Monday, April 19, 2010

Not So Functional 90s Fashion Trends

We may not all be slaves to fashion, but at one point or another most of us are guilty of following the crowd. Whether we're trend dabblers or wanted in six states for crimes of fashion, many of us gave in to the glittering allure of certain fads for no reason other than that everyone else was doing it. These fashion statements did not generally jive with any normal rhyme or reason of functionality; everyone else was simply jumping off that bridge and we decided we might as well take the plunge ourselves.

Everything is clearer in retrospect, so it's tough to admonish our former selves for not having the good sense to realize these trends were bad ideas at best. Fashion and trends are not about utility and function, of course, but these items are fairly high on the list of unjustifiable offenders. There remains no real solid explanation for their existence other than that magazines and stores told us they were worth sacrificing scarce allowance money. If we can't defend their usefulness, we may retrospectively embrace their complete lack of function.

There are many, many totally non-functional 90s fashion items to choose from, but here's a selection of some of the least defensible. If you wish to plead your case condoning their existence, feel free to use the comments section as an issues platform:



Tearaway Pants


Okay, fine, I admit these aren't completely without their merits. To professional athletes I imagine there was some millisecond saved when coming in from off the bench. For everyone else out there, these were generally inexcusable. These pants were held together not by stitching and solid fabric, but rather by well-ventilated snap buttons running down the outside of either leg. While it is something of an innovation to be able to remove your athletic pants in one single well-coordinated motion, it is not a necessary function by any means.



Shirt Ties/Clips
This may not be the authentic product, but it's the best Google Images has to offer. Plus, doesn't it make you want to get some for your next 80s/90s Halloween costume? Those things are sparkly to the max...and apparently "80s to the max" too

There are truly no excuses for these; they serve no purpose whatsoever, nor is the look particularly flattering. For some reason, though, it was all the rage in the late 80s and early 90s for young girls to clip or tie their oversized t-shirts on one side. I'm only telling you this because I've finally come to terms with the ridiculousness of it all, but at one birthday slumber party I had kits for each girl to paint and decorate her very own shirt clip. Humiliating, I know, but I'm willing to take one for the team in the name of exposing key shirt clip evidence circa 1994.


Skorts


If you're playing tennis, I'll grant you this one, but if you're just looking for the comfort of shorts with the dressiness of a skirt you have no excuses for humoring that whim by wearing this garment. From the front, a skirt. From the back, shorts. If you're not in an athletic situation, it's not a particularly flattering look to sport (some pun intended) a hybrid skort-shorts. In typical 90s clever coinage, we called them "skorts" but we may well have labeled them "fashion mistakes." Off the courts, there are no situations where it's necessary to be wearing one outfit from the front and another from the back, period. The built-in shorts with a full-around skirt cover is a little better, but it's all relative in non-functional skort territory.


Giant Platform Shoes

I blame the Spice Girls for making these seem so darn appealing. In reality, they were impractical, cartoonish, and a bit dangerous. We started off in familiar territory with sandals and dress shoes, but things quickly escalated to a red-alert level when shoe companies started throwing these platform soles on sneakers. For that, there is truly no defense.


Fleece Vests


Don't you ever get really cold in the general torso area, but your arms remain comfortably warm? Well, have I got the product for you! Complete with its own insanely irritating Old Navy television commercial theme song, polar fleece exploded onto the scene in the late 90s in a major way. These vests were particularly popular, proving that many of us are willing to sacrifice arm comfort in the name of fashion. Stores marketed these as utilitarian and outdoorsy, but unless you're participating in a cold weather activity that requires exceptional arm freedom, these things are not exactly the most useful of warming winter garments.


Mini Backpacks



What, you've never had the urge to carry around a receptacle that holds approximately three nickels, a stick of gum, and a handful of M&Ms? That's a totally legitimate haul warranting a bag of its own. We all know how tough it is to hold an incredibly small quantity of items in our hands, so when these mini-backpacks cropped up in stores we were all too eager to hop on the scaled-down container bandwagon. They were sort of cute, yes, but usefulness was not high on their list of positive qualities.


Scrunched/Slouchy Socks


It's not so much that the socks themselves serve no purpose, but rather that the style in which we preferred to wear them was moderately mind-baffling. The scrunching served no real need outside of an alleged aesthetic purpose. It was simply the preferred style of sock self-expression. Why buy short ankle socks when you can just buy enormous tube socks and scrunch them into a fold-ridden mass? It's an airtight defense for slouchiness.


Overalls

Coveralls may be functional in a manual labor slash farm hand type situation, but they serve no real protective purpose in everyday suburban civilian life. If you have no use for that hammer hook on the back, you probably could have just made do with a regular shirt-and-slacks combo. Just saying.


We may claim the primary purpose of clothing is purely functional: to cover our nakedness and protect us from the elements. Somewhere along the way, though, we've evolved a sense of crowd mentality that works against our primal instinct to wear things that serve some purpose. We may not be able to defend our past fashion choices, but at the very least we can laugh at them. A lot. Really. These are just terrible. Commence mocking.

Friday, April 16, 2010

90s Witches


There's an undeniable appeal to shows with supernatural themes. We all would like to believe that we might be capable of powers beyond the scope of our daily mundane lives and limited personal abilities. As children especially, the notion of pointing our fingers and fulfilling our every whim is pretty attractive. Teacher assigns too much homework? Parent requests too many chores? These are all prime target for our mischievous magic. Seems like a pretty good deal overall, really.

Unfortunately, these witches in TV and the movies seem to be doing it all wrong. They're always getting themselves into zany misunderstandings that usually end with some moral lesson on how we can't wish ourselves happy and how our mortal heart is the strongest guiding principle. I was always fairly sure that if given the same powers, I wouldn't end up in any of these situation comedy-friendly pickles. I could have just pointed and zapped and never had to learn a life lesson at all. How easy would that have been? Imagine the time I would have saved. What can I say? In my theoretical foray into witchdom, I'm all about results and efficiency. None of this "moral of the story" crap.

90s witches in popular entertainment tended to fall into one of the following categories: comedic and well-meaning, horrific and fear-inspiring, or some wacky combination of the two. Whatever the genre, these films and TV shows gave us an entertaining glimpse into the supernatural. I have yet to develop any mysterious powers of my own, but watching these gives me hope they're coming in any day now. If I could just zap that big daunting pile of papers out of my inbox, we'd all be in good shape.


Hocus Pocus



Hocus Pocus may be a family-friendly comedy, but that "Come Little Children" song still has the creepiness capital to chill you to the core. In the film, young new-in-town Max and Dani bring back to life the infamous Sanderson sisters, a trio of witches put to death during the Salem witch trials. The kids do manage to eventually save the day, but not before the mischievous sisters wreak bewitching havoc on the town. Somewhere along the way, they also put on some show-stopping musical numbers.


Teen Witch


If you've never seen this one, you're truly missing out on a wealth of hilarious potential mocking. Just watch the above snippet and tell me it's not the most unintentionally rip-roaringly funny thing you've ever seen. Yes, her friend really looks at a boy and sighs wistfully, "Look how funky he is!" Look how funkly he is indeed.

Teen Witch is one of those incredibly corny, campy movies you just can't tear yourself away from. It was conceived as a sort of female counterpart to Teen Wolf, which may serve as an explanation for their comparable cheesiness. Oddly enough, Teen Witch is sort of a musical. It may not know exactly what it is, but one thing is for sure: even when it's meant to be serious, it's just laughably ridiculous.


Sabrina the Teenage Witch



Teenage witchery was evidently a popular pastime in the 90s; it seems Teen Witch didn't have a monopoly on adolescent witchcraft. Sabrina, the Teenage Witch is based on the eponymous Archie series comic book. The show held a prime spot in ABC's TGIF Friday night lineup for several years, featuring Clarissa Explains it All's Melissa Joan Hart as the titular character. Sabrina lived with her sorceress aunts Hilda and Zelda and talking black cat Salem. Get it? Like the witch trials? Oh Sabrina. Is there no end to your cleverly sly references?


Practical Magic



Nicole Kidman and Sandra Bullock star as two orphaned sisters who suffer the effects of a centuries-old family curse. The Owens family women are doomed to destroy any man with whom they fall in love. It may sound depressing, but the stars give the movie a humor and lightness. Throw in an accidental homicide and an oddly feel-good exorcism and you've got yourself a chick flick that even the manliest of men might be willing to watch. As long as you don't tell anyone about it.


The Craft



On the other side of the 90s witch spectrum we have The Craft, a dark revenge flick that's a dark cry from the touchy-feely witchcraft in Practical Magic. In this teen horror drama, Robin Tunney plays a new girl in town who doesn't quite fit in with the mainstream kids at school. She has a natural propensity for witchcraft, so when she falls in with an occult-minded trio of girls they manage to develop a mutual power that they hone and channel into wreaking revenge on their classmates and nemeses. It culminates in a big showdown of good versus evil, and (not-so-surprise spoiler alert) good manages to prevail. Whew. Close one.


Charmed



Following its 1998 debut, Charmed went on to live out an impressive eight-season run, establishing it as the longest-running hour-long show to feature a cast of all female leads. While there was a bit of shifting around in the casting department in the 2000s, the original version featured Shannon Doherty, Alyssa Milano, and Holly Marie Combs as Halliwell sisters Prue, Phoebe, and Piper. This trio of twenty-somethings are living together in San Francisco when they discover that they are "The Charmed Ones", good witches destined to battle evil. After perusing their inherited Book of Shadows and experimenting with their individual powers--telekinesis, the ability to freeze time, and psychic insight--they learn to combine their powers into the almighty Power of Three. I'll admit I stopped watching after Rose McGowan's Paige replaced Prue in the ensemble, but the show maintained a fairly steady popularity throughout its lifespan.


These characters piqued our imaginations and allowed us a brief escape to a fantasy world where, whether for good or evil, we might fancy ourselves bewitching. While they ranged in tone from dark and ominous to featherlight and silly, the content was consistently engaging and entertaining. And hey, we can keep fantasizing about the limitless potential of our imaginary powers. There's no saying we'll ever be as vengeful as the girls from the Craft or heroic as Charmed's Halliwell sisters, but we may at least be inspired to perform an enviably version of Teen Witch's "Top That." It won't take an inborn proclivity for sorcery, but it will take a supernatural ability to suppress your uncontrollable laughter.

Thursday, April 15, 2010

Popular Young Children's Books of the 80s and 90s

Children's authors set the groundwork for a new generation to develop a deep love of reading, so it's critical that their output is engaging and amusing enough to hold our limited attention. Plus, our parents often bore the burden of reading these books to us again and again until they could have recited them from memory, so it helped if authors could throw in some humor that satiated the appetites of both adults and children.

These books satisfied both criteria in balance and firmly established a place in our collective nostalgic heart for their silliness, fun, and wit. Let's take a stroll through the magical world of 80s and 90s young children's books. You'll laugh, you'll cry, you'll develop a catchy rhyming scheme. Don't blame me if you start talking Seusically, though. It should wear off in 10-12 hours.

If You Give A Mouse a Cookie



We all know what happens when you start giving mice cookies. They're insatiable little rodents, really. At least that's the central message of Laura Numeroff's If You Give a Mouse a Cookie. He'll just keep bleeding you dry with favors until he finally just wants a cookie again. There's just no winning. Maybe if you try giving a Moose a Muffin or a Pig a Pancake things might turn out differently. Maybe.


Love You Forever


If you're a leaky-faucet type crier easily set off by emotional material, be warned that you'll release the floodgates by the last cycle of "I love you forever, I love you for always, as long as you're living, my baby you'll be." The book details the relationship of a mother and her young son as she recites the same refrain to him at various stages of his life. Near the end of the story, the adult child recites it back to his dying elderly mother and finally to his own infant daughter. The book resonates well with adults and children alike; it seems the older you get, the more likely you'll want to keep a full box of tissues nearby when you pick this one up.


The Eleventh Hour and Animalia




I spent somewhere in the neighborhood of three years trying to trace these gorgeous illustrations in hopes of miraculously transferring Graeme Base's incredible art talent onto my own hopelessly skill-free hands. Base's books may be visually enchanting, but in the case of The Eleventh Hour they're also incredibly tricky. I still haven't managed to solve all of the many riddles embedded in the story. I almost caved and broke into the solution in the back, but I'm still holding out hope that the answer will just come to me.


The True Story of the Three Little Pigs and The Stinky Cheese Man and Other Fairly Stupid Fairy Tales




Revisionist fairy tales can be a lot of fun, and this Wolf-narrated version of the classic Three Little Pigs story is no exception. Our allegedly mistakenly accused suspect, Alexander T. Wolf, describes his troubles in borrowing sugar to bake a cake for his Granny's birthday. Is it his fault he has a terrible cold and that pigs build inferior non-sneeze-resistant houses? How could you let a delicious ham dinner like that go to waste, after all?

Along the same lines and written by the same witty author (Jon Scieszka), The Stinky Cheese Man gives us an irreverent look at some of our favorite classic fairy tales. The Gingerbread Man is the Stinky Cheese Man, The Really Ugly Duckling just grows into a Really Ugly Duck, and Little Red Riding Shorts manages to outrun the wolf on the way to Grandma's. The book is a bit chaotic, but it's legitimately clever and witty, too.


Arthur Books


Marc Brown was clearly onto something when he created this lovable anthropomorphic eight-year old aardvark named Arthur. Populating Arthur's hometown of Elwood City are a host of other cuddly animal characters with varying socioeconomic backgrounds, leading me to find that yes, you can indeed be jealous of a fictional monkey. Darn you, Muffy, and your enviable rich-monkey lifestyle.


The Jolly Postman


Kids have pretty short attention spans, so an interactive book is always a major draw: it's like a combination book/game rolled into a neat little package. To be delivered by a postman. A jolly postman.

In The Jolly Postman, our hero postman maneuvers from one fairy tale house to another, delivering correspondences (an apology note from Golidlocks and the 3 bears), junk mail (an advertisement for "Hobgoblin Supplies, ltd."), and even threats of legal action (the case of the Wolf v. Miss Riding Hood.) The jolly postman stops for tea at each home, delivering letters that we as readers could physically open and read.


Chicka Chicka Boom Boom


Learning the alphabet can be pretty boring, so imagine how relieved we were to find a book that turns dry and humorless letters into cute anthropomorphic characters. Our fearless letters climb the tree in orderly A-B-C succession, only to fall back down and sustain alphabetized injuries. Ouch.


Where the Wild Things Are


Monsters might seem like a scary, lurking under the bed prospect until we learn that in our imaginations we can just dance with them in a wild rumpus instead. Sounds like a decent solution to me. The back-story is possibly as entertaining as the tale itself: author Maurice Sendak had initially planned for the book to feature wild horses, but his publisher shunned Sendak's sub-par horse drawings. Sendak replaced the horses with caricatures of his Polish Jewish aunts and uncles: Aaron, Bernard, Emile, Moishe, and Tzippy. I imagine they were thrilled to find their likenesses titled "things."


Berenstain Bears


This friendly bear family has been teaching kids valuable life lessons for generations. I believe I read the Visit to the Dentist book at my own dentist's office at least twenty times, which helped assuage my fear of the infamous yankers while simultaneously teaching me about the untapped goldmine of cash at stake for my expendable baby teeth. Win-win.


Amelia Bedelia


What do you get when you combine a charming rhyming named housekeeper and a penchant for extreme literal interpretation of simple instructions? Pure children's book gold. Amelia Bedelia draws the drapes by trying her hand at sketching the curtains and prunes the hedges by sticking prunes in them. We learned the value of simple vocabulary and double meanings, plus I got some great ideas for how to make a mockery of my household chores,


Oh, The Places You'll Go!


Though it may have become a cliche gift for recent graduates, Dr. Seuss's final book is ultimately inspirational and sweet. The book details our protagonist's travel through uncharted territory, complete with setbacks and triumphs. So go ahead, give it to your graduating cousin or neighbor. He'll probably be able to start a collection with all of the copies he receives, but he may just learn a valuable lesson about endless possibilities.


The Rainbow Fish



This book seems pretty innocent with its message of sharing, so imagine my surprise in discovering it's taken some flack from critics for allegedly promoting a socialist agenda. It's a pretty preposterous accusation; it's enough to make you wish yourself back to a simpler time when you didn't know what things like "socialist agenda" even meant.


Stellaluna


Fruit bats are adorable and owls are evil? What kind of crazy mixed-up pre-Harry Potter owl love affair world is this? Stellaluna is separated from her mother and is raised with a nest full of baby birds, the mother of whom admonishes her for hanging upside down like, well, a bat. In case you were worried, she does eventually reunite with her mother, but the book has a bit of a melancholy feel through the whole "be true to yourself" message.

Wednesday, April 14, 2010

90s Slang--Catch Phrase Mash-Up, Volume 2



Slang and colloquial expressions have a certain way of dating things. At the time, these phrases seemed so unspeakably fresh and modern, but in retrospect it's clear that these slangy expressions are laughable at best. When we look back at the way we spoke just 10 or 15 years ago, it's easy to cringe at the ridiculous words and phrases we peppered into our daily conversation to feel hip and cool. I'll raise the roof to that.

Whether you were a frequent user and abuser of the day's trendiest terminology or simply dabbled in them recreationally, you can't deny their ubiquitousness in the 90s. Much as we may like to bury it away in our past, most of us were guilty of using these expressions at one point or another. I say, embrace your cheesy slang-dropping former self and revel in the wonder that is 90s slang--part two*:



Boo-Ya


Definition: (noun) Nonsensical noise to be used in situations where one emerges victorious over others and wishes to rub it in. The preferred exclamation of sore winners everywhere.

See also: In your face, BAM!

Example: I just got Jimmy in the face with my Super Soaker. Boo-ya!


Yo Mama


Definition: (noun) Your mother. While this seemingly innocuous phrase may not hold an inherent insult, its context usually suggests a derogatory connotation. In many cases followed by "so fat" or "so ugly" and an expository joke at your innocent mother's expense. As your mother is generally not directly involved in the back-and-forth trading of insults, its use suggests that your inherent familial stock resides at a Depression-era low. Plus, it's just mean.

Example: Yo mama's so fat that when she sits around the house, she sits around the house.

Note: You could probably throw in a boo-ya at the end of that for good measure.


Who's Your Daddy?

The pop culture reference may not be 90s, but it is pretty funny...if I were just a hair nerdier I would be sporting this t-shirt


Definition: (question, inquiry) Literally, who is your father? Maury Povich has spent countless television episodes examining this very topic, but this single phrase allows a similar impact with significantly less DNA sampling. The expression signifies your dominance over a competitor, implying you have embarrassed him to the extent that you have ascended to the rank of his father. Usually not accompanied by an outright spanking, but the phrase elicits a verbal one.

Example: Oh, I just schooled you in French verb conjugation! Who's your daddy?
Also acceptable in above example: Qui est votre pere?


Open Up a Can of Whoop-Ass

Definition: (verb) A generally empty threat of physical harm to another.

Process: Hold the can of whoop-ass perpendicular to a flat surface. Using a can opener or sharp knife, carefully pierce the outer edge of the lid. Peel lid from can. Discard. Proceed to beat the crap out of someone.

Example: I'm about to open up a can of whoop-ass on whoever graffiti-ed obscenities all over my Trapper Keeper.


Whassup

Definition: (question, inquiry) What is up. Not meant to be taken literally, though true pains in the butt may gleefully respond, "The sky." Best received in delivered into the phone at an irritating decibel level with an incessant lengthening of each letter.

More: Budweiser popularized this pronunciation in an incredibly catchy but undeniably irritating 1999 ad campaign.

See also: How are you, what's new, what's (up arrow)

Example: I'm probably going to do something I'll regret if I have to watch that Whasssssuuuuppp?? commercial one more time. I'm warning you.


Raise the Roof


Definition: (verb) To delight in one's success. An outward expression of one's prideful joy.

Process: Bend arms upward, palms facing above you. Pump flat palms upwards several times in succession. Enjoy.

We would also accept: Remove roof from house. Raise skywards.

Example: This party is kickin'--raise the roof!


Word (to your Mother)


Definition: (interjection) A salutation or indication of agreement. The "to your mother" part is optional, but reflects firmer agreement.

See also: I concur, well said sir

Example: Yo man, let's get out of here. Word to your mother.

Note: That example has been shamelessly lifted from the song "Ice Ice Baby"


As If
Definition: (exclamation, interjection) A comical expression of exaggerated outrage. Popularized by Clueless's Cher Horowitz, the phrase indicates one's speculation on the unlikeliness of a situational outcome.

Example: Ugh, get off of me! As if!


Aiight

Definition: (adverb) An alternative pronunciation of "all right"; an indication of agreement with an inexplicable aversion to l-r connectivity.

Example: "You up for going out tonight?" "Aiiiiight."


Duh!


Definition: (exclamation, interjection) Of course, certainly. A reactive response to stupidity and obviousness. Grated on the nerves of a generation of parents who did not appreciate the sass.

Example: "Did you clean your room?" "Duh!"


My Bad

Definition: (interjection) Assumption of guilt or blame; admission of a mistake.

Example: (Nearly kills man on bicycle in out-of-control, poorly driven Jeep) "Oops! My bad!"
Note: Yes, that's a scene from Clueless. Cher's coinage is legendary.


Phat
Definition: (adjective) According to slang lore, an acronym for "Pretty Hot and Tempting." An urban word adopted by suburban poseurs in typical filter-down slang fashion. Experienced extreme overuse and outwearing of welcome in the late 90s. For clarification purposes, may need qualifying statement regarding the "P-H" spelling.

See also: Cool, Jiggy...yes, Jiggy.

Example: "Man, that girl is phat. With a p-h. Also, kind of with an f."



*Find part 1 of the Children of the 90s Catch Phrase Mash-Up here

Tuesday, April 13, 2010

90s Teen Idols: Hunks Edition...Yes, I Said It..."Hunks"


It may seem easy these days to pick on the dog-whistle declibly screechy screaming hordes of Justin Bieber fans, but mainly because many of us girls have selectively blocked out memories of our own embarrassing teen idol worship. Back in our adolescent years, we did more than our fair share of shrieking over tame pin-up celebrity teen centerfolds ripped from BOP! or J17 magazine. Embarrassing? Yes. Escapable? No. Nostalgic? Absolutely.

Teen stars usually have a capable team of managers and industry experts who specialize in issuing their clients as a palatable brand: The Bad Boy, The Sensitive One, The Free Spirit. The 90s boy band boom specialized in this sort of one-dimensional projection of celebrity personality, condensing full people into an exclamation mark-laden photo caption in a teen magazine fluff piece. These brief blurbs were practically irrelevant to young girls, though--we were far more interested in collecting the tear-out posters and plastering our walls with their dreamy likenesses.

All you heterosexual male children of the 90s may just have to hold your tongues on this one--or rather, your impulsively commenting typing fingers. Yes, this is admittedly incredibly girly fare, but it was in its own way a thriving industry throughout the decade. Some of us spent inordinate quantities of time and resources collecting airbrushed publicity photos and devouring carefully managed and processed information about these young male celebrities. As a female child of the 90s, it's still a little tough to repress my swooning reflex at these photos. That said, I'm open to taking bids from male blogging volunteers to detail the other side of the teen idol coin. Oh, and by bids I mean just send me an email and we'll talk. Thanks.

Until that point, here is our squealing, giddy side of the teen idol story:


Jonathan Taylor Thomas



Best known for his role as Randy Taylor from the TV show Home Improvement, Jonathan Taylor Thomas was a major young commodity in the 90s. He cemented his young appeal with family-friendly roles in films like Tom and Huck, Man of the House, I'll Be Home for Christmas,
and The Lion King. Plus, he had that hair. My god, that hair. 90s teen idols really knew how to lay on the mousse.


Devon Sawa


One glance at Sawa in Little Giants or as the human version of the animated ghost Casper and we fell hard. Add to that the glimpse of his butt during the naked-boys-running-through-the-woods segment of Now and Then and you've got yourself a serious celebrity crush.


Leonardo DiCaprio



Now here's a child star with staying power. Leonardo DiCaprio has maintained respectable and relatively incident-free fame since his breakthrough role on Growing Pains. Following his roles in Romeo + Juliet and especially Titanic, teen girls worldwide broke out in contagious fits of floppy hair-induced Leo-Mania.
In atypical teen idol form, though, DiCaprio shunned his "Tiger Beat" image and sought credit as a legitimate actor. A 2000 Time article explains:

"...DiCaprio still thinks of himself as an edgy indie actor, not the Tiger Beat cover boy. "I have no connection with me during that whole Titanic phenomenon and what my face became around the world...Although it's got to hurt deep inside, DiCaprio says he's at peace with being usurped by the Backstreet Boys. 'I'll never reach that state of popularity again, and I don't expect to,' he says. 'It's not something I'm going to try to achieve either.' Instead, he has spent his post-Titanic life avoiding interviews."

It certainly didn't hurt him any; DiCaprio has since achieved an impressive acting resume, boasts numerous award nominations and wins, and has dated scores of supermodels. All in all, I'd say he came out of teen stardom pretty well.


Jared Leto


I don't care if you are on Team Brian Krakow--you have to admit Leto as the rebellious and near-illiterate Jordan Catalano on My So-Called Life was worthier of our swooning affections. Leto went on to appear in films such as Requiem for a Dream and achieved musical fame as lead singer/songwriter/guitarist for the band 30 Seconds to Mars. It's hard to believe that this former teen star is now 38 years old. Really. 38. I'd always sort of thought I had a chance with him, so I'm shocked to learn that when I was idolizing him at age 10, he was already in his mid-20s.


Hanson


Take heed, Jonas Brothers: you're next. Brothers? Check. Religious? Check. Endearingly floppy hair? Check. It's like looking into the future. Truthfully, the Hanson brothers weren't nearly as persistently chart-topping, but their hit "MMMBop" established them as serious contenders for teen idoldom.


Backstreet Boys and *NSYNC



These two groups deserve far more than a fleeting mention, but as this is a compilation post that's the best they can expect to get. These rival harmony-rich tightly managed boy bands dominated the pop music scene in the 90s, both catering to the same general screaming young girl fan base. The record companies and teen magazines portrayed each band member as a specific and easily definable "type," featuring characters like The Sensitive Guy and The Baby of the Group. Incidentally, these characters were actually real people, but for years they resided pretty comfortably in a describable space of 100-200 words.


Rider Strong


I'll say it again: teen stars in the 90s had the best hair. It wasn't too featherily androgynous like in the 70s or bat-poop crazy a la Flock of Seagulls in the 80s. Rider Strong had great 90s hair, though he and Will Friedle probably could have duked it out for the title of most attractive Boy Meets World cast member while hair is blowing gently in the breeze.



Andrew Keegan


We met Keegan as a camper in the Home Alone-esque summer flick Camp Nowhere, after which he made the rounds on the requisite teen-dream guest part circuit in shows like Full House, 7th Heaven, and Party of Five. Add a dash of satirical modeldom in 10 Things I Hate about You and you've got yourself a teen star. His acting career may not be accelerating at the rate it did in his younger days, but his fame will undoubtedly live on through the ceaseless rerunning of 10 Things on television.


Luke Perry and Jason Priestley





These two were both beloved by teens for their respective roles on Beverly Hills, 90210. At the time they seemed the epitome of the cool teenager, which is somewhat ironic considering they were both in their 20s at the time. Yes, these two former heartthrobs are currently in their 40s. How old does that make you feel? Don't fight it, it will only hurt more. Embrace your aging teen dreamboats.


Some remain famous and others have faded into obscurity, but they're forever ingrained in our memories as teen idols. In some cases, their likenesses are still attached to the walls of our childhood rooms, cementing their stardom for posterity. Believe me, if I could plaster my current walls with old foldouts of Andrew Keegan and Luke Perry, I would. Really. I wonder if eBay is a viable marketplace for Tiger Beat magazine circa 1996...



Monday, April 12, 2010

The Simpsons



At this point, The Simpsons has been on the air so long it's difficult to remember it was once a fledgling enterprise; at this point its presence has become so ubiquitous it's pretty much just one long unending stretch of syndication and reruns. While now the show holds court as the longest-running sitcom, at the time of its debut in 1989 the notion of a adult-targeted animated television series had many critics scoffing. After all, cartoons are for kids. If you're going to make a show for grown-ups, why not cast it as a live-action series with real actors? It just didn't add up.



Matt Groening and friends were clearly onto something, though, based on not only the incomparable longevity of the series but also judging from the innumerable grown-up animated shows that spawned in its wake. Although the show's main target audience was adults, many family-focused groups took issue with the allegedly poor behavioral example the show espoused. Bart became an easy target for outrage as critics spoke out against his irreverence and misbehavior met with little to no discipline. For those of us out there relying on television to parent our children, this was bad news indeed.

The Simpson family made their television debut as a short on the Tracy Ullman show in 1987, featuring parents Homer and Marge, children Bart and Lisa, and baby Maggie. The animation was crude and the voices were rough around the edges, but the show's initial concept has remained largely untouched since its premiere. Groening named the characters after his own family members, replacing his own name with Bart, an anagram for "brat." Aside from some tinkering with the Lisa character, the characters America met in these late-80s shorts remain largely frozen in time.



Their audience, of course, has aged considerably, but there's something reassuring about the sameness and reset-button quality of unchanging television. Aside from the quality of the writing, that is. You can't stay hip and irreverent forever, though The Simpsons held onto their satirical credibility for an impressive run. Quantity and quality are always difficult factors to balance, and quantity usually emerges victorious in the end. Regardless, the show deserves credit for its incredible perseverance in the face of lagging ratings. As long as Dan Castellanetta is still there interpreting the scripts' "annoyed grunt" as "D'oh!", there will be a considerable group of people willing to to tune in.

In an amazing feat of faithfulness, the original 1987 cast still provides voices for today's shows. After 21 seasons, these voice actors have established some pretty cushy job security.We can't chalk it all up to rah-rah solidarity and deep commitment to art, though; the almighty dollar played a pretty major role in their extensive retention. At $400,000 an episode for reading off of a script in the comfort of a sound studio, it's seems like a tough offer to refuse. In defense of their exorbitant paychecks, the voice actors employed by The Simpsons are indeed talented and multifaceted. Observe, a clip from the cast's appearance on Behind the Actor's Studio:



Like any good merchandising machine, the show introduced a number of catch phrases into the modern vernacular. They could hardly print the slogan-emblazoned t-shirts fast enough. Bart's signature "Ay Caramba!" "Don't Have a Cow, Man" and the ever-popular "Eat my Shorts" caught on quickly. Some American schools banned Simpsons apparel on the basis of its rebelliousness and in-your-face anti-authority attitude. There's nothing like tv-driven neologisms to really bring out the censor in our humorless figures of minor authority.

The Simpsons established a number of well-known and easily recognizable hallmarks throughout its run. The show's writers specifically chose the town name of Springfield as the basis of a long-running gag, concealing the city's location and giving vague misleading clues about the Simpsons' home state. The opening sequence also features Bart in full old-school punishment mode, forced to write "I will not ______________" or some such reprimand 100 times over on the classroom blackboard.



The show was no stranger to controversy, embracing its role from an early date as a source of social commentary and tongue-in-cheek satirical digs. The Simpsons has caught flack from a variety of sources, including the Rio de Janeiro tourism board for an episode which they claim depicted Brazil as a crime-ridden, pest-infested hellhole. The elder Bush president also stirred things up in 1992, declaring in an address to the National Religious Broadcasters convention that "This nation needs to be closer to the Waltons than the Simpsons." In typical Simpsons fashion, creator Matt Groening shot back, "Hey, the Simpsons are just like the Waltons. Both families are praying for an end of the Depression." Burn.

Perhaps no contemporary show has embraced the celebrity cameo and guest star role to the gratuitous extent of The Simpsons. Some celebrities had ongoing gigs with The Simpsons playing recurring fictional characters, such as Phil Hartman, Jon Lovitz, and Kelsey Grammar. Others, like Michael Jackson and Mel Brooks, made memorable one-time appearances. The show actually holds the Guiness Book of World Records title for "Most Celebrities Featured on an Animated Series." Who knew such a thing existed, but it's apparently a valid claim to fame. It just goes to show, if you get specific enough with your criteria, we can all be bragging-rights worthy record holders someday. Someday.



It's far from high art, but The Simpsons has had more than its fair share of influence over the last 20-odd years. It doesn't hold quite the level of impact on social commentary as it did during its popularity heyday, but the show's persistence in the media marketplace is admirable. So long as Bart is still out there serving as a bad role model for children and imploring us to eat his shorts, The Simpsons will remain a pervasive element of pop culture in our society. in And hey, when that's over and done with, there's always syndicated reruns. So many, many reruns.

Friday, April 9, 2010

Memorable Dance Scenes in 80s and 90s Movies


There are certain movie moments that have an enduring impact, resonating with film-watchers long after they've left the theater or turned off the DVD. Dance scenes in particular resonate well with movie fans. When executed well, these moments have the power to morph into iconic imagery, inspiring their fair share of parody and mocking. We may all be sick of Pulp Fiction dance knock-offs, but it's a testament to the original that it's spawned so many lesser imitators. Much, much lesser.

While some of these movies may predate some of us children of 90s' birthdates by a year or two, their popularity was long-standing enough to make them a memorable part of our childhood. Whether you blame on VHS or incessant TV re-running, these movies are well-known to kids coming of age in the 90s. Plus, it would be pretty difficult to compile a list of favorite dance movie moments while completely overlooking the 80s; the easy cheesiness of 80s movies was a prime breeding ground for iconic dance scenes.

Just to be clear, there's a fine line in defining these categories here at Children of the 90s. Avid readers (I'm probably flattering myself here) may remember a feature entitled "80s and 90s Spontaneous Group Dance Scenes Where Everyone Knows Exactly What to Do." This blog has never been short on specificity. If we're splitting hairs, we (okay, I) may as well set some ground rules for these entirely different set of dance scene movie moments:

1. They're generally in character. Most of these moments don't have us suspending our disbelief at completely uncharacteristic behavior from our principal actors. The moves might be over-the-top or silly, but these dances are reasonably within the parameters of the characters' behavior and ability.

2. They may be prerehearsed. Unlike the She's All That style prom dance phenomenon, the majority of these dances involve some sort of choregraphing backstory. In the case of the 80s movies, these rehearsals are best shown to us in the form of a training montage, culminating in the achievement of a tough move timed at the most climactic moment in the corresponding background music. If the moment does occur spontaneously, it's realistically within the ability of our stars.

3. They usually involve relatively few dancers. Instead of large scale Fame-style scenes that could now be classified as formidable flash mobs, plain old "dance moments" are mostly sparsely populated affairs.

With those rules that I've just made up firmly in place, it's time to meet our contenders for memorable 80s and 90s movie dance scenes:


(I've Had) the Time of my Life (Dirty Dancing)


dirty dancing - time of my life (video)2
Uploaded by carlson.

Oh, how I once longed for Jennifer Grey's dress in this scene. It probably wouldn't be quite so twirly without the dancing talent, but I like to think wearing it would have given me the motivation to learn. Few of us can ever hear "(I've Had) the Time of my Life" without immediately thinking of the big lift at the end. It's also purportedly the third most popular song played at British funerals. That fact is from Wikipedia, so take it as you will, but if it's true it's incredibly ridiculous.


What A Feeling and Maniac (Flashdance)?



If you ever need inspiration for costuming yourself for an 80s party, look no further than Flashdance. This movie is an 80s cliche goldmine, from it's ripped-neck off the shoulder t-shirts to the ubiquitous leg warmers. The movie also serves as a great guide for how to cast your dance movie with a non-dancing star through heavy reliance on misleading body doubles. If she's wearing the same leg warmers, it's got to be the same person, right?



Footloose (Footloose)



Based on movie industry standards, we're all just a mere six degrees from starring in this movie. Really makes you feel a part of it, doesn't it? Kevin Bacon plays Ren, a city teen who finds himself in an oppressive small town with a serious aversion to rock n' roll. I do mean serious. Sense of humor isn't really the town's strong suit. Somehow, though, Ren stages a full 180, and everyone realizes just how great rock music and dancing can be. It's cheesy, but everyone seems to be having such a genuinely good time it's tough not to get caught up in it.


You Can Never Tell (Pulp Fiction)



This scene is pure Tarantino, a man who's vision can be pretty divisive. His work is very stylized, full of personal trademarks, meta-references, and usually reliant on a nonlinear storytelling method. Whether you love him or you hate him, it's tough to deny the appeal of this scene. Something about it just works. Maybe it's the way they seem to be taking themselves so seriously, or possibly it's the thrill of seeing John Travolta back in dancing action. Whatever it is, it all adds up to an incredibly memorable dance scene.


Tango (Scent of a Woman)



This truly is a beautiful scene, expertly choreographed and set to the instrumental "Por Una Corbeza". It's quieter and less outwardly dramatic than some of the dances on this list, but it's moving in its own right. As Lieutenant Colonel Slade tells Donna, "If you make a mistake and get all tangled up, just tango on." Wise words, indeed.


Old Time Rock n' Roll (Risky Business)



When I first started living by myself, I had to constantly repress my impulse to don men's briefs and some Wayfarer sunglasses while blasting some Bob Seger. After watching this movie, it can become a tough prospect to resist. That and turning your home into an impromptu brothel. Really, we all fall into that trap from time to time

Risky Business established Tom Cruise as a bona fide sex symbol, shaping his career for the better part of the next decade or so. Recently, his public image has gone sort of the way of Britney Spears; that is, their names were once used as incredibly favorable comparisons, they're still putting out arguably solid work, but their forays in crazy public behavior has led to a drop in their celebrity stock. Whenever I see clips of Tom Cruise couch-jumping with glee or accusing Matt Lauer of glibness, I try to block it all out with the image from the above scene. It's pretty powerful--it usually does the trick.



Chopsticks/Heart and Soul (Big)



Big is big on heart, effectively capturing the earnestness of children before they're inevitably ravaged by the cynicism of imagination-crushing adulthood. It may sound bleak, but there are moments of reprieve when we can transport ourselves back to our childhood mindset. That's why you're here reading, after all.

Tom Hanks plays a magically aged man-child, and his innocence and enthusiasm is contagious to his adult peers. Some might argue that this is not a dance per se, but if you've ever attempted any sort of cohesive melody on the giant piano mat at FAO Schwarz you know it takes an incredible amount of kinesthetic coordination. Dance or not, it's pretty darn heartwarming.



Dancing in Heaven (Girls Just Want to Have Fun)



It's entirely possible this movie played a significantly smaller role in your childhood than in mine, but as someone whose family owned a very limited number of VHS tapes my daily watching regimen was regularly split between this movie and The Sound of Music. On the sum of these alternating days, I watched Girls Just Want to Have Fun something like 200 times, yet I never managed to master the dance at their DTV final on-air competition. This movie's got the requisite 80s montage and tons of great dancing footage, not to mention some awesome costumes. If you ever see Helen Hunt's lizard hat in a thrift shop somewhere, please pick it up for me. I promise to pay you back.


Doesn't this all just make you want to have a life-affirming dance moment in your day? It seems like the perfect culminating event to wrap up your day's story line. Imagine how much more interesting a day at the office would be if the climax of your workday was marked by a Baby and Johnny-style dramatic lift? That's the world I'd like to someday live in. Someday.

Thursday, April 8, 2010

Nintendo Game Boy


These days we have hundreds of games on our phones constantly at our immediate disposal, but once upon a time a portable video game was a real novelty. Back in the 90s, we were far more easily impressed with what may now be classified as basic technology. While today we might discount a video game system entirely if it fails to achieve HD picture quality and super realistic audio, at the time of the Game Boy's inception we were more than satiated by a few loosely connected moving pixels and a hearty round of irritatingly repetitive tones masquerading as background music. In case you can't quite hearken back to this simpler gaming time, allow this video to serve as a handy reminder:



Yes, that's right: the outrageous new game tetris! Spoken in a booming, can't-contain-his-raging-excitement voiceover, no less. This used to be the kind of stuff that truly impressed us. The revolutionary new video link wasn't too shabby, either. It may look primitive now, but this head-to-head portable gaming technology unleashed a wave of uncontrollable child excitement. Not only could we sneak this bulky, boxy gray battery-operated wonder into class with us, we could also connect to our friends' Game Boys under the desks.

Today, we might be irritated if we have to wait five seconds for a game to load, so it can be tough to recall a more patient, more easily entertained time. Upon the release of the Game Boy, many of us were pretty psyched just to learn it lasted a then-impressive 10 to 30 hours without a battery change. It might sound shoddy to us now, but contemporary handhelds could blow through batteries in as little as two hours. That endless battery life-sucking cycle is so expensive it makes crack addiction seem like a real bargain. No, Game Boy delivered on its promises to give us a better handheld video game device, and we reaped the benefits for hours. Well, 10 to 30 hours worth of benefits. We still had to keep a lot of batteries on hand.

At about ninety bucks a pop, Nintendo Game Boys were relatively cheap in comparison to their competitors' models. It may not have been in the reasonable reach of every family, but it made video games far more accessible. Our parents may have felt some guilt at allowing us hours of brainpower-zapping Game Boy time, but these things were incredibly effective at shutting us up for extended stretches of time. Ninety dollars is a relatively small price to pay for some peace and quiet. Well, sort of. If they failed to enable the mute button, our families had the pleasure of listening to endless hours of this:



Brings back the memories, doesn't it? I can almost feel the Tetris tetronimoes gradually gaining speed and eventually outwitting even the savviest of my shape-turning strategies. I've already waxed poetic at length here about the virtues of Tetris, but its profound impact on my childhood warrants extended examination. Tetris has all the makings of a true addiction. Have you ever noticed if you play Tetris frequently enough, you begin thinking in shape-fitting combinations? It even haunts your dreams. True story.

Tetris may have initially been the default favorite game because it came bundled with the purchase of an original Game Boy, but other games quickly achieved massive popularity as well. The Super Mario Land series was very well-received by Game Boy users, giving us new worlds and characters for our old buddy Mario. Super Mario Land was actually the first choice for bundling with the original Game Boy release, but Nintendo replaced it with Tetris on the assumption that Tetris held a more gender neutral appeal. As a girl who loved Mario games, I'm not totally buying the gender stereotype-enforcing reasoning, but there's probably some truth to it.



Yeah, that ad totally tells us to "give Mario a happy ending." Like I said, these were simpler times. Or maybe just times in which we were less aware of potentially hilarious double entrendres. Maybe.

Many of us also sought to "catch 'em all" in the persistently popular Pokemon games, the several versions of which sold millions of Game Boy cartridges worldwide. Considering the creator's idea for the Pokemon series was sparked by his experiences with childhood insect collecting, it turned out much cooler than you might expect. Of course, you couldn't actually kill the Pokemon, they'd just pass out for a brief nap. You could, however, link to your friends' Game Boys and trade Pokemons. That part was pretty cool. It didn't quite make up for the no-kill environment, but to be fair, the Pokemon fainting was kind of adorable.




The Legend of Zelda series was also a major seller, proving kids everywhere love solving puzzles and defeat dungeons. The plot's main storyline centered around the task of rescuing the princess Zelda, which seems to have been a major Nintendo archetype of the time. This commercial is for the NES version of the game, not the Game Boy one, but it's so hilarious I just have to share it with you. From the "WHOA! NICE GRAPHICS!" to the rad rap and the disclaimer about your parents helping you set it up, this is pure, unfiltered early-era Nintendo goodness:



Following the release of the original came the more compact Game Boy Pocket and my personal favorite, the Game Boy Camera. I never actually had the privilege of owning one of these beauties, but it remains a long-standing dream of mine even after the technology has gone defunct. I'm still not totally sure what the appeal is, but it may have had something to do with the fact that digital cameras were still a novel concept at the time. We can take photos on just about anything these days, but there was something sort of endearing about taking them with a Game Boy, don't you think?



Nearly ten years after the release of the original Game Boy came the new edition in the form of the Game Boy color. It's a little humorous now how minimally colorized the screen actually looks in the first commercial, but at the time it was a pretty impressive innovation. By this point, we were well on our way to achieving the clear and colorized graphics of today's small gaming devices.



The Game Boy wasn't the first handheld video gaming system on the market, but Nintendo's product was both accessible and successful. For those of us who lost countless hours to Tetris and Pokemon, we may not be any wiser for it, but maybe we exhibit quicker finger flicking reflexes. That's got to come in handy someday, right? I'm sure of it. Now if you'll excuse me, I'm off to go listen to that Tetris music on repeat. It's just that good.

Digg This!