highlight some of the more interesting backstories, though:


George Foreman Grill


Reclaiming the heavyweight championship at the overripe age of 45 is pretty impressive, but that feat has since been nearly eclipsed by George Foreman's later success as a fat-busting grilling entrepreneur. Even though most of us knew Foreman as a tough guy boxer, he seemed almost cuddly in these commercial spots. It's tough to say exactly what impelled all of us to purchase these allegedly diet-supporting device from a man whose career was dependent on his maintenance of a heavy weight, but it was pretty fun to watch all of that fat drain off of our burgers.


Kathy Lee Gifford for Wal-Mart


When your PR firm tries to foresee potential damage control situations for a celebrity-endorsed product, it's unlikely they'd come up with something quite as damaging as this one. Kathy Lee Gifford, then famous for her co-hosting gig on Regis and Kathy Lee, teamed up with Wal-Mart in the mid-90s to produce a clothing line. The line seemed to be a mutually beneficial deal until evidence surfaced that the Kathy Lee clothing was being produced at a Honduras sweatshop by young teenage girls. Even worse, the girls received around 31 cents an hour for up to 75 hours of weekly work. When the news broke, it was nothing short of a devastating scandal for both parties.


Paula Abdul for LA Gear

I have to say, these commercials were pretty convincing. Celebrities have endorsed flashy products for years, but perhaps never so literally as the LA Lights sneakers. As Paula says in the commercial, "Nobody tells me what to wear." This probably could have used an amendment like "...except the good people at LA Gear, who are telling me to wear these shoes in exchange for financial gain."


Michael Jordan for Nike

This one is pretty much a no-brainer: find the most successful and talented sports player of your time, and get him to shill for your sports-themed product. Even the least prestigious products can afford a sellout like, say, Shaq, but it takes a special type of product to draw in a Michael Jordan. I loved watching him on the Bulls, but I admit that Space Jam sealed the deal for me. To this day whenever I'm in the market for Hanes tagless t-shirts, I reassure myself of the purchase with a heartfelt, "It's what Michael Jordan would want me to do."


Michael Jordan and Larry Bird for McDonalds

If you take nothing else away from this commercial, consider Jordan's example of bringing a Big Mac along to the gym. It's like smoking a cigarette while jogging. Sure, you're working out, but the second variable is bringing you right back down to health baseline. This was shown in two parts during the Superbowl, culminating in a basketball shooting contest with the ultimate prize: a Big Mac. I'm sure that these professional athletes gain no greater satisfaction from their sport than the thrill of earning their very own two all beef patties, special sauce, lettuce, cheese, pickles, on a sesame seed bun.


Madonna for Pepsi

You know you're in trouble when the Vatican is condemning your commercial. Madonna debuted her "Like a Prayer" single in a Pepsi ad, soon after releasing


Bill Cosby for Jello

Anyone who has ever attempted a Bill Cosby impression knows the most immediately recognizable elements to incorporate are invariably a vibrantly hued thick-knit sweater and a solid (gelatinous?) command of his classic Jell-O commercials. They're easily mockable, sure, but they are ultimately memorable, so it seems like the joke's on us: the advertising stuck.


Eric Clapton for Anhauser-Busch

If you want to split hairs, this ad series debuted in 1988, but it's just too juicy to leave off the list. Clapton appeared in the ads shilling for Micheloeb with a version of "After Midnight." Unfortunately for the people at Anhauser-Busch, by the time these ads came out Clapton had admitted himself to a rehab facility and admitted to struggling with alcoholism. Yikes. Not exactly the implied message you want attached to your product. "Drink our beer....until you need professional intervention to stop."


Countless Celebrities for Got Milk?


These print ads were hugely popular throughout the 90s and beyond, with innumerable celebrities signing on to be a part of the mustachioed fun. The list of celebrity endorsers would elongate this post to about four times its legal limit, but suffice it to say most celebrities felt confident and secure aligning themselves with the generally non-controversial dairy industry.


Alyssa Milano, Mr. T, Sarah Michelle Gellar, David Arquette, Michael Jordan, Ed O'Neill, and many, many more for various collect calling services

Services like 1-800-Collect and 10-10-220 (and other various random number combinations repeated daily to us via celebrity spokespeople) were everywhere in the 90s. With the widespread use of cell phones, these functions have slid into obscurity, but back in the 90s they were a legitimate necessity for some callers. To attract callers to use their respective services, companies enlisted the help of many, many different celebrities to urge us to dial their code so they could get paid already. I mean, so we could have cheaper long distance rates. Something like that.


Whether or not we like to admit it, the rich and famous have influence over our daily decisions. Their endorsement of a product or service may not convince us to buy it, but it certainly couldn't hurt. Unless, you know, it erupts in a huge public scandal like some of these did. In those cases, it probably hurt. I retract my previous statement.

90s Tearjerker Movies

Sometimes, we all just need a good cry. Watching a great tearjerker is a bittersweet experience: the emotional release can be enjoyable, but the sadness lingers. I'm still not totally over the whole Bambi's-mom-getting-knocked-off-by-a-hunter thing. It haunts me still.

It's a testament to the quality and effectiveness of a movie when it has the power to make you reach for the Kleenex. Bonus points if it warrants a whole box. When a movie moves you to tears, it allows you to really let it all out. Plus, it's totally embarrassing if there are other people around. Some tips? I recommend pretending you have a bad cold or a loose contact lens. Practically foolproof.

Defining a solid tearjerker is tenuous territory. Plenty of movies have the power to move us, but only some give you that satisfying release of a much-needed cry. Some might be heavy contenders for tears on the basis of subject matter alone--for example, a well-executed war movies. This list, however, focuses more on the non-violent genre. Or, dare I say it, girlier movies. Okay, fine, chick flicks. But I threw in a few neutral picks as well, so, you know. You're welcome.

You're more than welcome to add your own favorite cry-a-minute picks to the list in the comment section. It can serve as a reliable reference for when the next cryfest urge hits. So, whether you consider yourself to be an emotional lightweight or possess tear ducts of unmovable steel, here are some movies likely to make you bawl like a little girl...whether or not you ever were one:



Titanic


If you're watching Titanic at will, you can't say they didn't warn you; it's a pretty sure bet you know just what you're getting yourself into. On the off chance you don't, spoiler alert: the boat sinks. Rose swears to Jack that she'll never let go, but then he freezes to death and she lets go. Not much for follow through, don't you think? Joking aside, it still gets me every time. I'm only partially embarrassed to admit I usually keep a fully stocked Kleenex supply on hand if the Titanic mood ever strikes.


Ghost


You've got to miss Patrick Swayze when you consider the tearjerking reflex of Ghost. The movie examines a murdered man's posthumous observation of his former lover in mourning. Ghost has some interesting ideas about what happens to our loved ones when they die, striking a tearful chord with any movie-watchers who have ever lost someone close to them. Throw in that much-satirized pottery wheel scene and you've got yourself a surefire cry session.


Selena



As a kid I could watch this one over and over again, though I think I may have been more interested in Selena's spangly stage outfits than her eventual demise at the hands of her fan club president. It's an interesting story, even more so because it's a ripped from the headlines account of a likable teenage girl poised on the brink of potential stardom. Jennifer Lopez's portrayal of the Mexican-American singer is believable and sweet; you can't help but feel for her family, friends, and fans for her tragic murder. There's also some really catchy music as an added bonus, so it's sort of a twofer.


Steel Magnolias



Take one look at this cast and tell me this isn't the ultimate chick flick. It out-chicks the rest of the genre on cast alone. I mean, really. Dolly Parton, Julia Roberts, Shirley MacLaine, Sally Field...they've really got all chick flick hands on deck with this one. Based on the play of the same name, Steel magnolias explores the relationships between a group of close-knit Southern women as they encounter various obstacles in their lives. The movie throws around a lot of funny one-liners toward the beginning, so the whole tragedy/death thing sort of sneaks up on you. Let me tell you though, it's a doozy,


What's Eating Gilbert Grape?



Gilbert (Johnny Depp) lives his small town life with his a 500-pound widowed mother, a developmentally disabled younger brother (Leonardo DiCaprio), and a married lover (Mary Steenburgen.) The movie has an offbeat oddball warmth and appeal, endearing us to this dysfunctional family. What's Eating Gilbert Grape isn't showy and high-minded. It shows us everyday life at its most basic and mundane, making it all the more affective. Bring on the tissues.


Stepmom


Here's a handy hint: if one of your movie's major characters is terminally ill, it's pretty darn likely that movie will try its hardest to elicit uncontrollable sobbing. Like Roberts' other film on this list, it starts out heavy on the humor and then gets us when we've let down our defenses and are at our most movie-watching vulnerable. I remember the previews for this movies hinted nothing about anyone dying a slow and painful death, so many of us were stuck wiping our eyes on our sleeves and popcorn wrappers. I was totally unprepared for this one.


My Girl



Vada (Anna Chlumsky) is an eleven year old hypochondriac whose widower father is in the disconcerting funeral parlor biz. The movie follows Vada through her everyday trials on her path to adolescence, detailing her crushes, friendships, and social tribulations. Her best friend, Thomas J (Macaulay Culkin) is deathly allergic to bee stings, so surprise surprise, he gets stung. That's when the floodgates really opened for me. That scene in the woods is pretty brutal. The movie has no shortage of heart, so at least the ending


The Piano


It takes a very well-conceived and well-executed movie to leave you uneasy and haunted after watching it, and The Piano pulls it off skillfully. The story is intriguing: a mute pianist with a daughter forced by her family into an arranged marriage. It explores emotions in an interesting way, and the result is a movie we are willing to invest in emotionally.


Edward Scissorhands



Who would've thought a movie about a man with shears for hands could be so touching? Johnny Depp is truly masterful as Edward Scissorhands in this quirky but ultimately moving movie from Tim Burton. The product of a mad inventor's experiment, Edward lives as an isolated outsider. Not only does this movie have the potential to make you cry, it also allows you to marvel over the fact that the villainous character is played by Anthony Michael Hall. The role is certainly a far cry from his brat pack days. It just goes to show, if you eventually beef up go through puberty, you may have a whole new world of evil-tinged roles at your fingertips.


Jerry Maguire


Finally, a movie a guy can feel comfortable sobbing uncontrollably at. It's okay: it's about sports! The bulk of the movie is an earnest depiction of Jerry's quest for happiness on a career path paved by ruthless success. Throw in Renee Zellweger, though, and you've got yourself a serious cry fest. She pretty much had us at hello.


Philadelphia


At a time when AIDS was still largely off-limits subject matter for popular entertainment, Philadelphia delivers a story about AIDS that is both moving and respectful. Tom Hanks plays Andrew Beckett, a gay lawyer in Philadelphia who has not come out to his coworkers. As he begins to show signs of illness, he suspects he has been framed by his firm to give reasonable cause to firing him. Hanks' performance is a testament to the power of an actor to make us feel for his plight and symp0athize with his situation. At a time when AIDS was largely a taboo subject, Philadelphia gave us a realistic and human look at its impact.


Free Willy



This movie forever changed my ability to visit Sea World. It's not that I can't, because let's be honest here, I have; it's more that it leaves me with a sort of undefinable sadness. Not so much at the whole entrapped and forced to do tricks thing, but more that I'll never have an orca of my own to dramatically jump over me at just the right moment. I've been waiting patiently, but the moment has yet to present itself.


It takes a special sort of movie to bring forth such strong emotions, but if you're in the mood for a good cry any of the above movies should more than fit the bill. They are not all fine works of high-concept cinema, but they will definitely do the trick. Just don't forget the Kleenex multi-pack: you're going to need it.

Did you know? 90s Disney Voice-Over Edition

Voice acting is a great gig. Compared to having a major role in a live-action feature film, working as a voice actor allows a far more relaxed and simple commitment. In other words? It's an easy gig. You provide the vocals, and some artsy animator types provide all the rest. Not too shabby.

To draw in audiences, animation studios will often seek out big-name actors whose names they can shamelessly splash across promotional posters. In the case of Disney, this sometimes meant they had to cast a second actor for the singing parts, but all in all, it was worth it to boast the headliner.

Early in animation history, voice actors were typically low-profile highly specialized individuals without existing careers in live action film or television. These skilled voice actors were capable of producing a range of voices, so studios often cut down on costs by hiring few actors to play several roles. As time went on, however, animation studios were eager to replace these multitalented no-names with a bunch of expensive live action actors who could only speak in their own street voices. Sounds like a good deal, right?

Love it or hate it, celebrity voice actors certainly help put butts in the theater seats. In the 90s, Disney pulled in a wealth of big-name stars to offer the voice tracks to their animated features. The quantity of celebrities who lent their voices to Disney films is far too abundant to fully catalog here, so let's take a look at a selected few of the most famous and/or surprising voice actor selections:


Timon: Nathan Lane


My favorite part of this clip is the line, "What do you want me to do? Dress in drag and do the hula?" As if Nathan Lane dressing up in drag was a shocking revelation. I think we've all seen that before in The Birdcage...and, if we can be candid here, he looks way more like Margaret Thatcher than a hula aficionado.


Simba: Jonathan Taylor Thomas/Matthew Broderick




Disney offered us a great one-two punch with the child and adult versions of The Lion King's Simba: Randy from Home Improvement and Ferris Bueller. As a child, I was really excited about the prospect of JTT, but in retrospect Broderick is likely the bigger name. Neither actually provided the singing voices for the character, but they both lent their voices to create a believably lovable lion.


Aladdin: Scott Weinger



You know, Steve from Full House? DJ's endlessly food-consuming letter jacket-wearing boyfriend? He's not necessarily a huge name celebrity, but most of us children of the 90s are more than familiar with him.


Oliver: Joey Lawrence



Whoa! Who knew? Joey from Blossom is Oliver. I certainly had no idea. Now that I think of it, though, it's completely adorable.


Lumiere: Jerry Orbach



That's right, the man also known as Detective Briscoe from Law and Order and Baby's father from Dirty Dancing is the voice of our smooth-talking French candelabra. I may be being a bit facetious; Jerry Orbach has a long resume of stage, film, and television credentials that I'm totally overlooking here. That said, I'll always think of him as Dorothy's boyfriend Glen from Golden Girls.


Genie: Robin Williams



Ladies and gentlemen, Robin Williams as...Robin Williams. In fact, in most 90s movies Robin Williams played some version of himself, but possibly none quite as pronounced as this one.


Mrs Potts: Angela Lansbury



Jessica Lansbury from Murder, She Wrote as a singing teapot? No wonder old people love this song so much.


Esmerelda: Demi Moore



They sort of look alike, don't they? Demi Moore and Esmerelda have a certain resemblance, though their choice of mate varies pretty significantly. As far as I know, Quasimodo never punk'd anyone.


Mufasa: James Earl Jones



That's right, Mufasa is Darth Vader. They're not that different really; one's a masked intergalactic hero-fathering villain and the other's a pride-leading Lion who dies prematurely. Wait, where was I going with this? They're pretty damn different,


John Smith: Mel Gibson



Mel Gibson, wary of cultures other than his own? Never! It's a bit of a stretch, don't you think?


Thomas: Christian Bale



Yes, Batman is John Smith's settler friend. For some reason, even though all of these settlers are supposed to be English, only some of them actually sound British; Bale and Gibson have American accents. I guess they adapted quickly to life in the New World.


Woody and Buzz Lightyear: Tom Hanks and Tim Allen



In 1995, Toy Story impressed us with more than just its innovative computer animation technology; it also boasted two very big-name celebrity voice actors for its principal roles. Tom Hanks plays Woody, a displaced favorite cowboy whose moment in the toybox sun is waning. Tim Allen is Buzz Lightyear, a new and flashier astronaut action figure who is completely unaware that he's a toy and not an actual intergalactic voyager. The two actors play well off of one another, sparring convincingly with strong comedic energy.

Hanks and Allen returned in 1999 for a sequel and again in the upcoming summer 2010 Toy Story 3. It's a rare event when a Disney film produces a theatrical sequel instead of a subpar straight-to-video installment, and even rarer to see a third theatrical feature. The return of the celebrity voice actors--Hanks, Allen, and the rest of the gang--is a testament to their faith in the quality of the film; in a lot of these sequels, the original actors want nothing to do with the sinking ship of a straight-to-DVD franchise. We've got high hopes for the final film in the trilogy. Hopefully our veteran voice actors will not disappoint.

Professional voice actors may have multifaceted skills that far exceed the capability of celebrity voice actors, but there is a certain appeal to attaching big name voices to your animated feature. If nothing else, it's fun to spend the movie trying to figure out where you've heard that voice before. These actors may not have the range of specialized cartoon voice actors, but they do have the power to amuse and entertain us. Plus, it makes for some entertaining behind-the-scenes with the voice actors DVD special features. Isn't that really what it's all about?

Children of the 90s One-Hit Wonder Mash-Up: 1996 Edition

It's about that time again, folks. Time to delve into the magical world of bygone one-time chart topping artists, that is. The one-hit wonder retrospective is always a bit surprising. In some cases, we may have once thought these artists to be poised for greatness and industry longevity, only to have since forgotten about them entirely. Whatever the explanation, these artists hit it big in mainstream markets with an appealing single and failed to deliver on the much-hyped follow-up.

The outlook's not all bad for our one-hit wonder makers, though. If you ever go to the dentist, you're pretty likely to hear their former hit cropping up on the inoffensive LITE FM radio station being piped into your examination room. With enough laughing gas, you can probably even transport yourself right back to where you were when you enjoyed the song the first time around. Really, with enough laughing gas, anything is possible.

Though they may not have stood the public opinion-administered test of sophomore CD success, in 1996 these songs were among the most-played on the airwaves and in Discmans (Discmen?) everywhere. Considering they don't even make Discmans anymore, these songs aren't the only thing that failed to live up to their initial fanfare and promise. Tough break all around.


Peaches (Presidents of the United States of America)

For the record, this is clearly not the video, just the song set to a bunch of peach-related images. It is sort of amusing though, right?

We just can't leave well enough alone in this country, can we? We're so full of repressed latent sexual content that we keep projecting it onto innocent songs. At least that's what PotUSA claim. The song is really just about peaches. Get over it, people. It's offensive music at its best, so please stop trying to assign it some dark deeper meaning.


Counting Blue Cars (Dishwalla)



This is one of those sort of melancholy-tinged songs that can really pull your mood in the general direction of ennui. Most often, this song is referenced for its line, "Tell me all your thoughts on God/'Cause I'd really like to meet her." Yep, her. How out there is Dishwalla? Just imagine what else they could have made quietly gender-bendingly shocking if they'd churned out a few more chart-toppers.


I Love You Always Forever (Donna Lewis)



I distinctly remember listening to an end-of-year 1996 countdown and hearing this song as the year's top chart hit, so imagine my surprise at learning that this is the last well-performing song we saw from Lewis. "I Love You Always Forever" has that light, airy, sticks-in-your-head-for-all-eternity quality to it. It may not be heavy on substance, but the song makes up for it with catchiness. So much catchiness. Be warned before listening: you're going to be singing this one for the rest of the day.


That Thing You Do (The Wonders)



Okay, so this one is sort of cheating. Technically, it's a song from a movie about a band who learns firsthand what it means to be one-hit Wonders (formerly one-hit Oneders-- feel free to mistakenly pronounce it Oh-need-ers. Really, go ahead. I won't tell.) This is a great movie with an undeniably catchy title song, so it's no surprise that the music translated well to the real-life pop charts. Of course, it wasn't quite at the movie's level of Beatlemania-esque hysteria, but it performed pretty well for a song released by a fictional group.


One of Us (Joan Osbourne)



Every once in awhile, the public just yearns for a pop song that dares to ask the tough rhetorical questions. It helps, of course, if the songwriter is articulate enough to include lyrics like, "Yeah, yeah/God is good/yeah, yeah/God is great/yeah yeah yeah yeah yeah." Throw out those old hymnals, people; this girl's a theological poet.


Macarena (Los Del Rio)


I know, I know, how many times can we talk about the Macarena here at Children of the 90s? Apparently the answer is something like bi-weekly, but we'll have to chalk it up to the fact that it was just that infectious. Forget parental warnings: his single needed a CDC warning. After the song enters your ear canal and undergoes a brief incubation period, The Macarena is doomed to be contagious to others for up to a week. We still see flare-ups of spontaneous outbreaks of the dance today. I think you never really get over it; we're all carriers of the dormant Macarena, our bodies poised and waiting for the song to strike so it can break out into well-ordered group line dancing.


Jellyhead (Crush)



Jellyhead is one of those songs that you might still be sort of embarrassed if it came up on your iPod on shuffle in front of other people but that you secretly relish listening to on your own. Its techno-pop dance beat is fun and upbeat, which might sound strange for what is essentially a breakup song. Somehow, though, Crush makes it wok.


Breakfast at At Tiffany's (Deep Blue Something)



It's a sweet song, but the premise is a little thin, don't you think? If you no longer had anything in common with your significant other, would a shared reminiscence about an Audrey Hepburn movie really rekindle your relationship? Especially considering that the band's original idea for the song had featured Hepburn's Roman Holiday instead. I guess, "So I said, what about, Ro-o-man Holiday" just doesn't have the same ring to it.


Everything Falls Apart (Dog's Eye View)



This is another one of those deceptively upbeat songs, though to its credit "Everything Falls Apart" has significantly more depth than say, "Jellyhead." The music video is just so 90s, from the overacting antics of the lead singers with the brief vignette cutaways. That lead singer really rocks that grungy button-down left open over a t-shirt, too.


Closer to Free (The BoDeans)



This song was actually released in 1993, but it didn't get any chart action until 1996. It became the theme song for the TV drama Party of Five, assuring the song's quick ascendancy to popularity. The BoDeans also recorded a lesser-known theme for Jennifer Love-Hewitt's short-lived Party of Five spinoff Time of Your Life. Unfortunately, like the new show, it seemed their mass appeal was all tapped out.


Their time at the top may have been brief, but most these songs are memorable enough to spark a little nostalgia. Just because we don't have daily conversations about the rise and fall of Dog's Eye View and Dishwalla doesn't mean they're completely forgotten. If you hear one of these songs on the radio, it's more than enough to jar you back to 1996. Well, you know. Give or take some flannel and stringy hair.

Some of our Favorite Stars' Unlikely 80s and 90s Horror Roles

Sometimes we forget that it takes years of careful publicist-managed grooming to create a respectable public persona for an actor. Strange as it may seem now, many celebrities who we respect and admire for their legitimate talent were once groveling for B-movie parts. Hey, everyone's got to start somewhere. The bottom seems like as good a first step as any.

Admittedly, not all of the actors on this list are Oscar contenders, but no matter their current position on the fame totem pole, they've certainly come a long way since these early parts. The sheer number of actors who got their start slumming in campy horror flicks are too many to list in a single post, so I present to you a small entertaining slice of now-famous actors' early horror roles. Extra credit has been awarded for worst titles, least necessary sequels, best punny tagline, and cheesiest poster art*.


Jennifer Aniston: Leprechaun


It's a tale as old as time: someone steals an ornery leprechaun's gold coins, they lock him up, the new homeowners release him, and he wreaks havoc by going on a homicidal spree. Same old story. Well, it should be, at least, considering they made 5 follow-up sequels. The most recent (2003) is Leprechaun: Back 2 tha Hood. I can't believe I missed it.



Jennifer Aniston plays the new homeowner terrorized by the deviant little green guy. Lucky for her, she got her big break with Friends later that year. Without the Rachel role, who knows? She could have been starring in Leprechaun: Back 3 tha Hood.



Leonardo DiCaprio: Critters 3
In case you missed the first two installments, let me fill you in. There are these critters, see. And...that's it. The whole thing. A franchise is born.

Critters 3 is the first clip in this montage. DiCaprio's adorable. Almost as cute as the critters.

This is DiCaprio's first film, a breakthrough role in which he deftly maneuvers the role of the evil landlord's stepson. Spooky, right? This stepdad landlord is so evil that he gets comeuppance in the manner of being locked by DiCaprio in the basement with the critters. And you thought your family was dysfunctional.



Eva Mendes: Children of the Corn V: Field of Terror





I'll bet you never realized this film warranted so many sequels, but apparently these Children of the Corn have a lot of stories to tell. Eva Mendes had a major-ish role in this installment, playing a teenager who surrenders to the cult. She can't quite measure up to Alexis Arquette in the lead male role, but she has her moments.


Mariska Hargitay: Ghoulies


Really? Ghoulies? That' a movie? You know it's a top shelf kind of film when the cover has a low-budget monster popping out of a toilet. And the tagline "They'll get you in the end." Get it? Unfortunately. Really, that was the best they could do.

This. Is. Hilarious. If you're a Hargitay fan, I implore you to watch this. You won't be sorry.

Mariska Hargitay may have won us over as tough-on-sex-crimes officer Olivia Benson on Law and Order SVU, but back in 1985 she was accepting roles like "Donna in Ghoulies." You'd think having Jayne Mansfield for a mom would give you an in. You would be wrong.


Jim Carrey: Once Bitten





Aren't vampires hilarious? That was the central thesis of this 1985 vampire horror comedy starring Jim Carrey in his first major role. The plot is almost too ridiculous to warrant an in-depth study, but suffice it to say it was pretty terrible. At least it was a comedy: that's it's primary redeeming feature.



George Clooney: Return of the Killer Tomatoes and Return to Horror High







Clooney's lucky that he's got his good looks to fall back on: not all actors can achieve such monumental fame after starring in such humiliating horror sequels. I don't want to confuse you with too many clever plot details, so suffice it to say both movies involved an unnecessary revisiting of the first films' respectively ridiculous storylines. Things return.



Brad Pitt: Cutting Class




Get it? Cutting? These movie people are just too punny for words. This was Pitt's first major screen role, with his role as hunky high school basketball Dwight Ingalls establishing him as an up-and-comin hearthrob. Dwight Ingalls in possibly the most prototypical late 80s/early 90s movie character name: cheesy yet unlikely. I wonder if they have a mechanism where you can insert a normal-sounding name and then a corny 80s name like "Dash Harrington" or "Kassandra Kellogg" pops out.


Hilary Swank: Sometimes They Come Back Again



How's that for a sequel title? Sometimes They Come Back... Again. Someone on the writing team could use a refresher course on redundancy. Didn't they already come back? Is it really necessary to add that "again?" Especially when you've already got the "sometimes" in there to imply it happens periodically. It just highlights the fact that this movie is totally unnecessary. Well done.



Whatever my qualms with the title, it does have one redeeming quality: a future Oscar winner. Hilary Swank plays the main character's teenage daughter. I'd offer some more useful details, but to be honest I couldn't even make it through the synopsis. It's just that bad.


Katherine Heigl: Bug Buster and Bride of Chucky

I was going to put the Bug Buster trailer right...here but it was so disgusting I thought it better to spare you. YouTube it at your own risk. If you are terrified of bugs like me, it may be traumatizing. Don't say I didn't warn you.

Another two-for-one deal here for former B-movie stardom. Heigl may have caught our attention with her young role in 1994's My Fatehr the Hero opposite Gerard Depardieu, but it was a good 10 years before she caught her big break with Grey's Anatomy**. During this time she did a few stints on the horror circuit, most memorably as sassy teenager Jade Bride of Chucky, the fourth film in the Child's Play series. By this time they weren't even trying anymore; the series was teetering on the edge of self-referential parody.

That same year (1998) Heigl also appeared in Bug Buster, a film about massive mutant underwater cockroaches. Take a second, it's exactly as stupid as it sounds. To the film's credit, Scotty and Sulu from Star Trek are in it. Other than that, it's pretty much a bust...er. Bug Buster. Right.



Somewhere along the way these stars caught their lucky break, but not before paying their dues with some pretty embarrassing horror flick gigs. It may not be their best work, but it'll be a part of their acting canon for life. Or at least they will stick around to forever haunt them in their readily fan-accessible IMDB pages. Spooky.




*The term "art" here has been used loosely
**To be fair, I also liked her on Roswell

Great 90s Movie Cameos

There's something special about an unexpected cameo movie moment; watching celebrities like Neil Patrick Harris or Mike Tyson play humorously warped versions of themselves in Harold and Kumar or The Hangover tickles our collective fancy in a way that few comedic situations can. Whether the celebrity is playing a version of themself or another bit part entirely, the element of surprise is usually enough to bring us on board with the choice and applaud the creativity and wit of the casting team.

It's the old It's a Mad, Mad, Mad World trick. For those of you out the who never saw the classic 1963 comedy, it featured cameos from what seemed to be every comedian living at the time of filming. It seemed their attitude was if one guest star can bolster the humor, hundreds will make it rip-roaringly hilarious.

There's some debate over what constitutes a cameo. Certainly playing yourself will get you a bona fide cameo credit, but what about appearing onscreen in a small unpublicized role? The jury's not quite in on that one, but for the sake of enjoying these moments at face value wihtout nitpicking over pop culture afficionado sense of superiority-building details, we'll include them in our list.

For your convenience, cameos have been arranged by arbitrary types. These aren't industry standard labels; in fact, I just made them up. That said, you're welcome to use them as you will in everyday conversation...but only if you end that conversation with a hearty endorsement of www.childrenofthenineties.com. You've got to say the whole URL or else face some serious copyright infringement allegations. Sorry, I looked into it. The regulations are airtight.



The "In" Joke

This type of cameo usually has some sort of underlying punchline that's not overtly stated, but it amusing if you know what you're looking at. If done well, it's meta-comedy at its finest. There's a lot of potential for flopping here, so any movie that pulls off the trick deserves some major accolades.


Martin Sheen in Hot Shots Part Deux



This is pure genius on so many levels. The reference to Martin Sheen's roles in Platoon and Apocalypse Now! combined with the shout out (literally) for their joint film Wall Street. This is the ultimate meta-reference cameo. It just goes to show, when it works, it works.


Don Ameche and Ralph Bellamy in Coming to America



Okay, okay, so sue me; this isn't technically from the 90s, but I love it so much that 1988 will have to be close enough to make the list. Also, the quality of the clip is atrocious, but it's something you can willingly overlook in the name of good crossovers. Ameche and Bellamy reference their roles as Randolph and Mortimer in the earlier Murphy vehicle Trading Places. The cameo is just brief and fleeting enough to be likable.



The Out-Of-Left-Field Whammy

These appearances present a picture totally and inexplicably out of sync the actor or celebrity's perceived character. They're not playing themselves (see "The Extras Approach" below), but they're playing a character as whom we wouldn't have thought to cast them.


Bob Saget in Half Baked



For those of us unfamiliar with Saget's raunchier stand-up, this was the ultimate out-of-left field whammy. Danny Tanner would never say this. Interestingly enough, the line is dubbed for cable TV as Saget saying he sucks "feet" for coke. That actually just made it so much worse.


Dave Letterman in Cabin Boy



I'll say up front, this is not a great movie. It's not even a good movie. This cameo, in fact, is probably Cabin Boy's only major redeeming feature.

Dave Letterman as...salty fisherman? It just doesn't add up. His acting is nothing to write home about, but there's something legitimately funny about this scene. Unfortunately, that's something of an anomaly for Cabin Boy. Writer and star Chris Elliot was a former writer on Letterman's show, so it's only fair for him to give his old boss his due by letting Letterman call him a "fancy lad."


Mel Gibson in Fathers' Day

It's official...no footage of this cameo exists online in any visual aid-style format. You'll just have to watch the movie for yourself.

Well,at least it was out of left field when we still knew Gibson as a heartthrob leading man and not a religious enthusiast with occasional tendencies to spew anti-Semitic remarks and refer to waitresses as "Sugar Tits." I believe Gibson is credited as something like "pierced guy" in this movie.


Elvis Costello in Spice World


Actually, make that Elvis Costello, Elton John, Meatloaf, Bob Geldof, Anthony Hopkins...what exactly are all of these respectable people doing taking bit parts in Spice World? It baffles the mind. Perhaps they were all just serious supporters of girl power.


Alanis Morissette in Dogma



This technically could also be characterized as The Big Surprise, particularly because it comes close to the end of the movie. The Out-of-Left-Field Whammy on this one is that apparently Kevin Smith thinks the celebrity who best exemplifies godliness is Alanis Morissette. It's a little bit ironic, don't you think? By her standards, I mean. Not in the actual sense of irony in its proper usage.


The Big Surprise

We don't know why exactly they're there, but we're thankful they showed up. This sometimes requires a double take to determine the star's identity, usually because either a)they are in disguise b)their appearance was unadvertised and unexpected or c) it is really, really unlikely that they would agree to this.


Billy Crystal in The Princess Bride



Some might argue this is more of a small role than a cameo, but Crystal's disguised appearance tilts my judgment more toward a Big Surprise cameo.


Charleton Heston in Wayne's World 2



Really? Charleton Heston in Wayne's World 2? Really?


Christopher Walken in Pulp Fiction



This is a great movie and a great scene. Walken owns this cameo, if you want to classify it as such. It's just one of the best. Short but utterly memorable.


Alec Baldwin in Glengarry Glen Ross



Remember when Alec Baldwin used to play serious roles? There's some debate as to whether his brief seven minute appearance in the film constitutes a cameo or just a bit part, but there's a general consensus about his skill and adeptness with the role. Geez, he was skinny here. To his credit, though, he's still got that hair.



The Extras Approach

If you've never seen the HBO series Extras, here's a quick run-down of the premise. A celebrity plays a twisted tongue-in-cheek version of him or herself that doesn't usually mesh with their public persona.


Billy Idol in The Wedding Singer


I can only hope that if I ever get bumped to first class, Billy Idol will introduce me over the mike. He's such a badass. Idol still pulls off his 80s look so many years later. Well, sort of. At least as much as he did the first time around.


Bob Barker in Happy Gilmore



I always knew Barker had it in him. Barker beats up Happy Gilmore when they're unfortunately paired for a celebrity golf tournament, and let me tell you, it is awesome. Bob Barker is such a sport for agreeing to this completely ridiculous cameo.


Brett Favre in There's Something About Mary

Geez, Favre has been around a long time. I used to have a huge crush on him, which was taboo for me as a Vikings fan. Luckily, now I have a legitimate license to swoon over this scene. Favre is actually pretty funny, here, too. Sometimes these athlete cameos fall flat, but he works it smoothly.


The Good Sport

Whether you're the subject of a biopic or forced to endure a questionable remake of a film you starred in years earlier, these lesser-noticed cameos prove their subjects to be good sports about the whole ordeal.



John Lovell in Apollo 13



I couldn't find a better still or video clip, but the back of that navy captain's head is the real astronaut Mr. John Lovell himself, congratulating his fictional biopic self (Tom Hanks). After all he went through, he absolutely deserves some screen time. And, you know, a whole movie detailing the failure of his mission. That would work, too.


Erin Brockovich in Erin Brockovich


The real Erin Brockovich appears in her eponymous film as waitress wearing a nametag bearing the name "Julia." Get it? Because Julia Roberts is playing her? What will these writers come up with next?


Larry Flynt in People vs. Larry Flynt


Yep, that's Flynt himself at 1:01, filling in a cameo as the judge in the movie about his own life. Like most Good Sport cameos, it's a brief one, but it's a respectable nod to the man himself.


These scenes won't usually make or break a movie, but they do have the power to entertain us on a totally unexpected level. A cameo is like a little surprise party; you go in expecting things to be business as usual, and then the unforeseen kicks in and spices it up. Whatever the style or reason behind these bit roles, you've got to appreciate the celebrity's willingness to play along. More often than not, their few minutes onscreen will be the ones we go on to remember.