Friday, June 18, 2010

90s Disney Ballads


If you’re in the market for some new potentially embarrassing musical material to get you through a mind-numbingly dull road trip or your daily shower singing session, look no further than the 90s’ collection of powerful Disney ballads. These songs are just begging to be sung by warblingly off-key amateurs; sure, Disney ballads are impressive in their original form performed by respected industry favorites, but they’re that much more fun when butchered by passionate novices.At least that’s how I see it. My former roommates who had to endure those strained high notes emanating from our shared bathroom’s shower--well, they may not feel quite the same way. Sorry, guys.

So next time you’re looking to belt one out, consider partaking in one of these delightfully cheesy Disney power ballads from the 90s. It certainly won’t earn you any street credibility at the local karaoke bar, but it will leave you with a satisfying blend of nostalgia and sore vocal chords. If you’re ready to make that sort of sacrifice in the name of musical animated classics, here are Children of the 90s’ recommendations for either most inspiring or most painful--depending on your level of vocal expertise. Oh, and wherever available I stuck in some videos with lyrics to facilitate your sing-alongs. You’re welcome.

Whole New World (Aladdin)



What would Aladdin and Jasmine’s magic carpet ride be without this catchy duet? It really makes the moment. I do sort of like that the Wikipedia entry on the song includes its translated titles in the foreign dubbed versions. For example, the mainland China version is called, “Meet by Chance.” In France it’s “This Blue Dream.” It doesn’t have quite the same ring to my American ears. “This Bluuuuuuue Dreeeeeeeam....” Hmm. Not working for me.


Part of Your World (The Little Mermaid)



I will admit, when I look at that stuff, I do find it to be awfully neat. In fact, the collection seems to be just about complete. It just screams, “Think that Ariel is a girl who has everything!” But then I must fight my instincts and realize that the human artifacts in Ariel’s undersea cave can never equal the glory of having human legs. She may rock the shell bra, but that’s not enough to get her out there walking on one of those--what do you call it? Streeeeets.


Beauty and the Beast (Beauty and the Beast)


There’s something uniquely charming about a ballad crooned by a kindly matronly teapot. It’s just that much better when you find out that teapot is actually Angela Lansbury of Murder, She Wrote; she’s got serious cross-generational appeal. Grandparents, rejoice!


Reflection (Mulan)



You know you’re looking at a serious Disney ballad when the single version is performed by Christina Aguilera--she can really belt it out. “Reflection” has just the right balance of heartfelt emotion and grrrrl power. It’s like watching the Spice Girls rescue a puppy. Kind of. Okay, not really. You come up with a good comparison, then. Really, give it your best shot. Tough, huh?


You’ll Be In My Heart (Tarzan)



Just in case you ever wondered what it would sound like if the mastermind behind “Sussudio” recorded a heartwarming Disney ballad, here’s your opportunity to find out. Phil Collins’ “You’ll Be in My Heart” charted well on the Billboard Top 100, rising to the 21st spot--not bad for a Disney song.


Colors of the Wind (Pocahontas)



Speaking of decently-charting Disney songs, Vanessa Williams’ end-credits version of this Pocahontas ballad peaked at #4 on the US charts. It’s undeniably cheesy, but at least it has an underlying message. Well, it does if you ignore the fact that Disney completely ignored all actual historical and/or cultural elements of the real Pocahontas story in their retelling. It’s a message, sure, but probably not a historically accurate one. Oh well--at least it’s catchy.

Can You Feel the Love Tonight? (The Lion King)



Well? Can you? The falling-in-love-with-an-old-platonic-friend-in-a-matter-of-minutes montage certainly helps move things along at a steady pace. With the aid of these handy visual, you will indeed feel the love. Tonight.

Runner Up: Circle of Life. Only you can memorize the words in the intro, though. Otherwise, it’s just not worth it.



Go The Distance (Hercules)



I’m not ashamed to tell you I kind of like the Michael Bolton version that plays out the credits. Well, not that ashamed. Perhaps I should be more ashamed to admit I have the Spanish version--performed by Ricky Martin, no less--on my iPod.


God Help the Outcasts (The Hunchback of Notre Dame)



I felt compelled to include a song from all of the Disney musical animated films of the decade, but truthfully this one doesn’t pack quite the same punch as some of the others. Sorry, Esmeralda--you’re just not doing it for me here. There’s cheesy and then there’s over-the-top milking for emotional responses. Add in the Bette Midler version and it’s just too much to bear.

Thursday, June 17, 2010

Kid Cuisine

Note: Sadly, I could not find a good picture of the old school packaging featuring 90s mascots BJ and The Chef. You will have to settle for this more recent--and of course, vastly inferior--rendition. I apologize for the visual inconvenience.


As they say, there's just no accounting for taste. Particularly in children, as they usually either a) have none or b) are not voting party members in the menu-planning decision process. In either case, kids are wont to eat a variety of overprocessed food that most adults find revoltingly unappetizing at best. I don't see many people around my office brown bagging Lunchable stackables or fruit Gushers, but you can bet their children would be psyched to gain some cafeteria cred from packing them.

For kids, novelty is a major factor in the appeal of any type of food. Taste and presentation are relegated to afterthoughts when effective marketing and cutesy cartoon mascotry are in play. To a child, a flavor vaguely reminiscent of sawdust and onionskins is a small price to pay; if the cartoon penguin tells you to do it, you do it. It's that simple.

Kid Cuisine debuted in 1990 as a niche product claiming to offer quick and easy kid-friendly meals. These prepackaged frozen dinners a la Lean Cuisine featured standard children's meal fare such as macaroni and cheese or chicken nuggets. In typical frozen meal fashion, Kid Cuisine consumers usually sacrificed flavor and taste for convenience. KC dinners were far from culinary masterpieces, but they were the lazy parent's and unskilled babysitter's saving grace at mealtime.



In their early days, however, ease was the primary redeeming quality of these questionable dinners. The compartmentalization of the microwave-safe trays was always sketchy if best, leading to less than savory results after heating. It was not uncommon to open the microwave door to a mysterious mishmash of food items overflowing from one pocket to the next. Even kids knew you weren't supposed to eat creamed corn on your brownie or mash green beans into your pizza. It simply isn't done.

Truthfully, the compartment crossover was not always such an issue; it's all part of the magic of each meal component tasting exactly the same. No matter what the dinner claimed to be on the outside packaging, the food always retained a taste markedly similar to the packaging it was nuked in. At the end of the day, pudding in your mac and cheese isn't so bad if it all has the same general flavor: mass-produced institutional. Yum.

To their credit, Kid Cuisines did come with a "Fun Pack," a small Cracker Jack prize-esque activity book filled with mini games or stickers. While the title "Fun Pack" may be slightly presumptuous, it did prove a popular addition to the frozen prepackaged food market. The only problem? These things come frozen. Those activity booklets were pretty chilly.

The meal's frozen nature also provided another dilemma: not all types of foods can and should be microwaved at the same level for the same amount of time. Kid Cuisine's one-size-fits-all approach meant that every item in the tray had to undergo the same degree of nukage. That meant a frozen corndog and a frozen Oreo got the same general heating treatment. Results? Major sogginess.



From a nutritional standpoint, these meals were far from well-balanced. To be fair, in the 90s the TV commercial version of a well-balanced breakfast included 2 eggs, toast, orange juice, bacon, potatoes, cereal, and milk, so maybe our portion perceptions were partially skewed. What passed Kid Cuisine quality inspector muster as side dishes would have made staunch starch enthusiasts blanch at the pure volume of complex carbohydrates per package. Even the most lenient and nutritionally ignorant of parents probably knew deep down that pasta, pudding, an Oreo, and some corn niblets does not a sound meal make.

Luckily, with the help of some lovable commercial mascots, kids will eat pretty much anything. Anthropomorphic penguin BJ and bear "The Chef" were more than eager to shove these calorie-laden celebrations of starch down our juvenile throats. I'd never considered myself endeared to BJ and The Chef until I learned they were more recently replaced with some ripoff penguin character, KC. Is nothing sacred? Who makes the food if there's no chef? Who, I ask you? It just doesn't add up.

Logic withstanding, someone (possibly replacement second-string penguin mascot KC) keeps churning out these meals. In case you were wondering, they are disgusting as ever. To save you from having to find out for yourself, here's an ad featuring KC and one of the most nutritionally questionable Kid Cuisine options yet: macaroni with squeezable cheese sauce topped off with a Fruit by the Foot knockoff. This is by no means current, but the product's downward spiral into deeper caloric jeopardy is amusing nonetheless. Enjoy.

Wednesday, June 16, 2010

Seinfeld


It's tough to gauge the implications for 90s pop culture when one of the decade's most popular sitcom had a premise entirely devoted to "nothing." What exactly does it mean that we in the 90s openly embraced nihilistic entertainment that indulged the minutiae of everyday life. At a time when most sitcoms focused on learning valuable and ultimately heartwarming family-friendly lessons, Seinfeld held its own stubbornly dedicated to a principle Jerry Seinfeld referred to as "no hugging, no learning." That is, there don't have to be happy endings; in fact, it's much funnier without them.

Seinfeld ran on NBC from 1989-1998, though much of its enduring popularity stems from widespread syndication. As children, many of us may have missed the subtle (read: not child-friendly) nuances of the show, but as grownups we have plentiful opportunities to reconnect with Jerry, George, Elaine, and Kramer--the show still airs two or three times a day in most US markets. It's a testament to the show's longevity that it still enjoys moderate rating popularity in syndication over a decade after the series finale.

While many shows fail to stand the test of time, the humor of Seinfeld transcends current cultural references. Its absurdity and complete lack of moral compass make it an enduring favorite. Apparently sociopathic neuroses never go out of style. Good to know, huh?

As a sitcom, Seinfeld had a unique skill for coinage and infiltration of popular culture. While the show's writers claim they did not generally set out to create memorable catchphrases, many popular episodes launched witty one-liners and phrases into our lexicon. There is something so eminently quotable about the show, it's tough to keep even the now-most overused of phrases from slipping into our everyday conversation. In fact, just the other day, I shook a woman's hand and immediately realized she had the definitive man-hands: I could practically see her tearing those lobster claws with those burly paws of hers. It just goes to show: without the handy aid of Seinfeld, we may never have morphed into the nit-picking, easily irritated mentally maladjusted individuals we are today.

While this single post can by no means offer a comprehensive list of Seinfeld catchphrase, below are a random sampling of Seinfeldisms. You're welcome to drop your own favorites in the comments section. If you're ever desperately in need of an overly fault-seeking critique or assessment of a trivial situation, look no further than these helpful words and phrases.


"Yada, Yada, Yada"



"Yada, Yada, Yada" serves as a handy means of glossing over potentially incriminating details in a story. In the case of a long and boring anecdote, yada-ing can also help get to the point before your audience loses all interest.


"Master of Your Domain"



In the Seinfeld episode "The Contest," George's mother catches him in a rather indelicate situation, prompting the group to speculate on who can last the longest without becoming, er, master of their domain. Allegedly the story is based on an actual experience of writer Larry David, which is either very funny or very disturbing depending on how you look at it.


"Low Talker" "Close Talker" "High Talker"



These unfortunate speech habits can lead to some pretty awkward situations--a "low talker," for example, might so quietly ask you to wear a puffy pirate shirt on network television that you fail to comprehend the request. Totally humiliating.


"No Soup for You!"



Possibly one of the most-quoted Seinfeld language, the so-called "Soup Nazi" was actually inspired by real New York soup shop owner Al Yegeneh, who was justifiably less than pleased with his portrayal on the show. True story notwithstanding, actor Larry Thomas plays a delightfully deadpan version of the temperamental soup vendor, expelling customers from his shop for the most minor indiscretions.


"These Pretzels are Making Me Thirsty!"



After landing a bit part in a Woody Allen film, Kramer delivers his totally unnecessary one-liner, "These pretzels are making me thirsty!" The line popped up in several subsequent episodes, serving as an interchangeable expression of annoyance and irritation.


Shrinkage



Poor George just can't catch a break; he seems forever destined to endure one soul-crushingly humiliating situation after another. Following a dip in the chilly water, George's female Hamptons housemate catches him changes and makes some rather cruel digs at what she saw, leading George to defend himself with the airtight "I was in the pool!" To get revenge, he tricks her to disobey religious dietary laws by eating lobster. Not a perfect revenge, but a satisfying one nonetheless.


"Double Dip"



Want to cause a scene at your girlfriend's aunt's funeral reception? Here's a foolproof trick: disgust everyone in attendance by dipping a chip, taking a bite, and then redipping the chip after mouth contact. Worked for George.


"Helloooooo"



In "The Voice," Jerry is faced with a crucial dilemma: he must choose between his attractive girlfriend and his oddly deep-voiced impression of what he imagines her stomach would sound like if it could talk. Truly a problem for the ages. To be fair, the voice is hilarious, but Jerry's girlfriend didn't see it that way. You've got to really love an impression to sacrifice love and affection for the privilege of bellowing, "HELLOOOOO!"


Art Vandalay



It's usually pretty helpful to have a fake name on hand for all situations that warrant it--a person you're meeting in a random office lobby, the employer you claim to be interviewing with, or an imaginary boyfriend or client. Just don't be upset if this pseudonym turns out to be not only a real person, but the judge in your controversial series finale trial. Believe me, it happens.

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