It’s that time of year again. You know the one: the time for back-to-school shopping and all the fresh-smelling new school supplies your child-sized heart can fathom. It’s tough as adults to deny the covetousness we feel when passing the mid-to-late August back-to-school displays at Target or OfficeMax. Even former low-performing students with an aversion to all things academic feel the allure of freshly sharpened pencils and shiny new folders; they symbolize an anticipation for a year that’s tough to match as a grown-up as the seasons blend together in ubiquitous office life.
Though we can’t go back to those simpler times in which colorful erasers could denote immeasurable promise and potential, we can at least reminisce about the items that gave us that rush of August or September excitement. I even give you full license to stop at that school supply display next time you’re out shopping and buy a 45 cent puppy folder or two--it’s a small price to pay to recapture the delight of back-to-school items like these.
No back-to-school supply list would be complete without a big binder to hold it all together, and no binder proved more popular in the 80s and 90s than the Trapper Keeper. With its flashy licensed designs and velcro closure, it served as the perfect all-purpose paper holder for school-age children.
We’ve talked about Lisa Frank merchandise a lot here at Children of the 90s, and with good reason: it was everywhere. You couldn’t open a girl’s backpack in the mid-90s without finding a store inventory-level variety of Lisa Frank paraphernalia. Most little girls have a natural inclination toward loving colorful kittens playfully canoodling with high top sneakers or bunny rabbits laced tightly into ballet slippers. Lisa Frank simply played into this scientifically proven fact with major financial results.
Sanrio Erasers All kids need to clean up after their mistakes, so what better way to do so than with an eraser printed with the whimsical Japanese Sanrio characters? Whether you were a Kerroppi fan or a Batz Maru fiend, these collectable erasers usually found their way into your pencil box.
Yikes! Pencils
Yikes! Pencils were all the rage in the early-to-mid 90s. As the above commercial suggests, Yikes are the only pencils as unique as you. Even though everyone else had them. Aside from that minor detail, the commercial tagline says it all: “They write like other pencils, but they make you go, ‘Yikes!’”
Pencil Cases
Of course, you had to store all of these supplies somewhere: your cubby wasn’t going to organize itself. Selection of the perfect pencil case was always a good way to kick off a new year. It was important to set the tone with a colorful translucent plastic case textured with bumps or perhaps the more sensible opaque case bearing a picture of--you guessed it--pencils. There’s something to be said for taking things literally.
Gel Pens Following the release of gel pens, it seemed all art supply and office stores immediately had the best colors placed on backorder. The reason? Young children purchased these writing utensils nearly as quickly as they were shelved. With fun metallic or signature “milky” colors, gel pens were a fairly certain way to render your eventual yearbook inscriptions both sparkly and indecipherable.
Lunchables aren’t exactly a school supply per se, but they were a staple for earning some serious cafeteria clout. Parents concerned with nutrition and possessing general anti-junk food attitudes weren’t likely to be found of these lab-generated Oscar Meyer concoctions, but parents short on time seeking convenience surely appreciated their simplicity. They may not have borne especial resemblance to real food, but they were fun to assemble and devour. Plus, the fancier versions came complete with fun size candy bar and Capri Sun juice box. What more could you have asked for?
Pencil Toppers For those of us who couldn’t decide between toys and school supplies, pencil toppers provided us an excellent middle ground. Teachers undoubtedly despised these unnecessary distractions for their complete lack of functionality, but kids adored the notion of their pencils wearing a little Troll doll hat. Adorable.
If ever there was a movie to make a generation of children wish they could act as mother and migration guide to a flock of adorable Canadian geese, Fly Away Home is it. To be fair, it sort of has the market covered; the premise of the movie is so specific and original that we can safely say there is no other family film quite like it. While it may have given us all some unrealistic expectations about the boundless potential of our parents to swoop in (literally) and save the day, Fly Away Home is ultimately a feel-good story about the power of family and the triumph of doing the right thing. Plus, it showcases the surprising cuteness of Canadian geese. Those little guys are adorable.
Like all good 90s family films with a focus on animals, the story hinges on some anonymously evil bad guys who are inexplicably hell bent on destroying the benign, unoffensive project. In real life we rarely find such strong-willed opposition to these types of sweet, well-intentioned endeavors. For the sake of plot development, Fly Away Home follows the underdeveloped universal bad guy formula with little deviation. It does so skillfully enough, though, that we are convinced a local game warden can be a calculating, ne’er do well evil plotter while area ornithologists have the potential to save the day.
The story is actually very loosely based on a true story, but truthfully the movie explores the general plot in a way much more heartwarming and family-friendly than the inspiration. Fly Away Home gives us a little of everything from the family film value variety pack: relationship development between father and daughter, strong bonds formed with loyal animals, and an exciting and potentially dangerous journey. Before the release of this movie, it’s a safe bet to assume none of us had a deep desire to fly a glider painted to resemble a goose, but the movie’s power of suggestion was strong enough to implant the idea deep within all of us. I’m still waiting for my chance, but the best I’ve been able to scrounge up is a flight in a glider painted like a rogue cockatoo. I’ve got to say, it just wasn’t the same.
Fly Away Home opens on a tragedy in traditional fairy tale fashion with the untimely death of main character Amy’s (Anna Paquin) young mother. If we have learned anything from Disney films, it is that if you seek to become a hero, it’s pretty imperative that your mother is killed off in the first fifteen minutes of the film. Amy is no exception, and the tragic car crash leaves her poised to emerge as a strong sympathetic hero a la Bambi, Jasmine, Cinderella, Snow White Sleeping Beauty, or any of those other half-orphaned Disney protagonists.
Amy’s father (Jeff Daniels) arrives from Canada to transport her from her home in New Zealand to his in Ontario. Their relationship is understandably strained considering he’s never taken any prior interest in her existence. Nonetheless, they forge ahead under tense circumstances, with Amy resenting her father and his live-in girlfriend (Desperate Housewives’ Dana Delany) the whole way through.
Following a construction incident near a local Canadian geese nesting area, Amy discovers a batch of abandoned unhatched eggs. As the goslings hatch, their natural imprinting instinct leads them to believe Amy is their mother, cementing their status as completely inseparable. By this point, of course, we’ve gone too far blissfully uninterrupted by highly motivated obscure animal-hungry villains. In this case, the local game warden is adamant about clipping the geese’s wings--an action that leads Amy to throw a popcorn bowl in the general vicinity of his head. Ouch.
Cuteness--and some weirdness--ensues, with several sequences involving the geese following Amy around a field and joining her in the shower. Amy’s father Thomas is excessively determined to see these geese through to migration, so much so that he researches some land in the US that he could purchase as their nesting area. I’ve heard of trying to buy your kid’s love, but buying a plot of land for a group of geese that think your daughter is their mother? Seems a little excessive.
Thomas hatches (hatches!) a scheme to teach the birds to migrate south using a small aircraft. After many sporting tries and dramatic near-miss incidents, Thomas and Amy assemble the ultimate migratory vehicle complete with Canadian goose exterior paint job. They practice their vee formations and set out for North Carolina without so much as a map.
Like all good family adventures, they endure some troubling trials and tribulations but ultimately emerge victorious in their mission. The duo attracts a great deal of media attention and fanfare, though they nearly lose their intended land to developers. Thomas’s plane breaks down, Amy goes it alone, and--spoiler alert--she makes it. I know, it’s shocking to see a happy ending like this for a children’s movie. Truthfully, though, Amy has us rooting for her the whole way.
Fly Away Home is ultimately heartwarming and sweet without being overly corny. Unless you are made of stone, you probably shed a tear or two at the film’s conclusion when we saw photos of the geese returning to Amy’s farm in Ontario the following spring. Assuming I don’t have a large contingency of granite readers out there, it’s safe to say you all sniffled a bit at those credits. It’s okay, let it all out--after all, if you can’t cry at the triumphant return of a gaggle of Canadian geese that beat the migration odds, what can you cry at?
With murmurs of a reunion circulating for nearly a year now, many children of the 90s have been eagerly awaiting the return of their favorite cheesy Bayside-set sitcom. Although various permutations of the series ran a welcome-outwearing seven seasons, nostalgic 90s’ kids are still for the most part willing to embrace yet another reunion special. For everyone except Screech, that is. He turned out to be a real jerk. Maybe they’ll bring his robot Rosie back instead. I always liked her better, anyway. A reunion part may be a much-welcome role for many of these grown-up actors; while many of their careers were once stalled by enduring Saved by the Bell typecasting, they must be getting sick of playing serious brooding villains by this point. It’s about time to come full circle and embrace the corny after school special quality that earned them fame the first time around. Most of the show’s stars have aimed their career goals at the furthest possible point from their teen idol days, though they have achieved adult stardom with varying levels of success. Some managed to break out of the Saved by the Bell box while others continued milking it for all its worth over a decade later. Here’s a glimpse into the stars’ acting resumes since Zack and Kelly’s wedding special:
Zack Morris (Mark-Paul Gosselaar)
Gosselaar taught us all an important lesson in reinventing yourself after a successful run as a blond teenager: go brunet. Following the show’s cancellation, Gosselaar dyed his hair a dark brown, ensuring that even his most devoted fans could see him on the big screen and think, “Who is that?” Like all teen stars in the 90s trying to break out of their goody goody image, Gosselaar first took on made-for-TV movie She Cried No in which he date-rapes Candace Cameron (aka DJ Tanner) at a college party. I guess she hadn’t learned her lesson from being abused by Fred Savage in No One Would Tell. Gosselaar went on to take on a number of serious roles including NYPD Blue and his current stint as a lawyer on TNT’s Raising the Bar. He still looks pretty good with the brown hair, but it’s just not the same as our favorite blond beach bum. Girls in their 20s and 30s everywhere swooned when he donned the blond wig for his Jimmy Fallon appearance.
Kelly Kapowski (Tiffani Amber Theissen)
Kelly was America’s sweetheart, so it’s no surprise Theissen sought an immediate post-Saved by the Bell role that took her far into the opposite direction. Theissen landed a major role as bad girl Valerie on the long-running Beverly Hills 90210 in 1994. From that point on, she became a major force in abhorrently cheesy made-for-TV movies, took an ill-advised role in Pauly Shore vehicle Son-in-Law, and landed some guest spots and bit parts in a number of TV series.
Samuel “Screech” Powers (Dustin Diamond)
When you’re a one-note actor like Diamond, continual fame has to be wrenched through shocking public behavior and bad-mouthing of former castmates. Diamond was the only original cast member who played the same role from Good Morning, Miss Bliss to Saved by the Bell: The New Class. After over 10 years as Screech, it was understandably tough for him to transition to other, less irritating roles. Diamond descended into despair in the mid-2000s when he publicly attempted to raise money to save his home from going into foreclosure. He also released a raunchy and disturbing sex tape, appeared on numerous reality shows including Celebrity Fit Club, and writing a tell-all book implicating his SbtB costars in some not-so-wholesome behavior. Clearly someone didn’t get the meaning behind Zack Attack’s “Friends Forever.”
Lisa Turtle (Lark Voorhies)
Voorhies actually did fairly well for awhile with major running roles on soap operas, though her religious beliefs as a Jehovah’s Witness precluded her from acting in the sex scenes required of her roles. Relinquishing her soap parts, apparently Voorhies’ moral ground still allowed her to take a major role in the stoner film How High. To be fair, she did do some other miscellaneous legitimate sitcom stints on shows like Family Matters and The Fresh Prince of Bel-Air. For your 90s trivia facts, she also starred in Boyz II Men’s “On Bended Knee” music video. Add a role in Star Trek: Deep Space 9 and you’ve got yourself a well-rounded resume of obscurity.
Albert Clifford “AC” Slater (Mario Lopez)
It almost pains me to say that Lopez seems the clear front-runner for the title of most successful Saved by the Bell alum. It’s not so much that he exhibits superior acting talent, but perhaps that his less than discriminate agent has signed him onto the task of hosting or participating in every gossip show, dance competition, or beauty pageant that came his way. There’s no denying that Lopez is something of a better looking, more muscular, more vaguely Latino Ryan Seacrest. We’ll just call him the second hardest-working man in Hollywood.
Jessie Spano (Elizabeth Berkley)
If you’re ever looking for a lesson in killing your career through drastic anti-typecasting measures, you may want to look to Elizabeth Berkley for some tips. Sick of her good girl image, Berkley sought to break out of the wholesome box with an ill-fated career nosedive into the film Showgirls. The movie was a tacky, X-rated excuse for nudity and laughably bad acting, leaving Berkley far worse off than if she’d simply stuck to Jessie Spano territory. She’s some some bit parts since then, but her career never quite recovered from Showgirls syndrome.
Tori Scott (Leanna Creel)
Last but not least, let us not forget Tori of the ever-confusing late-season character switcharoo. Kelly and Jessie exit stage left, Tori enters stage right, one season elapses and they all switch back as if nothing had happened. The actress that played Tori is actually an identical triplet, giving her license to star with her sisters in the third and fourth installments of the Parent Trap series. She know wisely works as a producer and filmmaker, putting her days typecast as the tough-talking leather jacket-clad girl who is everyone’s best friend for just a single season.
We’ve talked about Lisa Frank merchandise a lot here at Children of the 90s, and with good reason: it was everywhere. You couldn’t open a girl’s backpack in the mid-90s without finding a store inventory-level variety of Lisa Frank paraphernalia. Most little girls have a natural inclination toward loving colorful kittens playfully canoodling with high top sneakers or bunny rabbits laced tightly into ballet slippers. Lisa Frank simply played into this scientifically proven fact with major financial results.
All kids need to clean up after their mistakes, so what better way to do so than with an eraser printed with the whimsical Japanese Sanrio characters? Whether you were a Kerroppi fan or a Batz Maru fiend, these collectable erasers usually found their way into your pencil box.
Following the release of gel pens, it seemed all art supply and office stores immediately had the best colors placed on backorder. The reason? Young children purchased these writing utensils nearly as quickly as they were shelved. With fun metallic or signature “milky” colors, gel pens were a fairly certain way to render your eventual yearbook inscriptions both sparkly and indecipherable. 
For those of us who couldn’t decide between toys and school supplies, pencil toppers provided us an excellent middle ground. Teachers undoubtedly despised these unnecessary distractions for their complete lack of functionality, but kids adored the notion of their pencils wearing a little Troll doll hat. Adorable.
