Friday, June 5, 2009

Space Jam


For generations, kids have grown up delighting in the fun and whimsy of Warner Brother's Looney Tunes. They're silly, they're quotable, they're animated...and apparently highly skilled at basketball.

So perhaps it seemed like an unlikely scenario that our old cartoon standards were tearing up the court, but in 1996, that's exactly what they set out to do. Even to highly imaginative children, it seemed seemed improbable that Bugs Bunny and the gang were going to excel basketbally. That is, until we found out they were enlisting the world-famous skills of none other than 90s basketball superstar Michael Jordan.

Rewind a decade or so, to a time before Michael Jordan was just the guy engaging in cheesy banter with Charlie Sheen in the tagless Hanes tees commercials. Once upon a time, Michael Jordan was every kid's hero. He was the Jordan of our Air Jordan sneakers, our favorite Dream Team player, and the man who brought fame and success to our beloved (at least in my corner of the world) Chicago Bulls. That was, until he pretended to play baseball. But that's a story for another time.

Kids everywhere looked up to Michael Jordan. They believed he could do anything. In fact, they almost believed (wait for it, wait for it)....

He could fly.


(And don't you worry. We'll get to that Quad City DJs song in another post. You didn't think I could leave that one alone, did you? Did you??)

So when we all eagerly lined up at movie theaters, settled in with some buttered popcorn, and heard R. Kelly's lyrical interpretation of a young Michael Jordan believing he could fly, we were right there with him. MJ had been a kid. We were kids. Remember, this was before we knew that R. Kelly liked kids, so it was still acceptable get caught up in the fantasy. Ours, that is. Not his.

Space Jam was a child's dream. It's hard for me to imagine any contemporary basketball star calling up his agent and saying, "You know what I really want? To act in a feature film with cartoons. Make it happen." Call me cynical, but it seems doubtful Lebron or Kobe would be up for such shenanigans (although, to their credit, they have appeared in those Most Valuable Puppet commercials). No, this was a different time, and Michael Jordan was a different player. It had all of the ingredients of child-friendly greatness.

The plot begins as a tongue-in-cheek play on Jordan's real-life rocky transition from legitimate basketball hero to semi-respected minor league baseball player. Meanwhile, planets away, these weird little space bugs (Nerdlucks, if you will) are dispatched on a mission to kidnap the Looney Tunes to serve as in-house entertainers. I know what you're thinking, it makes perfect sense. Now bear with me here, because it gets even more logical as the plot curdles...er, thickens.

So these Nerdluck fellows find their way to earth, they get ahold of the Looney Tunes crowd and seek to take them back to the Nerdluck home planet, Moron Mountain. Still following? It's okay if you're not, I won't tell. Anywho, the Looney Tunes manage to convince these space critters that the only way to settle this is through a basketball game. Given their advantage in stature, it seemed like a fair bet.

Apparently these Nerdluck guys were some kind of magical, because they traveled to earth and managed to zap the basketball powers out of many prominent 90s NBA players. Lucky for us, countless big-name basketball stars were willing to embarrass themselves to this end:


Please, PLEASE tell me you recognized Dan Castellaneta, aka Homer Simpson, as that bald fan sitting next to the Nerdluck disguise. That's just too 90s-tacular to miss.

So now the Nerdlucks are big and scary and according to their jerseys, Monstars. Clever, no?

Bugs and Co aren't about to stand for this. They yank MJ through a golf hole into Looney Tune land to help them step up their game. After all, he's just a sort of crappy baseball player now, how much could they really miss him? So, several cheap jokes and athletic training montages later, here we all were at the ToonSquad/Monstars showdown. May the best man/tune/Monstar win.



Wow, just look at that dramatic Stretch Armstrong-esque ending moment. The crowd goes wild. The kids go wild. The NBA players' skills are restored and Jordan returns to basketball. All is right in the world again.

Looking back, the film wasn't all that well-received by critics, but my peers and I were utterly oblivious to this fact as children. Apparently, kids across the nation (and later, the world) agreed with us, as the film was a huge financial success. Things like plot and character development aren't of particular significance to children.

What really mattered to us was seeing our childhood heroes--animated and athletic--joining together in the bonds of...well, something. And for that single moment of cartoon/sportsman contact, it was magical.

Thursday, June 4, 2009

Children of the 90s is Proud to Present...

I have a terrible confession to make. Despite all of my wonderful blog friends being gracious and kind enough to bestow generous blog awards on me, I have been as of late somewhat of a selfish award-taker. That is to say, I have done a terrible job of passing along these awards because I tend to have trouble fitting in the meme-ishness into my daily posting schedule.

Then suddenly, it hit me. I conceived of a brilliant and generous plan/scheme a la Zach Morris. Here's my moment to freeze the action and speak directly to the camera in pure defiance of the fourth wall.

I could make my own award.


Someone has to start these things, right? What if I, Children of the 90s, created my own award?

There were criteria, of course, for creating this award. For one, it needed to fully encapsulate and represent 90s cheesiness. Also, it needed some sort of horrible, cringe-worthy pun. If I was going to create it, well, then, it had better reflect all my god-awful punnery.

So, after innumerable focus groups and endless market research, I am proud to present the Children of the 90s award for excellence:

The Write Stuff.



I know, I know...this song was most popular in 1989. New Kids on the Block were legitimately an 80s-90s enterprise, and I stand by my decision to use their cheesy likeness in my award...mainly because it works with the best pun I thought up. You don't want to see the list of rejects.


Yep, I totally made that and there's no taking it back now. Display it on your profiles with pride. Oh, and I suppose it should come with some rules, so here you go:

Give it to whomever you'd like! Alright, we're good on this, yes? Without further ado, several bloggers who most certainly have the write stuff:


Fever Formerly Jakezilla, Lora's blog is truly one of the funniest out there. She covers a full gamut of topics and speaks her mind in a way that always cracks me up.


Well Okay, Sassy Britches! Love her blog, and don't miss her hilarious Birdcage-esque profile description--it's what drew me in in the first place :) Oh, and she'll teach you all about culverts.


Muppet Soul Muppet's was one of the first blogs I got into, she tells a great story and is always very funny.


Couture Carrie A fabulous fashion blog, for all of you who are into that kind of thing. I know I am.


Teasingly Diverse Just an all around great blog, check her out!


Get a Pencil and Your Casebook Thank you, Sadako, for starting this amazing blog. It's new (she also writes Dibbly Fresh) and features some of my favorites, namely Ghostwriter and Are You Afraid of the Dark?


Wild ARS Chase He had me sold not only on his abundant 90s knowledge, but first on his Snuggie photo spread. Brilliant. He's already 'fessed up his iTunes embarrassments, so hopefully the NKOTB picture won't throw him too much.

Insomniac Lolita Andhari just wrote about NKOTB today, how appropriate! She also does amazing hip hop of her own, and writes an all-around great blog.


Would now be a totally inappropriate time for some shameless self promotion? I'm leaning toward yes, absolutely, but what the heck, I'll go for the plug:

Did you know you can be a fan of Children of the Nineties on Facebook? I know, I know, control your excitement. It's tough to keep it all inside, but don't go all Jessie-Spano-on-caffeine-pills on me just yet. You're so excited, you're so excited, you're so...scared? I hope not. I know the whole Facebook fanmanship has gotten out of control, what with our news feeds crammed to the brim with useless declarations of people being fans of Sleep, Hot Showers, or Not Being on Fire. Again, that's Children of the Nineties on Facebook. Have I exhausted the number of times I'm allowed to post that link? Looks great on newsfeeds!

Oh, and you can also vote for Children of the 90s in the 2009 Blogger's Choice Awards. You know, if you ever felt the urge. No pressure.

Okay, that's probably enough of that. The real story here is go check out those blogs, they are wonderful! For all of you lurkers out there, stop by and say hi. You probably have the Write Stuff and I don't even know it yet. Thank you and good night!

All That (Part 1)




What ,you think I could fit a childhood's worth of All That sketch memories in a single post? Well, think again. SNICK was a cornerstone of Saturday night juvenile television programming, and for many years (that is, until I outgrew it) All That was its anchor.

You know a network sees potential in a show when they commission a big name music act to create a custom-made theme song. Nickelodeon asked TLC to perform the All That theme song, which in most of our recollections consisted of a vaguely unmemorable rap and the words "all that" repeated numerous times throughout. The song was catchy though, or at least enough so to keep preview audiences watching the first episode in its entirety in 1994.

All That took the successful format of grown up sketch comedy shows such as Saturday Night Live and MAD TV and translated it (read: dumbed it down) for pre-adolescent audiences . They maintained the general outline of a cold open, some sketches, and a live musical guest. For a kid's show, All That actually managed to pull some big names. Legitimate (well, in terms of popularity, that is) musical names such as Usher and Boyz II Men performed on the show. It had all the ingredients of a veritable children's television enterprise.

But was it funny? At the time, most of us thought it was hysterical. I suppose humor is in the ear of the behearer, because thumbing through some of the jokes now makes me seriously question my sanity as a child. This probably indicates that the All That producers got what separates adult humor from children's humor; there's a reason reviewers remark with disdain that gross-out or overly simplistic comedies are "juvenile". To actual juveniles, the show was a real laugh riot.





Like I said, the show had countless memorable sketches, so let's take a look at a few notables and I promise to get back to the rest later:

Good Burger
Arguably one of the most recognizable All That sketches, most prominently because it was later adapted into a movie. How or why movie executives saw fit to morph this three minute non-sequitor into a two-hour full length feature is beyond our grasp as viewers. In the sketch, Kel Mitchell played a dim-witted and literal-minded fast food counter worker, beginning every customer interaction with the phrase, "Welcome to Good Burger, home of the Good Burger, can I take your order?"

It usually went a little something like this:



Kel certainly had some skill in the way of deadpan, and it's easy to see what drew kids to this mode of humor. Children by nature are not abstract, and hence respond best to literal jokes. That's why kids like things that other people think are stupid. Like Good Burger.

The subsequent film received incredibly negative feedback from adult reviewers. I would say, to its credit as a franchise, that you'd be hard pressed to find someone between the ages of 18 and 30 who didn't recognize Kel's opening Good Burger spiel.


Ishboo
Ah, the 90s trope of vaguely foreign exchange students. Like Nadia from American Pie Ishboo had no discernable connection to any actual country, nor did his accent particularly reflect a specific heritage. Ishboo's schtick was mainly that he did stupid things (claiming they were native customs) and everyone felt compelled to copy him to make him feel comfortable and at home:



In typical TV stereotyping fashion, apparently being overweight makes you ageless. If I were Lori Beth Denberg, I probably wouldn't be too pleased to be paired up with ol' male patterned baldy over here. Either way, Ishboo was funny to kids because he wears a skirt and makes people bang their heads on the wall. It's a bit shocking to think its star, Kenan Thompson, was the only one who went on to have a future in sketch comedy. Then again, based on the current ratings of Saturday Night Live, perhaps it's not such a stretch.


Ask Ashley
I'll say this for Amanda Bynes: she was certainly cute as a child. Amanda's spinoff show and subsequent longevity in show business points to her actually being a skilled entertainer. As a child, I always loved her Ask Ashley sketch on All That. The basic premise was that young viewers wrote Ashley with questions seeking advice in the manner of Dear Abby. Ashley appeared the picture of sweetness and innocence, and would begin reading every letter, "Dear Ashley....thaaaaaaat's meee!" It was certainly endearing, but from there things seemed to take a turn:


I apologize for the absolutely atrocious quality of this video, less-than-ingeniusly videotaped from a TV screen. It was the best I could do.

Watching now as an adult, I'm mainly just impressed that she manages to go so crazy on these people without using a single curse word. Bravo, Ask Ashley. Bravo.


Ear Boy
"He's Ear Boy, Ear Boy, his ears are really big!" If that title sequence music doesn't reaffirm the fact that children adore simple humor, I don't know what does. That was essentially the whole gag; Josh Server was Ear Boy, whose ears were indeed really big. For some reason I never quite understood (and perhaps this was due to my limited political knowledge as a child), his nemesis was Ross Perot.

The sketch poked fun at common playground nicknames used to mock people with acne, braces, or glasses by building Ear Boy a gang of cronies named Pizza Face (literally, pizza for a face), Tinsel Teeth (Christmas ornaments in mouth), and Four Eyes (she had four).



I'm tempted to judge this further and increasingly without mercy, until I stumbled upon this more recent photo of Ear Boy Josh Server.


I might just leave it at that.



Vital Information
This was one of the more frequent bits on All That, featuring Lori Beth Denberg as the initial supplier of this Vital Information for your Everyday Life (to be later replaced by a washed up Little Pete and some other kid after the show's Golden Age). Vital Information for your Everyday Life was filled with, well, Vital Information for your Everyday Life. Sort of.



These were sort of one-liners, except they usually made no sense at all. They were completely pointless, which I suppose was the point, the humor being that these items were not Vital Information at all. Her bits of wisdom included gems like

If you flush your friend down the toilet, you either got a huuuge toilet or a teenie little friend.

Well said, Lori Beth. I've got to get me some smaller friends. Or a bigger toilet.


While it may not stand the test of time, it's nostalgia factor is pretty high on the fond memory scale. If it's not making you giggle, set a couple of 9 year olds in front of the reruns for a few episodes and watch them delight in it. Sure, it will make you feel old, but it's better than having to watch the whole Good Burger movie to reaffirm your faith in old-school juvenile comedy.

Wednesday, June 3, 2009

Memorable Commercials from 90's Children's Television Timeslots


Don't even get me started on 90's commercials. Okay, feel free to offer some rough prompts, but be prepared for no foreseeable ending to this downright deluge of cheesy wonderfulness. In order to best serve you, the reader, and to prevent 10,000 word-posts, I've conveniently narrowed the categorical content of this particular topic.

There are countless memorable commercials from the 1990s. White and khaki-clad swing dancers urged us to shop at the Gap, beer promoters coined the frequently quoted "WHAZZUP?!", and soda drinking spokesmen asked us to Make 7 Up (Y)ours. What in particular interests me, however, are those commercials that seemed to play on endless loop during child-geared programming. Whether it was Nickelodeon or Saturday morning cartoons, these ads were shown again and again and again until we could recite the voice-overs right along with them.

This repeated airing, of course, was not without its consequences. It seems (and rather unfortunately, at that) that most of my mind has been crammed so full of 90s song lyrics and television advertisements that I can no longer accurately absorb current information. Someone gives me verbal directions of how to get somewhere and I immediately go blank, but I can sing Bone Thugs N Harmony's "Crossroads" in its entirety without blinking an eye. (By the way, if anyone would like to stop me at any point on this stroll down memory lane, you can meet me at the crossroads (crossroads, crossroads)).

90s-crammed brain aside, let's take a look at some of the absurdly hackneyed advertising that aired during our favorite programs:



Muzzy



It was years before I actually took French and could translate the wondrously useless phrases uttered by the Muzzyites. For the longest time, I was certain that "Je suis la jeune fille" was the dazzlingly appropriate response to any French inquiry. Only later did I learn that litserally translated, my all-purpose French meant "I am the young girl." I was right! Perfect in any situation!

"Excuse me, where is the metro?" "I am the young girl."
"Could you direct me to the cafe?" "I am the young girl."
"Which way to the Eiffel Tower?" "I am the young girl."

Foolproof, I tell you. That gorilla-type thing always scared the bejeezus out of me also. I liked the idea of dancing cartoons teaching me languages, but I certainly would have preferred the cute and dainty to the hulking and clunky.




Better Blocks


I'm not quite sure what it was about these things that were so enticing. It was incredibly unlikely that I or any child I knew would ever have the patience to sit down and labor tirelessly over a bunch of crappy second-rate plastic blocks. I never actually saw the things in person, but I imagine the effort that went into making the once-coveted butterfly was in no way compatible with my attention span as a child.

I've usually found the jumpy excitement of the voice-over to be inversely related to the actual fun of the toy: if it were really all that great, it would sell itself. I did desperately want the glow-in-the-dark version, though. When they turned off that light and spun that glowing blockful carousel, my little heart fluttered.



Topsy Tail


My sister and I actually shared one of these, and I can tell you for certain that it was never used. The ease with which tails are topsied in the commercial? It's in no way related to the actual ease of real-life topsying. I'm sure any male readers were and continue to be generally befuddled by female fascination with these types of tools, but take my word for it when I say we get this sort of bad-hairstying-aid trance. Those ponytails are butt-fugly, but dammit, if those girls could turn their ponytails inside out, well, then so would I.

The first time I saw that god-awful Bump-It! commercial on TV, I immediately thought of my now begotten Topsy Tail. It's good to know that the trend of useless overpriced hair styling aids still has a veritable market of consumers.


Hooked on Phonics



Curse you, retro-centric YouTubers, how could you ignore this gem of a 90s ad? You've uploaded everything else. Sure, I like a good Susan Boyle performance or panda sneeze as much as the next person, but where's my Hooked on Phonics commercial? In case you are curious or need a little refresher course in how and for whom Hooked on Phonics could work, look no further than the above advertisement compilation, from :30 to :60. You're welcome.

The Hooked on Phonics tagline, "Hooked on Phonics worked for me!" was repeatedly mocked throughout the 90s. Parody after parody was churned out in response to the cheesy slogan. It wasn't just in the wording, but in the execution. It was more like, "Hooked on Phonics....worked for me!" Sure, I love literacy and all, but calm yourselves, spokespeople.


Malt-O-Meal


Wow, that guy must have outstandingly powerful quadriceps. His squatty walk takes a lot more lower body strength than you'd think. This commercial was certainly memorable on ridiculousness alone, but probably also struck a painful chord with the kids whose parents were saving "a whole dollar!" by avoiding brand-name sugar cereals. These oft-maligned knockoffs certainly weren't buying any of us the necessary currency of playground clout and credibility. I understand that there are no fundamental differences between Lucky Charms and Marshmallow Mateys, but I would prefer if my cereal didn't come in an industrial-size feedbag.



Hopefully this has also helped all of you realize why your short term memory has been on the fritz: it's crammed to the brim with bagged cereal commercial choreography and dreams of bendable blocks.

Tuesday, June 2, 2009

Doogie Howser, MD


As children, it was tough to see beyond our own narrow worldview. If the world didn't revolve around us, then at least we must have had a fair portion of gravitational pull. In turn, our flawed perspective-taking led us to believe that every child's life was pretty much just like our own. Unless evidence to the contrary presented itself, we all seemed relatively assured that our childhood was the prototype.

Until, of course, we heard of a youngster named Doogie Howser. Though technically a fictional character, his divergence from our limited expectations of childhood and adolescence was enough to secure our interest and engage our imaginations. Just think, a mere kid, a kid just like you or me, living a double life. No, not in the exciting superhero manner we were accustomed to, but rather on the basis of his academic achievements alone. You could almost hear the collective sigh of relief from nerdy kids that there existed a route to exceptionality that precluded athleticism.

Doogie was renowned for his geekiness, and the uncool amongst us savored this fact. Though seriously ill as a child, Doogie managed to beat society's odds not only through a recovery to good health but also on the academic front. At the tender age of six he aced the SAT, achieving a perfect score. In a couple of months, he had breezed through high school and found himself accepted to the prestigious Princeton University at the age of ten. After a few years of medical school, our Doogie was well on his way to becoming a full-fledged doctor.

Of course, all of this happened before we ever laid eyes on our hero. We met Doogie at the slightly riper age of 16, already elbow-deep (sometimes literally, or at least surgically) into his medical residency. In the first episode, Doogie is taking his driver's license road test and drives recklessly to step in at the scene of a nearby accident. When a cop tries to apprehend him by asking "Do you want to go to jail?", Doogie bad-assedly retorts "No, you'll be the one going to jail...for criminal negligence!" Oh, burn! His mother looks on dreamily and remarks, "That's my son...the doctor!"





(Doogie Howser DVD trailer runs until the 1 minute mark...I can't be responsible the garbage that follows, I'm at the mercy of the almighty YouTube uploaders)

Doogie was not just your run-of-the-mill socially inept wunderkind, though. The show knew better than to make Doog into what he probably would have been in real life: a pompous social outcast incomprehensible to his peers. No, our friend Doogie was marvelously well-adjusted for someone who'd had a lifetime's worth of achievements in a mere decade or so of existence. In the show, he was just a normal kid, or so we were led to believe.

So how exactly did they manage to lead us to this improbable conclusion of normalcy? Well, for starters, he's got a totally goof-off best friend, Vinnie. In sitcom tropes, a zany sidekick is more than just a comic foil; rather, this character allowed us to take the leap of faith in assuming that a Doogie could really be friends with a Vinnie.

Vinnie, like all good 90s TV best friends, meets up with Doogie by climbing through his bedroom window. I guess he, Jessie Spano, and Sam from Clarissa Explains it All had a conference call or something. I don't know about you, but I was generally encouraged to use doors as my main point of entry. Bromancing aside, Vinnie was always pulling Doogie into his fast-talking teenage craziness. The intro shows a tiny snippet of their soda-packed beer hat-wearing, pool jumping antics:






If that theme music fails to transport you directly back to your childhood, I don't know what will.

Before he was hawking Old Spice deodorant and tripping in the backseat on Harold and Kumar's car, Neil Patrick Harris was a formidably pioneering child star. Though you may have forgotten it, he was the original Carrie Bradshaw--albeit, with more calming music and less voice-overs during his typing sequences.






Don't you just love that two-color screen and boxy font? That computer is just beckoning me, aching for a floppy disk insertion or a rousing round of Space Invaders.

All in all, Doogie Howser, MD was just a smart show. Not because of its brainy main character, but for its ability to present him to us as a relatable, regular guy. A part of all of us wanted to be Doogie, regardless of our actual academic aspirations. He had normal teenage relationships and problems, but he also got to be a legitimate hero.

Thankfully, we can all get our weekly (daily, on Lifetime) fix of NPH on ABC's How I Met Your Mother in which Harris plays the womanizing Barney Stinson. Lucky for us, the show isn't afraid to poke fun at the former child star:






(My favorite part is when he looks up, nods, and smiles. Is it just me, or did the guy from the Commerative Obama Plate commercial steal that signature move from Doogie?)

Monday, June 1, 2009

The "Very Special" Episode

Image via NY Post PopWrap Blog


Tonight, on a Very Special Episode of Children of the 90s: watch as our heroes combat drinking/smoking/drugs/racism/domestic abuse/eating disorders/gang violence/poverty/suicide/disease/prejudice/homophobia. Stay tuned, as this is not one you'll want to miss!

The Very Special Episode was spurned in the 70s, when the airwaves were teeming with family sitcoms just aching to impart morality and wisdom onto the eager viewing masses. With time, the Very Specialness of it all had been toned down considerably; the 80s boasted its fair share of preachy sitcom episodes, but for a few minutes in the late 80s it appeared as if the trend were preparing to taper off gracefully.

Lucky for all of you children of the 90s, television executives reconstructed and revived the Very Special Episode into a veritable art form. With the advent of countless interchangeable family sitcoms aimed at considerably younger viewers, the 90s boasted a roster of series for whom the Very Special Episode was nearly synonymous with the sehow itself. Let's take a morally conscious stroll down memory lane and examine some of the 90s most Special moments that shaped our childhoods and warped our perceptions for years to come:

Blossom (1991-1995)

Blossom was the real innovator in 1990s Very Specialness. Indeed, it was the good people at NBC who took great liberties in introducing an inordinate number of Blossom episodes with the oft-mocked phrase, "Tonight, on a Very Special Episode of Blossom..."

The show's breadth of very special episodes ran the gamut from drinking to divorce. It truly seemed as if every episode of the show was in some way Very Special; the series had no qualms about shoving allegedly acute moral lessons down the throats of its impressionable young viewers, albeit often with humorous undertones. Observe, a lighthearted reprimand from Six's mother following an incident of stealing:





Saved By the Bell (1989-1993)

Saved by the Bell was unabashed in its portrayal of faultless, morally rigid teenagers masquerading as carefree characters. Saved by the Bell spared us no issue, undertaking parental unemployment, feminism, fake IDs, drunk driving, and drug use in a scant 4 seasons. While often the drama of the purported misconduct took place outside the nuclear group of major characters, a few episodes did choose to sully our heroes' good names with some good old fashioned cheesy 90s transgressions.

While the drinking and driving episode certainly has its moments (particularly as they manage to crash Lisa's mother's car after a mere sip of beer), the most memorable episode was none other than the infamous Jessie Spano caffeine pill freak-out:



"I'm so excited! I'm so excited! I'm so (choke/gasp) scared!" And to think the movie Showgirls couldn't manage to coast along on Elizabeth Berkley's master thespianism alopne. I'm not sure if you have ever had any run-ins with caffeine pills, but unless you're on the serious overdose track they tend to be fairly benign. They might as well have had Jessie sobbing over her skinny soy latte from Starbucks.



The Fresh Prince of Bel Air (1990-1996)

The Fresh Prince of Bel Air was not without its fair share of issue tackling. Like any good sitcom featuring adolescent main characters, there were many of the requisite coming-of-age themes (such as the episode in which Will likes a plus-size girl). The show also occasionally skimmed the surface of topical issues featuring episodes about interracial marriage, race riots, and gun violence in an episode where Will is shot in an armed robbery.

Two of the most Very Special are an episode where Carlton mistakenly takes amphetamines from Will's locker and is subsequently hospitalized and an episode where Will's absentee father returns with empty promises. I did not compile the following into a video, but its existence on YouTube certainly is convenient to my chronicling its Very Specialness.





Full House (1987-1995)

If nothing else, Full House is truly a Very Special show. Rarely did more than an episode or two pass in a season without confronting some sort of wholly unsubtle moral dilemma. The perfect and sanctimonious children of Full House may not have been prone to many discretions themselves, but they were certainly good at pointing out other people's faulty behavior.

The quintessential example of this is undoubtedly the episode in which Uncle Jesse wrongly accuses DJ of drinking beer at a school dance. Of course, our fair DJ would never engage in such raucous and unbecoming behavior, particularly not while wearing that Hilary Clinton circa 1995 pantsuit. DJ's wardrobe and rockin' mullet aside, she is the epitome of innocence shocked when she exclaims, "You're drinking BEER!" I especially like when the supposedly rebellious beer-drinking 12-year old proclaims her to be "so uncool!" It seems our friends over at ABC lifted this script directly from a DARE in-class video presentation.








90210 (1990-2000)

90210 was teen soap operary at its finest, and certainly featured a hefty dosage of Very Special Episodes. One of the most memorable was the season five finale in which Donna's abusive boyfriend Ray pushes her down the stairs. This would be an admirable leap into real-issue territory if the scene hadn't been quite so hokey. Tori Spelling's verbal acting aside, it's possible her physical work could use some work. I know it's in poor taste, but watching this clip potentially suggests she'd be well suited for some sort of highly-physical comedic work:



The drama! The drama! It is, of course, a very serious issue and it makes you wish they could have pulled it off a little better in the execution. Oh well, I guess it's either you hire your daughter or you hire a credible actress, and you just can't have it both ways.



Unfortunately, I just can't fit all of your favorites into a single post. I can, however, make a totally cop-out move by simply listing my runners up without actually describing them in any great detail. Hence, here we have some formidable honorable mentions:

Dinosaurs: Robbie encounters peer pressure to smoke weed
90210: Dylan's alcoholism
Family Matters: Laura gets beat up by a gang for wearing a certain jacket, racist graffiti at school
Boy Meets World: Shawn's drinking problem
Every episode of 7th Heaven and Dawson's Creek

Thank you for tuning in to this Very Special Episode of Children of the 90s! Join us next time when Children of the 90s confronts peer pressure/promotes Black History Month/feeds the homeless/administers STD testing/get juvenile diabetes.

Friday, May 29, 2009

Bubble Tape


I don't know about you, but I prefer for my bubble gum supply to measure in feet. Sticks are for lightweights. Everyone knows that the true test of childhood victory is the ability to fit the maximum allowable denomination of chewing gum into your mouth and to successfully masticate without asphyxiating. But packages of gum are so difficult to unwrap, not to mention all that unsightly tinfoil waste. Sure, it can be fun for awhile to peel off the foil and stick it on your school notebooks, but what are you left with after that? I demand more from my gum.

Luckily, my concern did not go unaddressed. The Wrigley corporation not only recognized this gum supply issue, but also chose to capitalize it with a hefty marketing campaign directed as gum-crazed children. They recognized that kids prefer novelty products to everyday fare and went about tailoring a product to meet this need. They sat around the boardroom wondering, "Now how can we make a completely useless product for which we can utilize cold, calculated marketing strategies to convince children that they thought of it in the first place?"

The major thrust of many advertising campaigns directed at children in the 90s focused on the illustrious nature of adult disapproval. In some crazy existential marketing bubble, it was completely justifiable for a group of grown-ups to labor over advertising that outright villianized adults. Somehow, they managed to convince us as children that this was all some crazy idea that we had come up with. Never mind that the concept, promotion, production, and distribution of the product was completely controlled by adults. This was of little matter to the Wrigley people. The real bottom line was that children believed that this product in some way represented their lifestyle and needs while being generally repugnant to authority figures.

Adults likely frowned on Bubble Tape with good reason. A few sticks of gum to satiate a sugar-demanding child is one thing, but a full six feet of bubble gum is probably overkill. "Oh, you wanted some gum? Well, how about twice your height's worth? Now stick it in your mouth all at once and try your best not to die. Doesn't that sound fun?"

Bubble Tape was aptly named for its scotch tape-like dispenser. Who says office supplies can't be inspiration for food products? Alright, I've been known to say that from time to time, but can you blame me? It's pretty outrageous. This packaging allowed for easy access to a maximal amount of chewing gum, even possessing the capability to discard the dispenser entirely in favor of sticking the whole roll directly in your mouth.


Sometimes as an adult, when I try to eat a particularly unwieldy large piece of sushi in a single bite, I am eerily transported back to the chew-or-die memory of attempting to ingest a full six feet of Bubble Tape. The trauma has faded, but the awareness lurks just beneath the surface. My mother had told me (incorrectly, I should note) that swallowed gum would stick to my appendix, and I thus worried for years needlessly about my inexorable pending appendectomy. I can only begin to imagine what the fictitious surgeons would say. Come along, if you will, on a journey into my Bubble Tape-induced nightmare:

Surgeon One: Holy cow, Bill get a load of this!
Surgeon Two: Geez, what is that? A pancreas? Actually, on second glance it looks a little spleenish. Shouldn't we leave this in?
Surgeon One: Well, actually, I think it's...gum. Chewing gum. Enormous six-foot squared chunks of it.
Suregon Two: Gosh, Tim, she probably should have listened to her mother when she made up that ludicrous lie, then she easily could have avoided this imaginary appendectomy.

But why the urge to stuff all this gum into our mouths and masticate our way into all sorts of improbably dangerous medical scenarios? In all likelihood the commercials egged us on just a bit:



Ah, yes. For you, not them. Touche, ad execs. Touche.

You have to appreciate their understanding of the literal-mindedness of children through the illustration of 6 feet as actual human feet. On the whole, this advertisement makes very little sense. I accept that children-directed marketing doesn't necessarily have to make sense, but this truly is on the side of the extreme. Essentially, here's a random cluster of facts about our unsightly underoo-ironing gym teacher and equally unattractive ice cream-scooping mashed potatoes cafeteria lady. Sure, we understand that these are unsavory characters with undesirable behavioral attributes., but is their lack of endorsement really enough to prompt children to flood grocery stores en mass in search of lengthy chewing gum?

Apparently it was. There was some underlying childlike joy to be taken from the whole "For you, not them" concept. An adult requested a piece and you could flippantly say, "But, mother, haven't you seen the commercials? This gum is not intended for grown-ups. This is a product entirely intended for me." Of course, I'm sure our parents just loved these tidbits of commercial-learned wisdom. In fact, I suspect it was exactly this type of behavior that prompted my mother to concoct the gum-to-appendix lie in the first place: to regain control of the bubble gum situation by unfair use of fearmongering.

The real trouble arises now, as the "you" in these commercials are now all grown up. Actually, it's possible some of you are out their ironing your underwear right now. Do we still reserve this ad-given right to deny others the sweet six feet of confectionery goodness? Obviously this "for you, not them" argument was built on faulty logic; like it not, now we're them.

Regardless of this hole in the Bubble Tape reasoning, I say embrace your inner child. Go out there and buy spools of gum by the foot and remember a time in your life when this 99 cent piece of plastic meant the world to you. Just don't say I didn't warn you about the risk of imaginary appendectomies.

Thursday, May 28, 2009

Furby


Technology can be useful in mainly outlets. Growing technology has enabled us to add efficiency to production, precision to medical procedures, and expedite worldwide communications.

It can also make Furbies.

Popular science fiction books and movies would lead us to believe that robots are up to no good, and we've yet to see evidence to the contrary. I'm always nervously eying my Roomba vacuum, convinced it has a vendetta against me for accidentally feeding it so many carpet-based bobby pins. Sure, we've seen are a few kindly fictional robots in the mix (a la Rosie from the Jetsons), but generally we're taught that these robots want nothing more than to overtake us and render us terrified and useless.

Under close examination of a Furby, you'll likely find this scenario morphing into a frightening--though admittedly adorable--reality.

Declared the hottest toy of 1998 season, I was probably past the target age for these fluffballs but I was fascinated by their existence nonetheless. Here I was, thinking we were years off from the technology for a fully interactive robot buddy and suddenly, it shows up on toy store shelves speaking Furbish. Parents actually engaged in physical combat to secure Furbies for their loved ones, if that gives you any idea to just how desirable an in-house interactive robot was. It seemed that children everywhere wanted one, but no one had a clue what exactly these things did.

The lifeblood of a Furby is in a computer chip embedded in its fuzzy amorphous form, and it had several relatively clever functions. The thing itself was pretty unnerving. It was cheek-breakingly cheerful and alarmingly reactive to the world around it. Never before had a toy been equipped with the technology to hear, speak, move, and most notably learn. Meanwhile, I was out there accidentally starving Happy Meal Tamagotchis left and right, and felt generally ill-equipped to deal with such a needy toy.

In the Furby Care Guide, the Furbster himself is introduced as follows:

Hey! I’m FURBY! The more you play with me, the more I do!
I love to play and can tell you jokes, play a game, sing and even dance!
Bring me home today and I’ll be your best friend!

I don't know about you, but to me that sounds horribly, terribly, wince-inducingly frightening. That whole "Bring me home today and I'll be your best friend!" part is probably the creepiest thing I could imagine a toy saying to me. The whole thing reeked of Gremlins, and I knew I couldn't be trusted with one for fear of banishing it to a microwave-explosion fated doom.






Furby v. Gremlin






In general, the idea of having any sort of playmate with an on/off switch is a bit disconcerting. There was a sort of dichotomy behind those big, bulgy doe-eyes; in one sense, the things seemed cute and cuddly, but I had visions of it summoning legions of its Furby friends and storming my house, Bastille style.

They were, after all, oddly lifelike for something so foreign-looking. It had touch and auditory censors, enabling it to react to your tickling and verbal commands. The Care Guide claims that Furbies will pick up language in a manner similar to a human child, but in reality it was only capable of absorbing English. The Guide explains:

About My Personality
I speak Furbish®, a magical language common to all FURBY creatures. When we first meet, this is what I’ll be speaking. To help you understand what I’m saying, please use the Furbish® - English dictionary found in the back of this book. I can learn how to speak English by listening to you talk. The more you play with me, the more I will use your language.

I'm sorry, but if that's not one of the scariest things you've ever heard from a toy, then you obviously have suffered some serious childhood toy-related trauma. The instructions with this thing were so comprehensive, you sort of have to wonder how any children managed to play with them at all.

In case you were hoping to brush up on your Furbish, here's a handy little Furbish-to-English guide from the Furby Care manual:

If FURBY asks you a question, say either:
Yes [ee-tay]
Ok [oh-kay]
Yes, please [ee-tay-doo-moh]
No [boo]
No, thank you [boo-doo-moh]
No way [dah-boo]
I don’t understand*
* If you couldn’t understand what I said, I’ll repeat what I last said to you. I may say it a little bit differently, with more English, so that you can understand it better. If you tell me “I don’t understand” too many times, I’ll get sad and frustrated. Sometimes it’s best to be polite and pretend you understand – at least until I learn more of your language!

That last tip is probably the most frightening. What exactly happens when my pal Furb gets sad and frustrated? Again, visions of Gremlin-style debauchery are flooding my mindwaves. That's a pretty vague threat there, Furbs. What are you planning to do if I can't adhere to your standard of politeness? And, more aptly, do I really want my child's toy to become angry and disenchanted with my kid? That seems pretty cruel, considering it's supposed to be the other way around.

The thing also came with pages upon pages of clear, unwavable instructions on how to interact with your fluffy friend. For example:

How to ask "How are You?"
Say “Hey FURBY!” [Pause until you hear FURBY say “Doo?” “Yeah?” “Huh?” “What?” or “Hmm?”]
Then say, “How are you?”
I’ll tell you how I’m feeling.
Make sure you say “HEY FURBY! I love you!” frequently so that I feel happy and know I’m loved.

Geez, this thing is needy. Don't worry, though, there is refuge. Say you accidentally raise this thing to be super irritating, even more than usual. Well, have no fear, it's resettable:

If you would like to teach FURBY English all over again,
you can erase the current memory by doing a reset.
1. Hold FURBY upside down.
2. With the ON/OFF switch in the “OFF” position, depress
and hold the mouth sensor using your finger.
3. While holding the mouth sensor, switch the ON/OFF
switch to “ON.”
4. FURBY will say “Good Morning!” to confirm the memory
has been reset.

Now there's a good lesson for kids: if you don't like something, just hold it uside down and cover its air supply till it complies. Cute.

Of course, the marketers behind these knew how to make sure your kid wouldn't be satisfied with just one Furby. No, it was necessary to shell out the big bucks to buy it a friend. The manual explains:

FURBY Creatures Can Talk To Each Other! Here’s How!
If you want your FURBY to talk to another FURBY in Furbish®, just have them hug each other! Keep their tummies pressed together until their
eyes blink and they start speaking to each other. Once they begin speaking,you can separate them – but they should remain no further than 3 inches apart, facing each other. Keep your handy Furbish®-English dictionary close by to figure out what they’re saying!

It's uncanny the way this thing can seemingly read my nightmares. THIS. SOUNDS. TERRIFYING. Sure, your Furby can be social, just smush it into another Furby, watch its eyes blink in a vacanteerie manner, and they will soon begin plotting against you. What fun!


In 2000, Furby babies were released. Watch them interact and just tell me those things are not demonic.

If this isn't enough to freeze your blood in your veins, don't worry, there's more. I'm not just talking about the newer, more reactive incarnations, either. No, scientists have recently discovered real live Furbies nestled on an Indonesian island. All I can say to these scientists is, don't even think about pressing two of these babies together...one blink and we're all goners.


Check it out:
"Furby Fever" at The Onion
Full Furby Care Guide (source of above quotes)

Wednesday, May 27, 2009

Hey Dude


There was once a time when children's networks didn't feel they needed to dumb down their shows for a preteen audience. Unlike the Disney and Nickelodeon networks of today, classic Nickelodeon created teen-centric sitcoms that were funny and well-realized. Hey Dude was a classic example of this vein of solid comedic children's programming: it didn't rely on wacky gags or outlandish premises to drive its action. Rather, it took a simple believable premise and extrapolated from it a show worthy of our attention and admiration.

This admiration was fairly easily bought. After all, here was a group of teenagers doing what every kid dreamed of: spending a summer away from home, having a peer group of other attractive teens, and spending endless hours riding horses. It was sort of like an extended version of the Saved by the Bell summer beach specials, only it was set at a dude ranch. Essentially, the show took familiar character molds, placed them in an unfamiliar situation, and watched the humor unfold.

The show's underlying plot was fairly uncomplicated. Mr. Ernst, a nerdy but lovable New York ex-accountant and newly ex-husbanded, bought an Arizona dude ranch on a whim in the midst of a midlife crisis. Much to his son's chagrin, Mr. Ernst packed up and headed west with a humorously limited knowledge of dude ranching, whatever that is. His ranch, the Bar None, was staffed by a motley crew of teenagers assembled from across the country. Apparently, the ranch had once been owned by a reputable cowboy, and the staff was in for a hefty surprise upon the arrival of bumbling newcomer Mr. Ernst.

If that was not quite enough to draw you in, well, Nickelodeon had plans for all of you naysayers. This plan came in the form of one of the catchiest television theme songs to date. I dare you to listen to it and not spend the rest of the day replaying it in your head. Go ahead, give it a try:



What can I say, I warned you. If you're reading this incognito at work and would likely blow your cover with an impromptu outburst of loud western kid's TV show theme music, here are the convenient read-along lyrics for your perusing pleasure:

"It's a little wild and a little strange...
when you make your home out on the range.
So, start your horse and come alo
ng.
'Cause you can't get a ride if you can't hold on.
Singin' yippee kai aie ay. (Yippee kai aie
what?)
Like the cowboys say. (Sing it again now.)
Yippee kai aie ay.
'Till the break
of day.
(You'd better watch out for those man-eating jackrabbits... And that killer cacti!)
Hey Dude!
"

Under closer inspection, this song tells us absolutely nothing of value. Sure, it's vaguely Western-themed (largely evidenced by that "yippee kai aie ay") but the lyrics themselves tell us no story whatsoever. What man-eating jackrabbits? What killer cacti? Perhaps it would take a bit more investment in the show to rope you in (yes, that is a lasso joke, please take it as such).

Luckily, we had a wide range (I'm going to keep pointing out these puns, don't even try to stop me) of characters with whom to relate:


Ted: Our protagonist for no real reason other than his general egotistical frat-boy amiability coupled with a lack of other defining qualities. Well, outside of his rather remarkable good looks, that is. He was the real glue of the show, and his premature departure from the cast was an inevitable shark-jump. Luckily, he later returned to the ranch under shaky (read: ratings related) pretenses, but it was never quite the same.

In case that was somewhat lacking on the descriptive side, you can always refer to the following Ted testimonials:




Bradley: Hold on, back up here. Brad's a girl? But that's a boy's name! Just when you think you've heard it all. Don't worry, though, she's totally rich and we can therefore assume she can buy her way out of an ill-begotten fate of name mockery. See, you can tell she's rich because she wears designer clothes...at a ranch! Boy, this Brad sure is something. Luckily for Brad, she was a pretty stellar horse trainer, or else we would really have no clue what she was doing here. Additionally, her love-hate relationship with Ted just screamed playground flirtation:



Melody: Requisite goody-goody with all-American good looks (read: blonde). Sure, we may now know Christine Taylor as a relatively well-known actress and wife of Ben Stiller, but back then she was just our favorite 90s lifeguard this side of Baywatch. Melody also had a good deal of sexual tension with Ted, though none of us as children would have defined it as such.


Danny: Our small dose of diversity in this snowy white cast. I'm not sure if any of you have ever been to Tucson, but I can give you a hint that the show's ethnic balance is more than a little off. Danny is a Hopi Indian, which we know not only by his looks but also because his last name is Lightfoot. That's subtlety for you. Danny was always full of little tidbits of Hopi wisdom, because the 90s couldn't have a token non-white cast member without tying the major thrust of his character traits to his race.

In addition, there was Buddy (Mr. Ernst's young teenage son) who was mainly preoccupied with the undesirable skateboarding conditions of the desert. He was largely one-dimensional, but served as a sort of little brother character to the senior staff.

Later, a mysterious Jake, and later an even vaguer Kyle (quasi-related to ranch hand Lucy) were basically stand-ins for the Ted character after his exit from the show. They may very well have come from central casting for Teds, and served as the cousin Olivers in this unfortunate jumping of the shark. Ted's return was welcomed, but the show was already somewhat on the wane.

Regardless of any cracks in its sturdy foundation, Hey Dude ran a fairly solid few seasons from the late 80s to early 90s. Though it wasn't necessarily the sharpest or the most original, it was a little wild and a little strange, which in this case was enough to rope in a slew of little buckaroo viewers.


Check it out:
Hey Dude Episode Guide
Hey Dude Book on Amazon
Hey Dude on iTunes?

Tuesday, May 26, 2009

Ode to Discontinued 90s Food Products

Note: this image contains general snacks, not necessarily discontinued ones. It serves an illustrative purpose and therefore prompts no unnecessary mourning of delicious favorites like Combos and Hot Tamales

We all have a soft spot for the snacks we consumed during our formative years. In some cases, we may be left with actual bodily soft spots due to the sore lack of nutritional snack options. Regardless of their questionable merit, we craved these snacks with near-religious zeal. We can only now understand why our parents shook their heads in disbelief as we placed these items into our family's grocery cart; many of these foods, while admittedly delicious, were otherwise completely insane as concepts.

I suppose it's possible that major food production firms suffered from large-group drug use during product conception meetings, as that's probably the only passable explanation for any of these items making it past the, "Call me crazy, but I have an idea" stage. Under usual circumstances, the assembled group of professionals would agree that yes, that was indeed a crazy idea, and proceed with their days unaffected by the interaction.

Perhaps the 90s were especially generous to creativity. More likely, it was a time of shameless one-upmanship in marketing and reformulations of products. Regardless of the reasons, as children we were more than happy to reap the rewards of food companies' lapses in judgment. Though we may mourn their loss, their memories will forever represent to us a time when haute cuisine meant a good gimmick and a lively spokescartoon.

Orbitz


You know, I always dreamed of drinking a lava lamp. When told they were horribly toxic, I happily settled for the next best thing. The fact that this soft drink ever went into full-scale production is at minimum mind baffling. How exactly would one go about pitching an idea like this to the kind people at Clearly Canadian*?

"Feel free to stop me at any point if this sounds a little iffy, but what if we took our existing product, let it go flat and decarbonated, and then floated little mysterious balls of unidentifiable goo in them? I know what you're thinking, that sounds delicious, and I'm going to go out on a limb here and agree. These little gummy globulations are just the thing to put Clearly Canadian on the map. The beverage company, that is, I'm pretty sure the actual Canada is already on there in full clarity."

The gelatin balls were technically suspended by means of gellan gum, but no scientific explanation can play down the eeriness of these frightening floaters. I used to love these drinks, but in retrospect it seems more likely that I like the idea of them more than the actual taste. The drink itself was fairly benign, but it was pretty unpalatable to swallow little slimy orbs without fair warning of their entry into the mouth region.

Conveniently, Clearly Candian chose to blame you, the consumer, for the discontinuation of Orbitz. Apparently, we as beverage drinkers were unsure whether to eat, drink, or discard these balls. The company's investment in the beverage was luckily not for naught: they made a pretty penny selling their website domain name to the flight search engine of the same name.


Rice Krispie Treats Cereal





It's tough to determine whether or not these are indeed discontinued, but if still in production they are certainly in limited retail release. In the case of Rice Krispie Treats Cereal, at least the Kelloggs' people could justify this product with its sheer efficiency. Factories were already producing full size Rice Krispie Treats squares, so theoretically all that had to be done was breaking the treats into smaller bite-size pieces and adding an additional word to their cereal box packaging.

We all knew Rice Krispie Treats as a dessert, so imagine our surprise to find them amongst healthy fare in the cereal aisle. I took a shine to these immediately, though in reality it was probably the novelty of the product that appealed to me over its inherent value. Either way, I knew I loved Snap, Crackle, and Pop but hated plain old Rice Krispies, so I was glad to see my favorite characters branch out into more sugary territory.


Life Savers Holes



Again, this seems like a fairly accountable use of company resources. They're already making the candies, and we can only assume they're discarding millions of holes yearly to produce their trademark shape. Why not sell the contents of their factory trash? Unappealing as that may sound to us, they managed to market it in a way that convinced us that we were somehow getting something different while we were clearly just getting more of the same but in a new hard plastic container.

In the 90s, it was popular to reformulate popular foodstuffs into smaller, cuter, more animated versions of itself. Lifesavers Holes--and later M&Ms minis--featured ads depicting tiny candies frolicking carefreely, enjoying their tiny lifestyles. The Lifesaver Hole ads were actually a Pixar endeavor, which was pretty fancy shmancy for the time in terms of expensive advertising at the time.

Lifesavers Holes was able to capture an audience for a short period of the time as a result of flooding the candy marketplace with advertising, but kids caught on quickly that these were pretty much the exact same thing only less satisfying.


Surge



In the 90s, there was a huge movement toward marketing things as "X-treme!" Extreme sports were on the rise, and apparently required some sort of tie-in promotional beverage to endorse this madcap lifestyle. Major proponents of this extreme way of life spent much of their days skateboarding, wearing backwards baseball caps, mainlining adrenaline, and shotgunning cans of Surge.

Surge was marketed as X-treme! on the basis of its caffeine content, though under closer examination it was apparent that soft drinks like Mountain Dew actually contained higher levels of caffeine. In reality, the main thing that was extreme about the beverage was its repellent electric green color and coordinating logo. Unsurprisingly, parents often vetoed Surge as a source of unnecessary hyperactivity, making it all the more appealing to us. My friends and I used to have Surge-chugging contests at slumber parties, leading us to eventually have to downgrade these fiestas to simply "parties." After downing a 2 liter of Surge, sleep wasn't really an option.


Oreo-Os

Ah, dessert as breakfast. It was a beautiful concept, and kids were quick to hop on the cookies-in-the-breakfast-bowl bandwagon. The cereal's tagline, "The delicious taste of Oreo now in a fun-to-crunch cereal!" was unlikely to pull in any sort of parental approval ratings. The sugar content was outrageously, unjustifiably high, making them incomparably attractive to children while remaining the bane of every parent's trip to the grocery store. Sure, the things probably had a vitamin or two infused in for good measure, but in general this was really just a matter of cookies for breakfast.

Like its chocolate chip rival, Cookie Crisp, the cereal was a bit of a letdown on the cookie-likeness front. Cookie cereals always seemed to posess some form of unfortunate bitter aftertaste and abrasive texture. The Oreo people probably should have taken a page from the Rice Krispie Treats book and just crushed up some of their original product and called it a day. Unfortunately, this tampering with the sacred Oreo formula yielded less than oreo-tastic results. They did, however, later come out with the dubiously named "Extreme Creme" version which to its credit contained ample marshmallows. Unfortunately, conceptual cereal could only go so far without substantial taste credibility. Alas, it was adios to the O's.



Of course, some 90s snacks undoubtedly deserve further investigation and thus have been awarded full length posts for their sheer ridiculous existence. Luckily, many of them were featured here on Children of the 90s before I had any readers, so just think of it as new bonus reading material to munch on. Just remember to breathe a sigh of relief as a few of these are still around:


*Considered kind on the basis of Canadian citizenship alone.

Monday, May 25, 2009

Starter Jackets


Mainstream fashion in the 1990s was highly brand-oriented--much of the statement the wearer chose to project was based on prominent name or logo emblazoned across every emblazonable area of a garment. It was as if 90s fashion was an insecure pre-adolescent, constantly seeking to reaffirm its worth by donning extremely visible status symbols. Children of the 90s often wore their affiliations on their sleeves; in this case, literally.

Of course, it was not only brand name endorsements that drove clothing status and potentially determined your place in the cafeteria and/or grade school popularity pecking order. In some cases, people relied on bold declaration of support for a sport team as their affiliation of choice. And when I say bold, well, I mean bold.

Let's be honest with ourselves here: 90s fashion was never one for subtlety. As much as we try to defend our childhood fashion mishaps, in retrospect it is fairly apparent that many of these clothing choices were at best misguided. In numbers disproportionate with the style's actual appeal, these unfortunate clothing choices frequently feature the once-coveted Starter Jacket. They were not flattering or even particularly comfortable, but dammit they were socially significant. Who was I, a mere fifth grader, to question the wind-and-rain resistant hooded power of the almighty Starter Jacket?


For your reference (that is, in case a time machine ever mysteriously drops you back in the 90s and requires you make quick-witted fashion decisions), here are some of the major components that made Starter Jackets universally attractive to young people in the 1990s:

1. They were expensive
While this may seem like a deterrent, it usually gave brands the allure of exclusivity. In actuality, the real deterrent was to our parents, who justifiably questioned the need to shell out vast wads of cash for a glorified windbreaker. Anyone who has a child, has met a child, or was ever a child themselves can verify that a parent's disapproval is the number one contributing factor to making anything immensely attractive. In the case of Starter jackets, it just took one or two spoiled brats at our schools to start the wave of inevitable begging and temper tantrums on every subsequent trip to the mall or sporting goods store. Sure, it was mildly demeaning to throw yourself screaming and crying onto the floor at the Sports Chalet, but it wasn't about the process. It was about the purchase.


2. They were ostentatious
Now more aptly classified as obnoxious, this level of eye-stabbery was once considered a good thing. The team colors were never muted or subtle, rather they were vibrant to the point of necessitating protective eyewear. The point was to show your commitment to a team as publicly as possible. If someone could not identify which team you rooted for from a distance of at least 100 yards, you probably weren't all that dedicated of a fan.

Of course, some team's color schemes were more desirable than others. You weren't putting yourself out on much of a limb by selecting a blue, white, and silver Dallas Cowboys puffy confection-style coat (pictured above), but God forbid you were a serious Charlotte Hornets fan. Sentencing yourself a long winter spent in flamboyant Teal and Purple was a risky choice, though it certainly showed admirable team loyalty. Extra credit for wearing it with matching Zubaz.

Rapper Omarion obviously doesn't shy away from broadcasting his flamboyantly-colored Hornets allegiance, even more than a decade later


3. They easily associated you with popular sports teams while requiring no input of personal athleticism
In essence, you acquired immediate and undeserving street credibility merely by purchasing an overhyped jacket demonstrating your support for a specific team. If the popular kids on the playground were huge Chicago Bulls fans and you showed up one day sporting one of these red-and-black nylon monstrosities parading as outerwear, you were in. Of course, many would consider that route to be sort of a cop out, as it was generally safe to select a universally beloved team behind which to heave your support. The true rebels would pick a team relatively disparate to their geographic location. We could only assume these kids really knew a thing or two about football or basketball to have selected favorites outside of the easy "root-for-the-home-team" alliance paradigms most of us adhered to. More likely, they just had parents who grew up elsewhere.


4. They had enormous pockets

This might not seem like much now, but as a child this was a fairly important feature. Imagine the toys and distractions you could smuggle into math class with one of these babies. It certainly had more than ample room to accommodate a splat of Nickelodeon Floam, a Tamagotchi, a pack of Dunkaroos, a jawbreaker, and an egg of glow in the dark Silly Putty. What more could you really ask for?


5. They resisted everything
We're not just talking wind and rain here. These jackets were actually poufy enough to deflect rogue snowballs or frisbees. Starter jackets were not only made of water-resistant material, they were also voluminous to a point of making children appear distinctly Oompa Loompa-ish in silhouette. The only thing they couldn't fully protect you from was the shame of choosing the wrong team.

These days, when you're sporting your demure baseball caps and quiet jerseys, just remember the path of loud fandom from which you came. Try as you might to deny your flashy Starter roots, the popularity of the photo scanner will likely replant these junior high memories into wince-inducing flashback Facebook albums. So be proud, children of the 90s. Your childhood selves certainly were in their outlandish displays of loud jacket-based team support.

Sunday, May 24, 2009

Then and Now: Spice Girls

Although these ladies certainly warrant their own at-length post, I couldn't resist these then and now photos. I understand that the Spice Girls were marketed as characters rather than people, but their brand of supposed girl empowerment certainly led to some unfortunate costuming.


Spice Girls, then:



Spice Girls, now(ish):

I'm glad to see they at least kept the big shoes.

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