Friday, April 9, 2010

Memorable Dance Scenes in 80s and 90s Movies


There are certain movie moments that have an enduring impact, resonating with film-watchers long after they've left the theater or turned off the DVD. Dance scenes in particular resonate well with movie fans. When executed well, these moments have the power to morph into iconic imagery, inspiring their fair share of parody and mocking. We may all be sick of Pulp Fiction dance knock-offs, but it's a testament to the original that it's spawned so many lesser imitators. Much, much lesser.

While some of these movies may predate some of us children of 90s' birthdates by a year or two, their popularity was long-standing enough to make them a memorable part of our childhood. Whether you blame on VHS or incessant TV re-running, these movies are well-known to kids coming of age in the 90s. Plus, it would be pretty difficult to compile a list of favorite dance movie moments while completely overlooking the 80s; the easy cheesiness of 80s movies was a prime breeding ground for iconic dance scenes.

Just to be clear, there's a fine line in defining these categories here at Children of the 90s. Avid readers (I'm probably flattering myself here) may remember a feature entitled "80s and 90s Spontaneous Group Dance Scenes Where Everyone Knows Exactly What to Do." This blog has never been short on specificity. If we're splitting hairs, we (okay, I) may as well set some ground rules for these entirely different set of dance scene movie moments:

1. They're generally in character. Most of these moments don't have us suspending our disbelief at completely uncharacteristic behavior from our principal actors. The moves might be over-the-top or silly, but these dances are reasonably within the parameters of the characters' behavior and ability.

2. They may be prerehearsed. Unlike the She's All That style prom dance phenomenon, the majority of these dances involve some sort of choregraphing backstory. In the case of the 80s movies, these rehearsals are best shown to us in the form of a training montage, culminating in the achievement of a tough move timed at the most climactic moment in the corresponding background music. If the moment does occur spontaneously, it's realistically within the ability of our stars.

3. They usually involve relatively few dancers. Instead of large scale Fame-style scenes that could now be classified as formidable flash mobs, plain old "dance moments" are mostly sparsely populated affairs.

With those rules that I've just made up firmly in place, it's time to meet our contenders for memorable 80s and 90s movie dance scenes:


(I've Had) the Time of my Life (Dirty Dancing)


dirty dancing - time of my life (video)2
Uploaded by carlson.

Oh, how I once longed for Jennifer Grey's dress in this scene. It probably wouldn't be quite so twirly without the dancing talent, but I like to think wearing it would have given me the motivation to learn. Few of us can ever hear "(I've Had) the Time of my Life" without immediately thinking of the big lift at the end. It's also purportedly the third most popular song played at British funerals. That fact is from Wikipedia, so take it as you will, but if it's true it's incredibly ridiculous.


What A Feeling and Maniac (Flashdance)?



If you ever need inspiration for costuming yourself for an 80s party, look no further than Flashdance. This movie is an 80s cliche goldmine, from it's ripped-neck off the shoulder t-shirts to the ubiquitous leg warmers. The movie also serves as a great guide for how to cast your dance movie with a non-dancing star through heavy reliance on misleading body doubles. If she's wearing the same leg warmers, it's got to be the same person, right?



Footloose (Footloose)



Based on movie industry standards, we're all just a mere six degrees from starring in this movie. Really makes you feel a part of it, doesn't it? Kevin Bacon plays Ren, a city teen who finds himself in an oppressive small town with a serious aversion to rock n' roll. I do mean serious. Sense of humor isn't really the town's strong suit. Somehow, though, Ren stages a full 180, and everyone realizes just how great rock music and dancing can be. It's cheesy, but everyone seems to be having such a genuinely good time it's tough not to get caught up in it.


You Can Never Tell (Pulp Fiction)



This scene is pure Tarantino, a man who's vision can be pretty divisive. His work is very stylized, full of personal trademarks, meta-references, and usually reliant on a nonlinear storytelling method. Whether you love him or you hate him, it's tough to deny the appeal of this scene. Something about it just works. Maybe it's the way they seem to be taking themselves so seriously, or possibly it's the thrill of seeing John Travolta back in dancing action. Whatever it is, it all adds up to an incredibly memorable dance scene.


Tango (Scent of a Woman)



This truly is a beautiful scene, expertly choreographed and set to the instrumental "Por Una Corbeza". It's quieter and less outwardly dramatic than some of the dances on this list, but it's moving in its own right. As Lieutenant Colonel Slade tells Donna, "If you make a mistake and get all tangled up, just tango on." Wise words, indeed.


Old Time Rock n' Roll (Risky Business)



When I first started living by myself, I had to constantly repress my impulse to don men's briefs and some Wayfarer sunglasses while blasting some Bob Seger. After watching this movie, it can become a tough prospect to resist. That and turning your home into an impromptu brothel. Really, we all fall into that trap from time to time

Risky Business established Tom Cruise as a bona fide sex symbol, shaping his career for the better part of the next decade or so. Recently, his public image has gone sort of the way of Britney Spears; that is, their names were once used as incredibly favorable comparisons, they're still putting out arguably solid work, but their forays in crazy public behavior has led to a drop in their celebrity stock. Whenever I see clips of Tom Cruise couch-jumping with glee or accusing Matt Lauer of glibness, I try to block it all out with the image from the above scene. It's pretty powerful--it usually does the trick.



Chopsticks/Heart and Soul (Big)



Big is big on heart, effectively capturing the earnestness of children before they're inevitably ravaged by the cynicism of imagination-crushing adulthood. It may sound bleak, but there are moments of reprieve when we can transport ourselves back to our childhood mindset. That's why you're here reading, after all.

Tom Hanks plays a magically aged man-child, and his innocence and enthusiasm is contagious to his adult peers. Some might argue that this is not a dance per se, but if you've ever attempted any sort of cohesive melody on the giant piano mat at FAO Schwarz you know it takes an incredible amount of kinesthetic coordination. Dance or not, it's pretty darn heartwarming.



Dancing in Heaven (Girls Just Want to Have Fun)



It's entirely possible this movie played a significantly smaller role in your childhood than in mine, but as someone whose family owned a very limited number of VHS tapes my daily watching regimen was regularly split between this movie and The Sound of Music. On the sum of these alternating days, I watched Girls Just Want to Have Fun something like 200 times, yet I never managed to master the dance at their DTV final on-air competition. This movie's got the requisite 80s montage and tons of great dancing footage, not to mention some awesome costumes. If you ever see Helen Hunt's lizard hat in a thrift shop somewhere, please pick it up for me. I promise to pay you back.


Doesn't this all just make you want to have a life-affirming dance moment in your day? It seems like the perfect culminating event to wrap up your day's story line. Imagine how much more interesting a day at the office would be if the climax of your workday was marked by a Baby and Johnny-style dramatic lift? That's the world I'd like to someday live in. Someday.

Thursday, April 8, 2010

Nintendo Game Boy


These days we have hundreds of games on our phones constantly at our immediate disposal, but once upon a time a portable video game was a real novelty. Back in the 90s, we were far more easily impressed with what may now be classified as basic technology. While today we might discount a video game system entirely if it fails to achieve HD picture quality and super realistic audio, at the time of the Game Boy's inception we were more than satiated by a few loosely connected moving pixels and a hearty round of irritatingly repetitive tones masquerading as background music. In case you can't quite hearken back to this simpler gaming time, allow this video to serve as a handy reminder:



Yes, that's right: the outrageous new game tetris! Spoken in a booming, can't-contain-his-raging-excitement voiceover, no less. This used to be the kind of stuff that truly impressed us. The revolutionary new video link wasn't too shabby, either. It may look primitive now, but this head-to-head portable gaming technology unleashed a wave of uncontrollable child excitement. Not only could we sneak this bulky, boxy gray battery-operated wonder into class with us, we could also connect to our friends' Game Boys under the desks.

Today, we might be irritated if we have to wait five seconds for a game to load, so it can be tough to recall a more patient, more easily entertained time. Upon the release of the Game Boy, many of us were pretty psyched just to learn it lasted a then-impressive 10 to 30 hours without a battery change. It might sound shoddy to us now, but contemporary handhelds could blow through batteries in as little as two hours. That endless battery life-sucking cycle is so expensive it makes crack addiction seem like a real bargain. No, Game Boy delivered on its promises to give us a better handheld video game device, and we reaped the benefits for hours. Well, 10 to 30 hours worth of benefits. We still had to keep a lot of batteries on hand.

At about ninety bucks a pop, Nintendo Game Boys were relatively cheap in comparison to their competitors' models. It may not have been in the reasonable reach of every family, but it made video games far more accessible. Our parents may have felt some guilt at allowing us hours of brainpower-zapping Game Boy time, but these things were incredibly effective at shutting us up for extended stretches of time. Ninety dollars is a relatively small price to pay for some peace and quiet. Well, sort of. If they failed to enable the mute button, our families had the pleasure of listening to endless hours of this:



Brings back the memories, doesn't it? I can almost feel the Tetris tetronimoes gradually gaining speed and eventually outwitting even the savviest of my shape-turning strategies. I've already waxed poetic at length here about the virtues of Tetris, but its profound impact on my childhood warrants extended examination. Tetris has all the makings of a true addiction. Have you ever noticed if you play Tetris frequently enough, you begin thinking in shape-fitting combinations? It even haunts your dreams. True story.

Tetris may have initially been the default favorite game because it came bundled with the purchase of an original Game Boy, but other games quickly achieved massive popularity as well. The Super Mario Land series was very well-received by Game Boy users, giving us new worlds and characters for our old buddy Mario. Super Mario Land was actually the first choice for bundling with the original Game Boy release, but Nintendo replaced it with Tetris on the assumption that Tetris held a more gender neutral appeal. As a girl who loved Mario games, I'm not totally buying the gender stereotype-enforcing reasoning, but there's probably some truth to it.



Yeah, that ad totally tells us to "give Mario a happy ending." Like I said, these were simpler times. Or maybe just times in which we were less aware of potentially hilarious double entrendres. Maybe.

Many of us also sought to "catch 'em all" in the persistently popular Pokemon games, the several versions of which sold millions of Game Boy cartridges worldwide. Considering the creator's idea for the Pokemon series was sparked by his experiences with childhood insect collecting, it turned out much cooler than you might expect. Of course, you couldn't actually kill the Pokemon, they'd just pass out for a brief nap. You could, however, link to your friends' Game Boys and trade Pokemons. That part was pretty cool. It didn't quite make up for the no-kill environment, but to be fair, the Pokemon fainting was kind of adorable.




The Legend of Zelda series was also a major seller, proving kids everywhere love solving puzzles and defeat dungeons. The plot's main storyline centered around the task of rescuing the princess Zelda, which seems to have been a major Nintendo archetype of the time. This commercial is for the NES version of the game, not the Game Boy one, but it's so hilarious I just have to share it with you. From the "WHOA! NICE GRAPHICS!" to the rad rap and the disclaimer about your parents helping you set it up, this is pure, unfiltered early-era Nintendo goodness:



Following the release of the original came the more compact Game Boy Pocket and my personal favorite, the Game Boy Camera. I never actually had the privilege of owning one of these beauties, but it remains a long-standing dream of mine even after the technology has gone defunct. I'm still not totally sure what the appeal is, but it may have had something to do with the fact that digital cameras were still a novel concept at the time. We can take photos on just about anything these days, but there was something sort of endearing about taking them with a Game Boy, don't you think?



Nearly ten years after the release of the original Game Boy came the new edition in the form of the Game Boy color. It's a little humorous now how minimally colorized the screen actually looks in the first commercial, but at the time it was a pretty impressive innovation. By this point, we were well on our way to achieving the clear and colorized graphics of today's small gaming devices.



The Game Boy wasn't the first handheld video gaming system on the market, but Nintendo's product was both accessible and successful. For those of us who lost countless hours to Tetris and Pokemon, we may not be any wiser for it, but maybe we exhibit quicker finger flicking reflexes. That's got to come in handy someday, right? I'm sure of it. Now if you'll excuse me, I'm off to go listen to that Tetris music on repeat. It's just that good.

Wednesday, April 7, 2010

Number One Hits of the 90s: 1994 Edition


Welcome to a brand new feature here at Children of the 90s. We've spent a lot of time looking at one-hit wonders, but what about those lucky few who may have gone on to sell more records? Multiple-hit wonders deserve 90s love too. If you're going to use these lists as fodder for worthy iTunes 90s playlists, you should probably have some variety. I wouldn't want all your friends thinking you're only into fleetingly popular musicians, now, would I?

So, with the readers best interests at heart (you know, like always) I present the new Top Charting Hits feature. Here's your chance to reminisce at the ridiculous songs we loved so dearly that we sent them soaring to the top of the Billboard top 100 charts.

This list should hopefully bring forth since-repressed memories of traumatic school dances, Bar Mitzvah party slow dance fiascos, and haunt-you-for-life level embarrassing talent show performances. If you're brave, feel free to share yours in the comments section of this post. Here, to make you feel more comfortable, I'll get this party started: a DJ played "I'll Make Love to You" at probably every middle school dance I ever attended. Not only was it totally inappropriate, but it was also comically unfit for our preferred method of slow dancing: arms extended straight to ensure maximum distance between us and our partner of the opposite sex. Perhaps they should have recorded a junior high dance version entitled, "I'll Make Love to You...From a Distance."


Hero (Mariah Carey)



Geez, Mariah Carey has been pumping out top-charting hits for over 15 years now. No wonder she feels she has license to marry desirable younger men and dress in lavishly diva-esque outfits: she's earned that right. I'm pretty sure we sang this song in our 7th grade chorus, but our arrangement undoubtedly did no justice to the belt-it-out singer's version. The song might have highlighted our inner strength, but it also brought forth our outer vocal weakness. Sorry, Mariah. You deserved better.


All for Love (Sting/Brian Adams/Rod Stewart)



It takes a special occasion to bring together a group of prominent artists. You know, like recording a track The Three Musketeers movie soundtrack. That was the case with Sting, Rod Stewart, and Brian Adams' hit single "All for Love." Maybe they just all happened to have a lot of free time that weekend. To their credit, the song is much better than the movie.


The Power of Love (Celine Dion)



Celine Dion had quite a thing going in the 90s. This song was a major international hit, cementing Dion's position as a global superstar. The song is actually a cover of a 1985 Jennifer Rush song. Rush's original version charted well outside the US, but the song was unfamiliar to wide American audiences. Like the song, Celine Dion was similarly lesser known amongst American music listeners, so it was a good fit.


The Sign (Ace of Base)



Admittedly, a video like this would get laughed out of a music vid countdown these days. It's just so heavy on the over-the-top slow motion, super-imposing special effects. Luckily, they don't really show music videos on TV much anymore, so it's sort of a moot point.

Ace of Base were some of the foremost artists of the wave of mid-90s Europop hits. "The Sign" is undeniably catchy, repetitive, and it has a beat you can dance to. Well, a beat you can dance to using signature 90s moves. It might not jive so well with the dance styles most popular on today's club scene, but in the 90s it was a near-perfect fit.

Of course, some of you may also remember this classic Full House cover version by Steph, Gia and friends. I must say, it is totally necessary for them to have that many instruments in their ensemble.




Stay (I Missed You) (Lisa Loeb)



It's a rare accomplishment to hear your hit single on the radio without even procuring a record deal, but Lisa Loeb achieved just that with her 1994 release "Stay (I Missed You)". The song gained popularity from its position on the much-hyped Reality Bites movie soundtrack. Lisa Loeb has a certain likability; she just seems nice. Maybe it's her glasses. That said, Loeb is probably responsible for hundreds of sexy librarian fantasies amongst boys coming of age in the 90s.


Bump n' Grind (R Kelly)



Back in the days before R. Kelly found himself entrenched in lawsuits and scandals, he was putting out solid number one hits like this one. Okay, so "solid" is pretty open to interpretation, but let's just all agree the album falls more clearly into that defined category than gaseous or liquid. His moves in this video are pure 90s slow jam, by the way. Classic performance stance, plus we get some bonus zoom moments on our video girls in their spelunking hard hats. If that's not sexy, I don't know what is.


I'll Make Love to You (Boyz II Men)



This platinum-selling single held the top spot on the Billboard charts for a then-record 14 weeks. It was wildly popular at the time, and, as I mentioned above, often awkwardly played in adolescent slow dance/slow roller skate-type situations. Just imagine the sheer number of people who have played this song during their most intimate moments--Boyz II Men probably deserves some form of honorable mention from cheesy music-loving men everywhere for sufficiently setting the mood.


I Swear (All 4 One)



All 4 One proved that Boyz II Men hadn't cornered the market on harmony-rich R&B male vocal groups. "I Swear" was their only major hit, but it made an indelible impact. There are few of us 90s kids out there who couldn't immediately fill-in-the-blanks for the lyrics following the "I swear..." lead in. In case you can't, it's "By the moon and the stars in the sky." Just for the record.


Here Comes the Hotstepper (Ini Kamoze)



I was pretty sure I'd never heard of this song until I listened to it and realized I knew it well, but had no idea the words were "Here comes the hotstepper, murderer." It always sounded to me more like "Here comes mmm mmm mmm mmm, turn it up!" It was Kamoze's sole number one hit in the US, but he definitely made his mark. Who can resist singing along to that "Na, na na na na, na na na na na na na na na na, na na na na" part? Yes, I counted those out, and yes, my count might be wrong. Deal with it.


On Bended Knee (Boyz II Men)



Boyz II Men were just about everywhere in the 90s. We were all suckers for well-arranged harmony, which explains for the explosion in boy bands in the later part of the decade. The Boyz were kings of the ballad during this time, cranking out slow jam after slow jam for our easy listening pleasure. "On Bended Knee" ascended to number one in December of 1994, reinforcing the band's popularity by reaching the milestone of replacing their own number one song (previously "I'll Make Love to You") with a new number one song. Boyz II Men is one of only a few acts to achieve this feat; the preceding benchmark-holders were The Beatles. Impressive stuff.


So, there you have it: the number one hits of 1994. Some are worth remembering, while others yet we may sooner wish to wipe from our memories entirely. One thing is for sure: at least one of these songs should embed itself somewhere deep within the fiber of your skull and play itself on incessant repeat until you can bear no more. It's just the way of catchy 90s singles. You'll thank me for the memories just as soon as you can extricate those pounding beats from your cerebral cortex.

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