Tuesday, August 11, 2009

Warheads


The 90s were the age of extreme. Extreme sports, extreme caffeinated beverages, and even extreme candy. That's right, extreme candy. Though it may seem counter-intuitive to assume a candy can possess daring, risk-takable qualities, the 90s made it happen. Sure, you had to endure a great deal of pain and discomfort, tooth enamel loss, and burned off taste buds...wait a minute. Where was I going with this?

Ah, yes. Extreme. The simple qualifier that made children and teenagers delight in torturing their taste buds, no questions asked. Children are a wonderfully flexible market demographic. If through marketing you can somehow manage to convince children that intentionally putting themselves in a great deal of tear-inducing pain is a means of proving themselves on the playground, then by all means do so. After all, convincing children that something is cool is a hell of a lot easier than adults, and takes far less logical explanations.

Hence was the case with Warheads. If measured on a quality scale devoid of context, these hard candies would have relatively little value. They were eye-poppingly sour, made possible by all sorts of unnatural acidic ingredients created in labs. Warheads contained very little in the way of anything found in nature. The experience of eating a Warhead in itself was not innately pleasurable. Rather, advertisers had managed to convince us that our endurance of their sour taste was in some way to scale with our general coolness reputation.


In retrospect the notion is completely ridiculous, but as children we swore by it. Playground peer pressure quickly swept the nation as kids inexplicably agreed that the ability to consume an unbearably sour candy was the hallmark of coolness. Never mind that these babies were named for a form of nuclear weaponry. Never mind that the packaging pictured a mushroom cloud erupting behind a struggling, miserable looking mascot with bulgy eyes and puckered lips. We wanted our sour candies and that was that.

Indeed, these suckers required a warning label. Though not found on original packaging, current Warhead wrappers sport the following caveat:

"Eating multiple pieces within a short time period may cause a temporary irritation to sensitive tongues and mouths."

Right. So what you're telling me is right there on the package, it indicates that this will be a horrifying unpleasurable experience certain to disrup
t the normal balance of my natural mouth environment. Sounds like something I'd like to eat!

Warheads came in numerous varieties such as Mega and Atomic. In early days, the company even had the bright idea to manufacture a "hot" version of the candy. This experiment proved intensely disgusting, but remarkably did nothing to detract from the strength of the Warhead brand. You're telling me you're willing to continually put your trust in the people who arbitrarily believed that you as a child consumer would delight over "Hot Grape?" Give me a break. I've got a bottle of Dimetapp and a microwave at home, buddy. Nice try.



In the spirit of cough syrup, Warheads are now available in liquid form. There's nothing quite like eye-dropping some painfully sour substance onto your tongue, droplet by droplet. Yum!

The underlying principle behind the explosive popularity of Warheads lay largely in children's inherently competitive nature. A bitter and sour candy alone is not particularly desirable, but a bitter and sour candy that allows you to go head-to-head (well, Warhead to Warhead) with cocky classmates? Sign me up. It was peer pressure at its very finest. Warhead-eating contests became a common phenomenon, even boasting a widely-accepted list of universal rules for sour endurance.

The candies were also prime targets for absurd urban legends based on the questionably chemical candy components and tongue-burning taste. We heard rumors that children had burned off all of their taste buds or lost all sense of taste from overexposure to Warheads. You have to admit if you've ever managed to get through the sour coating of a Warhead that that seems vaguely plausible. These legends fell somewhere on the believability spectrum between pop-rocks-and-coke and sitting-too-close-to-the-tv-will-make-you-blind. It seemed possible. The idea that the mere passive act of eating a candy could be daring and dangerous and could cement your reputation was too good to pass up. Hey, I'd be willing to sacrifice a few taste buds if I could be Four Square King every day at recess. Just sayin'.



In reality, the only thing you were proving was that you were gullible enough to believe that enduring a disgusting sour coating for 30 seconds was in some way correlated to your social standing. Sure, it came with the added bonus of your overenthusiastic classmates cheering you on and the almighty title of Warhead conqueror, but it wasn't exactly a marketable skill. I have yet to go on a job interview where the boss has said, "Your resume looks great, everything seems to be in order. Oh, just one more thing--how are you with mega atomic Warheads?"

Regardless of its lack of application, this level of pain threshold was bound to make you at the very least a minor classroom celebrity. So embrace the lip-puckering sourness. It may not be particularly palatable, but it's still better than the alternative.

Monday, August 10, 2009

90s Catch Phrase Mash-Up Part Deux: TV Edition

90s TV was nothing if not quotable. In some cases, overly so, as the decade unleashed a maelstrom of oft-repeated phrases that surreptitiously wound their way into our vernacular. One night you heard it on TV, the next you found yourself saying it at dinner. We just couldn't help ourselves from inserting these television phrases into our conversations. Though over time they may have lost their original humorous luster, you've got to give these shows credit for these enduring and timeless little contributions to society.


Seinfeld

Seinfeld was a whole world unto itself, so it was no surprise that it spawned innumerable quotable lines. Famous for its self-proclaimed status as a show about nothing, the series frequently took the most minuscule and mundane of daily experiences and turned it into a half-hour of quirky entertainment. Though Seinfeld's memorable lines are numerous, there were two in particular that wormed their way onto everyone's lips.
No Soup for You!



The tyrannical Soup Nazi, based on an actual immigrant soup chef in New York City, was famous for arbitrarily admonishing customers and denying them the coveted opportunity to purchase his delicious soups. One minor misstep in soup-line courtesy could lead the dreaded excommunication, demarcated by the chef bellowing, "No soup for you!" and subsequent refusal to sell to the patron. Both his trademark phrase and his alleged title of Soup Nazi crept into our vocabularies, though you can bet the 251st time you heard some shmoe exclaim, "No soup for you!" it had long since lost its humor.

Yada, Yada, Yada



In the eponymous episode ("The Yada Yada"), George is a smidgen concerned over his current girlfriend's overuse of the filler phrase, "yada, yada, yada." While admittedly brief and concise, he's forced to wonder what heinousness she may be glossing over. In an instant, this phrase skyrocketed in popularity, both for its Seinfeld fame and its forgiving nature to unscrupulous details.



Friends

Friends was a veritable 90s empire, both in its longevity and sustained popularity. While all of the characters had their quirks and habits, perhaps none was more memorable than lovable simpleton Joey's trademark pick-up line:

How YOU doin'?



You have to admit, the phrase did prove pretty successful on the shoe, as Joey was typically quite the ladies' man. "How YOU doin'?" quickly spread to pick-up scenes everywhere, with a notably lower success rate for real life use. We can't all be Tribbianis.


Full House

Full House was fun for the whole family, with clean humor and an unblemished record of "cue-sappy-music-and-dad's-words-of-wisdom-speech" at each show's 25-minute mark. The show's characters were incredibly one-dimensional, allowing both awesome stereotyping and extreme repetition in behavior. In no time at all, many characters latched onto a trademark phrase that highlighted their unwaveringly constant personalities.

Have Mercy!



Though the above clip highlights a rare Danny Tanner version, the line was usually uttered by my longtime childhood crush, a one Uncle Jesse Kastopolis. The phrase generally expressed Jesse's inevitable good luck, in the first few seasons generally pertaining to his luck with the ladies. For the record, if given the opportunity I would agree in an instant to becoming a Jesse and the Rippers groupie. Have mercy.

How Rude! You got it, dude!



See how irritating that gets after just a few minutes of repetition? Now multiply that times every child tuned in to Full House every week. It's a frightening volume of catch-phrases. Yes, Stephanie and Michelle were adorable children, but good God did they they say those phrases a lot. I'll concede that it was pretty cute the first few times, though. That's just common sense.


Family Matters

Steve Urkel of Family Matters was the quintessential nerd, from his high water pants to his over-sized glasses. His distinctive nasal tone of voice was unmistakable. As he was famous for his klutziness and general zaniness, it's no doubt the show's writer branded him with a trademark catch phrase to absolve him of blame.

Did I Do That?




Find the audio here. ...I warned you.



Blossom

Joey Lawrence played Joey Russo, Blossom's slow-witted jock brother. While Joey may not have been particularly adept at schoolwork, he was skilled in extreme repetition of the word, "Whoa!" It really worked for him, considering he was relatively shocked and surprised at everything. Before you knew it, we were all whoa-ing right along with him. By the way, have you seen a recent photo of Joey? I'm pretty sure you have, considering he danced with the stars, but really, it's enough to make you say, well, whoa.


Woah!





Southpark

Southpark was not particularly revered for its subtlety. It's humor was more along the lines of crass and juvenile than nuanced and sophisticated. Co-creators Matt Parker and Trey Stone's juvenile humor is well-suited to their third grade subjects, though the level of appropriateness is probably a bit beyond elementary. In each episode of the first five or so seasons, major character Kenny McCormick was brutally killed in some unspeakable way. With each coming death, one of his friends would inevitably exclaim, "Oh my God! They killed Kenny! You bastards!" While the gag has since been largely abandoned, it was a predominant theme in early seasons. In typical cartoon fashion, by the time the next episode aired there was Kenny, alive and well without explanation.

Oh my God! They killed Kenny! You bastards!





The Simpsons

The Simpsons' cultural impact is so immense that they actually managed to impact the gold standard of language: the dictionary. That's right, the Oxford English Dictionary actually began including the phrase is its 2001 edition. Though originally billed simply as "annoyed grunt" in production scripts, voice actor Dan Castallanetta did his magic and left and lasting impact on our language.

D'Oh!



Homer isn't the only Simpson to infiltrate our language: son Bart has left quite the indentation himself. Bart's recognizable phrases are vast, though they were far more prevalent in early seasons. Here's a light smattering of these once-delightful but now decidedly overused Bart-isms:

Don't Have a Cow, Man!




¡Ay, caramba!




Cowabunga





Eat my Shorts





Dinosaurs:

Baby Dinosaur was right, you know. Who doesn't love babies? Especially baby dinosaur puppets? You'd have to have a heart of steel to not aww just ever so slightly at his misshapen-headed appearance. Baby was rather lovable, and sought to remind us of it at every turn. My all time favorite incarnation of Baby's catch phrase is in his inexplicably entertaining music video:


I'm the baby, gotta love me!






Who Wants to Be a Millionaire:


Who doesn't love a good dose of suspense? I certainly imagine Regis Philbin and the producers of Who Wants to be a Millionaire? were pretty partial to it. Hence all of the hemming and hawing and dun-dun-dun music. It's all enough stress to give you a heart attack, even if you're just playing along at home. Perhaps the most suspenseful moment was in Regis's poker-faced delivery of, "Is that your final answer?" The question was enough to make even the most confident of contestants hesitant to commit. The show's immense popularity meant this phrase was everywhere, from coffee mugs to t-shirts, leaving most of us wishing that he'd just let the contestant decide for himself already.

Is that your final answer?




Naturally this list is far from complete, but it does represent some of the most overused and over-repeated television catch phrases of the 1990s. While now it is safe to reminsce on them from a safe chronological distance, at the time the casual insertion of these phrases into everyday conversation led to inevitable moans and groans. Remember folks, don't try this at home. Just because it's funny when someone making a million dollars per episode says it does not guarantee it will have a similar effect coming out of your mouth. Don't say I didn't warn you.

Friday, August 7, 2009

Reading Rainbow


Were you aware that reading allows you fly approximately two times as high as a butterfly in the sky? And that reading enables you to simultaneously be both anywhere and anything? Powerful stuff. Thankfully, as an avid watcher of Reading Rainbow, I was keyed in on this kind of insider literate knowledge. That mesmerizingly soothing theme song drew me in time after time:

Butterfly in the sky, I can go twice as high
Take a look, it's in a book - Reading Rainbow.

I can go anywhere!
Friends to know and ways to grow - Reading Rainbow.

I can be anything!
Take a look, it's in a book - Reading Rainbow.

Reading Rainbow, Reading Rainbow, Reading Rainbow, Reading Rainbow!




Hosted by LeVar Burton, Reading Rainbow was an educational children's television series created in the 80s to encourage elementary-age children to read. While initially a summer exploit, its popularity soon propelled it into a year-round venture. Reading Rainbow was a touchy-feely approach to children's book-learning, combating the evils of distracting adversarial forces of literature.

Like TV.

What's that you ask? Wasn't Reading Rainbow on TV? So what you're telling me is that kids were encouraged to watch TV as a measure to get them away from mindless television entertainment and into a cozy literate environment?

Yep. That's exactly what I'm telling you. Glad to see we're on the same page. Or in this case, channel.

Sure, it seems vaguely counter-intuitive, but Reading Rainbow was probably a welcome shift from the mind-numbing children's television entertainment that predominated the airwaves in the 80s and 90s. I suppose if parents were forced to choose a TV program to babysit their children, they may as well go with the lesser of two evils. At least the kid might get to see Billy Cosby reading an Arthur book in one of his trademark sweaters.


Everyone knows the best way to prove your love of reading children's books is to submerge yourself in them completely


Yes, Reading Rainbow featured a vast spectrum (insert groan here) of celebrity guest readers. Not just public television celebrities like Snuffleupagus or Lambchop, but real living, breathing celebrities that parents had actually heard of. People like Julia Child, James Earl Jones, Maya Angelou, Gilda Radner, and Richard Gere showed up to narrate a children's book, all in the name of child literacy. Admirable, no?

The show was more than just on-screen reading, though. Each episode generally reflected a single theme, featuring multiple books, children's reviews, and segments on issues like diversity, new experiences, self esteem, and most importantly, The Library. Reading Rainbow loved The Library. Like got-down-on-one-knee-and-proposed-to-pledge-eternal-love love. Every two minutes, we'd get another cheery plug for visiting our local library. God forbid any of us readers support the featured authors themselves by heading out to purchase the books.

Okay, okay, I admit I'm being a bit facetious. I love the library. It was one of my most favorite hangouts at a child. Actually, as a kid there's no way I would have noticed any TV show plugging anything. My favorite Saturday morning cartoons could have been surreptitiously selling me crack cocaine and I wouldn't have even an inkling that the show had been sponsored by the crack industry. I suppose there are worse things than a couple of relatively subtle nudges to go visit my local library. I retract my previous barb.


Reading Rainbow was more than adept at achieving its ultimate goal of encouraging children to read. It's format was simple, but it got results. Parents were pleased to see their kids getting excited about reading. Kids were pleased to see their parents excited about letting them watch TV. Everyone was a winner.

If your parents were either nerds or suckers for historical miniseries, they no doubt trusted deeply in the educational guidance of LeVar Burton. Known for his roles in both Star Trek: The Next Generation and Roots, Burton was a pretty credible source. That's not even counting his contributions to the planet as Kwame on Captain Planet. Oh, LeVar. Is there anything you can't teach?

If your parents did happen to be Trekkies, they were able to geek out with LeVar every now and then. In the segment below, he gives a behind the scenes look at the making of Star Trek: The Next Generation. Prepare to be beamed out of your minds:



Personally though, my favorite segment was usually the kids' very own book reviews, I am proud to present a short segment of a review, posted on YouTube by the star herself who no doubt now deeply regrets her choice in lenswear. But you don't have to take my word for it*:



Well, that's all we have for you today, kids. In the ever-wise words of Mr. Burton himself, I'll see you next time.**




*In the case that you were unaware, this was Mr. Burton's opening catchphrase prior to the children's reviews
**This was the closing catchphrase. I know, I know. My use of it in my own closing was pretty deep and symbolic. You don't have to tell me. Now it's off to enjoy my weekend after all of that deep-thinking about metaphorical reinterpretations. Oh yeah, and see you next time.

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