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Thursday, April 22, 2010

Pogs


What kind of a child wouldn't adore playing with stacks of bottle caps, delighting in making little wavering leaning towers of Pogsa and later bashing them with a heftier, weightier cap? It's such an attractive option, I can't imagine how it took us 60-odd years since the games conception to discover its true awesomeness. It may have had something to do with printing technology; Pogs featuring psychedelically colorful eight balls and yin yangs are far more attractive to children than plain old guava juice bottle lids. Still, though, we're just hurling a slightly bigger disc at a pile of smaller discs, so something tells me we as 90s children possessed the inherent trait of being incredibly easily amused. You just couldn't sell that to today's kid. They'd be bored out of their minds before you even got to the word "slammer."aa

Pogs quickly achieved cultural phenomenon status, hurdling onto the toy scene in the early 90s. Pog legend (and possibly some factual information I didn't have the initiative to confirm) has it that the game originated in the 1920s/30s era in Hawaii, using milk caps. Decades later, a teacher introduced the game to her students using lids from POG juice: Passion Fruit, Orange, Guava. Get it? Pog? I think you get it, I just wanted to double check.


Pog play is incredibly, almost deceptively simple. In retrospect it almost seems as if a part of the original instructions have been lost somewhere along the way; it's hard to believe this basic game not only held our rapt attention but also lay claim to great chunks of our allowance money and precious limited recess time. The players would build a stack of caps at least four high with all pogs facing down. There are variations, of course; in some games each player built their own stack, but generally it required some buy-in of one's own valued pogs into the high-stakes mix of potential pog loss to superior slammer wielder. Each player takes a turn hurdling the slammer at the stack, claiming the pogs that land upturned and returning the downturned pogs to the original stack.

In some cases, we would play simply for fun, allowing each player to reclaim his or her beloved pogs at the end of the game. In others, though, we were out for keeps. We had to be careful which of our most beloved pog designs we decided to throw into the mix; in many cases, other players would leave the game with their pockets or patented pog stack cases lined with our once-treasured designs. It was sort of gambling 101 for children, and most of us were about three slammer throws away from needing a 12-step program. Each throw felt like this would be our chance to claim our neighbor's rarest and most valuable pog holding, but in most cases the house won and we were SOL. It's hard to look cool when all that remains in your pog case are the reject kitten and education-themed designs. Who's going to want to slam that?

If your memory fails to summon the high-stakes intensity of the game, just watch the following commercial. It will tell you all you need to know about just how hardcore 90s kids were about their pog play. Filled with semi-subliminal messages like "Wanna Play Gotta Play Above All," it's a frightening insight into the level of serious we invested in our pog collecting and gaming.



Pogs and their heavier, more potentially injury-inflicting counterparts Slammers established a ubiquitous presence on playgrounds and in classrooms everywhere. Schools called foul on the game, declaring it a soft form of gambling. Many school districts issued bans on the seemingly innocuous toys, declaring their "playing for keeps" nature to promote unhealthy and immoral gambling habits. Pogs soon went the way of the slap bracelet, reduced to underground, rule-defying secret game play.

The majority of parents pooh-poohed the schools' claims; the pogs weren't inherently dangerous and to many it seemed a reasonable alternative to TV and video games. Kids, after all, do have some inherent right to be kids, no matter how firmly schools push to eliminate it. In the schools' defense, though, they did have some grounds for banning on the same level of the later Tamagotchi craze: these things were distracting. It was tough to convince our teachers the slamming of a large disc into a pile of smaller discs was educational in its own right. Displacement? Physics? I'm still working on a viable explanation. I'm still meaning to get back to my second grade teacher on that one.

The game became so popular that manufacturers were scrambling to get their images plastered onto cardboard discs, releasing a horde of licensed designs and highly coveted collectible pogs onto the skyrocketing game scene. Soon fast food joints were offering pogs alongside children's meals, sports teams issued baseball card-esque designs, and even religious organizations sought to promote their moral messages on these ever more visible youth-accessible miniature billboard space. All types of licensed images found their way onto the fronts of pogs, giving a wide variety of kid-friendly enterprises an entirely new vehicle through which to promote their franchises.


Granted, some of the cross-promotional morally conscious pog marketing got a bit out of hand. While it might be cool to have a pog or two with some deeper meaning, many of the pog producing organizations sought to use the fad as a platform for their mission statement. Groups like anti-drug education program DARE and the US Environmental Protection Agency were soon printing pogs by the stackful, their well-meaning capitalization on a trend sucking a reasonable amount of the fun out of the game.

Like any good childhood fad, as soon as adults get too involved in utilizing the phenomenon to their benefit, it sends a message to kids that its trendiness is on the way out. Once adults have embraced a trend with the "if you can't beat 'em, join 'em" attitude, kids' internal coolness radar alerts them it's probably time to find a new favorite pastime. Beanie Babies, anyone?

Friday, April 16, 2010

90s Witches


There's an undeniable appeal to shows with supernatural themes. We all would like to believe that we might be capable of powers beyond the scope of our daily mundane lives and limited personal abilities. As children especially, the notion of pointing our fingers and fulfilling our every whim is pretty attractive. Teacher assigns too much homework? Parent requests too many chores? These are all prime target for our mischievous magic. Seems like a pretty good deal overall, really.

Unfortunately, these witches in TV and the movies seem to be doing it all wrong. They're always getting themselves into zany misunderstandings that usually end with some moral lesson on how we can't wish ourselves happy and how our mortal heart is the strongest guiding principle. I was always fairly sure that if given the same powers, I wouldn't end up in any of these situation comedy-friendly pickles. I could have just pointed and zapped and never had to learn a life lesson at all. How easy would that have been? Imagine the time I would have saved. What can I say? In my theoretical foray into witchdom, I'm all about results and efficiency. None of this "moral of the story" crap.

90s witches in popular entertainment tended to fall into one of the following categories: comedic and well-meaning, horrific and fear-inspiring, or some wacky combination of the two. Whatever the genre, these films and TV shows gave us an entertaining glimpse into the supernatural. I have yet to develop any mysterious powers of my own, but watching these gives me hope they're coming in any day now. If I could just zap that big daunting pile of papers out of my inbox, we'd all be in good shape.


Hocus Pocus



Hocus Pocus may be a family-friendly comedy, but that "Come Little Children" song still has the creepiness capital to chill you to the core. In the film, young new-in-town Max and Dani bring back to life the infamous Sanderson sisters, a trio of witches put to death during the Salem witch trials. The kids do manage to eventually save the day, but not before the mischievous sisters wreak bewitching havoc on the town. Somewhere along the way, they also put on some show-stopping musical numbers.


Teen Witch


If you've never seen this one, you're truly missing out on a wealth of hilarious potential mocking. Just watch the above snippet and tell me it's not the most unintentionally rip-roaringly funny thing you've ever seen. Yes, her friend really looks at a boy and sighs wistfully, "Look how funky he is!" Look how funkly he is indeed.

Teen Witch is one of those incredibly corny, campy movies you just can't tear yourself away from. It was conceived as a sort of female counterpart to Teen Wolf, which may serve as an explanation for their comparable cheesiness. Oddly enough, Teen Witch is sort of a musical. It may not know exactly what it is, but one thing is for sure: even when it's meant to be serious, it's just laughably ridiculous.


Sabrina the Teenage Witch



Teenage witchery was evidently a popular pastime in the 90s; it seems Teen Witch didn't have a monopoly on adolescent witchcraft. Sabrina, the Teenage Witch is based on the eponymous Archie series comic book. The show held a prime spot in ABC's TGIF Friday night lineup for several years, featuring Clarissa Explains it All's Melissa Joan Hart as the titular character. Sabrina lived with her sorceress aunts Hilda and Zelda and talking black cat Salem. Get it? Like the witch trials? Oh Sabrina. Is there no end to your cleverly sly references?


Practical Magic



Nicole Kidman and Sandra Bullock star as two orphaned sisters who suffer the effects of a centuries-old family curse. The Owens family women are doomed to destroy any man with whom they fall in love. It may sound depressing, but the stars give the movie a humor and lightness. Throw in an accidental homicide and an oddly feel-good exorcism and you've got yourself a chick flick that even the manliest of men might be willing to watch. As long as you don't tell anyone about it.


The Craft



On the other side of the 90s witch spectrum we have The Craft, a dark revenge flick that's a dark cry from the touchy-feely witchcraft in Practical Magic. In this teen horror drama, Robin Tunney plays a new girl in town who doesn't quite fit in with the mainstream kids at school. She has a natural propensity for witchcraft, so when she falls in with an occult-minded trio of girls they manage to develop a mutual power that they hone and channel into wreaking revenge on their classmates and nemeses. It culminates in a big showdown of good versus evil, and (not-so-surprise spoiler alert) good manages to prevail. Whew. Close one.


Charmed



Following its 1998 debut, Charmed went on to live out an impressive eight-season run, establishing it as the longest-running hour-long show to feature a cast of all female leads. While there was a bit of shifting around in the casting department in the 2000s, the original version featured Shannon Doherty, Alyssa Milano, and Holly Marie Combs as Halliwell sisters Prue, Phoebe, and Piper. This trio of twenty-somethings are living together in San Francisco when they discover that they are "The Charmed Ones", good witches destined to battle evil. After perusing their inherited Book of Shadows and experimenting with their individual powers--telekinesis, the ability to freeze time, and psychic insight--they learn to combine their powers into the almighty Power of Three. I'll admit I stopped watching after Rose McGowan's Paige replaced Prue in the ensemble, but the show maintained a fairly steady popularity throughout its lifespan.


These characters piqued our imaginations and allowed us a brief escape to a fantasy world where, whether for good or evil, we might fancy ourselves bewitching. While they ranged in tone from dark and ominous to featherlight and silly, the content was consistently engaging and entertaining. And hey, we can keep fantasizing about the limitless potential of our imaginary powers. There's no saying we'll ever be as vengeful as the girls from the Craft or heroic as Charmed's Halliwell sisters, but we may at least be inspired to perform an enviably version of Teen Witch's "Top That." It won't take an inborn proclivity for sorcery, but it will take a supernatural ability to suppress your uncontrollable laughter.

Thursday, April 15, 2010

Popular Young Children's Books of the 80s and 90s

Children's authors set the groundwork for a new generation to develop a deep love of reading, so it's critical that their output is engaging and amusing enough to hold our limited attention. Plus, our parents often bore the burden of reading these books to us again and again until they could have recited them from memory, so it helped if authors could throw in some humor that satiated the appetites of both adults and children.

These books satisfied both criteria in balance and firmly established a place in our collective nostalgic heart for their silliness, fun, and wit. Let's take a stroll through the magical world of 80s and 90s young children's books. You'll laugh, you'll cry, you'll develop a catchy rhyming scheme. Don't blame me if you start talking Seusically, though. It should wear off in 10-12 hours.

If You Give A Mouse a Cookie



We all know what happens when you start giving mice cookies. They're insatiable little rodents, really. At least that's the central message of Laura Numeroff's If You Give a Mouse a Cookie. He'll just keep bleeding you dry with favors until he finally just wants a cookie again. There's just no winning. Maybe if you try giving a Moose a Muffin or a Pig a Pancake things might turn out differently. Maybe.


Love You Forever


If you're a leaky-faucet type crier easily set off by emotional material, be warned that you'll release the floodgates by the last cycle of "I love you forever, I love you for always, as long as you're living, my baby you'll be." The book details the relationship of a mother and her young son as she recites the same refrain to him at various stages of his life. Near the end of the story, the adult child recites it back to his dying elderly mother and finally to his own infant daughter. The book resonates well with adults and children alike; it seems the older you get, the more likely you'll want to keep a full box of tissues nearby when you pick this one up.


The Eleventh Hour and Animalia




I spent somewhere in the neighborhood of three years trying to trace these gorgeous illustrations in hopes of miraculously transferring Graeme Base's incredible art talent onto my own hopelessly skill-free hands. Base's books may be visually enchanting, but in the case of The Eleventh Hour they're also incredibly tricky. I still haven't managed to solve all of the many riddles embedded in the story. I almost caved and broke into the solution in the back, but I'm still holding out hope that the answer will just come to me.


The True Story of the Three Little Pigs and The Stinky Cheese Man and Other Fairly Stupid Fairy Tales




Revisionist fairy tales can be a lot of fun, and this Wolf-narrated version of the classic Three Little Pigs story is no exception. Our allegedly mistakenly accused suspect, Alexander T. Wolf, describes his troubles in borrowing sugar to bake a cake for his Granny's birthday. Is it his fault he has a terrible cold and that pigs build inferior non-sneeze-resistant houses? How could you let a delicious ham dinner like that go to waste, after all?

Along the same lines and written by the same witty author (Jon Scieszka), The Stinky Cheese Man gives us an irreverent look at some of our favorite classic fairy tales. The Gingerbread Man is the Stinky Cheese Man, The Really Ugly Duckling just grows into a Really Ugly Duck, and Little Red Riding Shorts manages to outrun the wolf on the way to Grandma's. The book is a bit chaotic, but it's legitimately clever and witty, too.


Arthur Books


Marc Brown was clearly onto something when he created this lovable anthropomorphic eight-year old aardvark named Arthur. Populating Arthur's hometown of Elwood City are a host of other cuddly animal characters with varying socioeconomic backgrounds, leading me to find that yes, you can indeed be jealous of a fictional monkey. Darn you, Muffy, and your enviable rich-monkey lifestyle.


The Jolly Postman


Kids have pretty short attention spans, so an interactive book is always a major draw: it's like a combination book/game rolled into a neat little package. To be delivered by a postman. A jolly postman.

In The Jolly Postman, our hero postman maneuvers from one fairy tale house to another, delivering correspondences (an apology note from Golidlocks and the 3 bears), junk mail (an advertisement for "Hobgoblin Supplies, ltd."), and even threats of legal action (the case of the Wolf v. Miss Riding Hood.) The jolly postman stops for tea at each home, delivering letters that we as readers could physically open and read.


Chicka Chicka Boom Boom


Learning the alphabet can be pretty boring, so imagine how relieved we were to find a book that turns dry and humorless letters into cute anthropomorphic characters. Our fearless letters climb the tree in orderly A-B-C succession, only to fall back down and sustain alphabetized injuries. Ouch.


Where the Wild Things Are


Monsters might seem like a scary, lurking under the bed prospect until we learn that in our imaginations we can just dance with them in a wild rumpus instead. Sounds like a decent solution to me. The back-story is possibly as entertaining as the tale itself: author Maurice Sendak had initially planned for the book to feature wild horses, but his publisher shunned Sendak's sub-par horse drawings. Sendak replaced the horses with caricatures of his Polish Jewish aunts and uncles: Aaron, Bernard, Emile, Moishe, and Tzippy. I imagine they were thrilled to find their likenesses titled "things."


Berenstain Bears


This friendly bear family has been teaching kids valuable life lessons for generations. I believe I read the Visit to the Dentist book at my own dentist's office at least twenty times, which helped assuage my fear of the infamous yankers while simultaneously teaching me about the untapped goldmine of cash at stake for my expendable baby teeth. Win-win.


Amelia Bedelia


What do you get when you combine a charming rhyming named housekeeper and a penchant for extreme literal interpretation of simple instructions? Pure children's book gold. Amelia Bedelia draws the drapes by trying her hand at sketching the curtains and prunes the hedges by sticking prunes in them. We learned the value of simple vocabulary and double meanings, plus I got some great ideas for how to make a mockery of my household chores,


Oh, The Places You'll Go!


Though it may have become a cliche gift for recent graduates, Dr. Seuss's final book is ultimately inspirational and sweet. The book details our protagonist's travel through uncharted territory, complete with setbacks and triumphs. So go ahead, give it to your graduating cousin or neighbor. He'll probably be able to start a collection with all of the copies he receives, but he may just learn a valuable lesson about endless possibilities.


The Rainbow Fish



This book seems pretty innocent with its message of sharing, so imagine my surprise in discovering it's taken some flack from critics for allegedly promoting a socialist agenda. It's a pretty preposterous accusation; it's enough to make you wish yourself back to a simpler time when you didn't know what things like "socialist agenda" even meant.


Stellaluna


Fruit bats are adorable and owls are evil? What kind of crazy mixed-up pre-Harry Potter owl love affair world is this? Stellaluna is separated from her mother and is raised with a nest full of baby birds, the mother of whom admonishes her for hanging upside down like, well, a bat. In case you were worried, she does eventually reunite with her mother, but the book has a bit of a melancholy feel through the whole "be true to yourself" message.

Tuesday, March 30, 2010

American Girl


I'm still moderately crushed that they didn't unleash the glory of the respective downtown-based American Girl Places until I was far past the acceptable American Girl consuming age. I would have been all over that. I mean, tea parties? With your doll? Is there some sort of a sign up list somewhere? Because I would like to enlist myself immediately.

Just the other day, I was at the home of a family with young girls and found each one proudly toting a bona-fide American Girl doll. The jealousy reflex in me sprang forth, strong as ever. As much as I begged, my parents would never cave and purchase me a wildly expensive Samantha doll per my requests...er, demands. My friend had one complete with it's own turn-of-the-century style miniature version of the rich person wire bed on which she slept. Granted, these young girls I encountered this week had the far inferior "Just Like Me" My Twinn-knockoff dolls complete with eerily identical features and customizations, but the jealousy reflex enacted nonetheless.

While American Girl may have started with the noblest of literacy and girl pride-minded intentions, the brand morphed into a major franchise of merchandise and self-proclaimed collectibles. I was an avid reader of the books, so imagine my delight as a child when the mailman saw fit to bring me my very own American Girl merchan dise catalog. If I had known what crack was at the time, this catalog would have become its mildly less addictive equivalent for my 10-year old self. I spent hours meticulously marking pages, indicating not only which dolls and accessories I preferred but also which me-sized American Girl-style clothing options I would hopefully someday wear with false-modest pride. Who doesn't want colonial frock or a shirt whose collar suffocates me with its early 1900s high buttonedness? These things are relatively irresistible. Well, to girls in the target 8-12 demographic, that is.



This effort-laden catalog scouring turned out to be for naught, but it did teach me a valuable lesson about coveting and consumerism. That is, that I really, really like it. Thank you, American Girl. You've served me well in my path to shopping addiction.

The spark of the American Girl concept was born in the mid-80s when creator Pleasant Rowland visited colonial Williamsburg, enjoying the impact of the fully immersive experience. Later, when shopping for gifts for her tween-aged nieces, Rowland realized that the range of dolls available to preteens was highly limited. The focus of these dolls, she observed, seemed to be on either mothering (baby dolls) or aspiring to teenagehood (Barbie-type fashion dolls). No dolls were specifically geared toward the interests of then generally underserved preteen demographic.

Initially launching the line as a mail-order enterprise, Rowland created the fledgling American Girl franchise in 1986. American Girl originally featured three historical girls: Kirsten Larson, Samantha Parkington, and Molly McIntre. Each doll came with three books about her life in her respective historical setting and optional clothing and accessories based on the character. American Girl was born.

American Girl quickly grew into a veritable operation, releasing birthday books, seasonal books, and my personal favorite in 1988: life-size matching clothing for the doll owner. The line veered into some alternate territories, but for the most part its focus was on the historically relevant doll line with its corresponding books. The original characters released in 1986 were:

Kirsten Larson (1850s)Kirsten is a Swedish American living in Minnesota in the mid 19th-century. Kirsten is a kind, sensitive girl open to new experiences in her new country. She was an avid sewer and had an adventurous spirit. Plus, she wore her hair in an awesome braid/Princess Leia Cinna-bun hybrid. I liked the idea that she was Minnesotan like me, but I could never seem to get my hair to stay in those braid loops like hers.


Samantha Parkington (1900s)

Samantha Parkington is a turn-of-the-century orphan living with her rich Grandmary. Yep, Grandymary. I guess that's Edwardian rich-speak for Grandmother. Samantha is curious and progressive, excited in new prospects and ideas. She taught me that you can be both rich and kind. Plus that it's totally awesome to have a slew of servants at your disposal. I don't think that was the point, of course, but I definitely picked up on it.

Molly McIntire (1940s)
Until the line expanded into more ethnically diverse characters, Molly is the original line's token "girl with the glasses." Molly is lively and scheming, with a father abroad fighting in World War II. She has a taste for glamour and excitement and has vivid imagination.

The line quickly expanded to include more characters based in different historical periods. In 1991:

Felicity Merriman (1770s)

It's surprising Felicity wasn't in the original release group, considering creator Pleasant Rowland's claim that a visit to colonial Williamsburg inspired the series. Felicity is coming of age during the Revolutionary War. She is highly independent and spunky and rejects many of the feminine ideals assigned to her my her time period.

In 1993:
Addy Walker (1860s)
The series' first African American character, Addy's books explore more complex societal issues, depicting her life as an escaped slave. Addy doesn't believe slavery is fair and is a proponent of racial equality, finding the North to be similarly prejudiced to the South from which she escaped.

In 1997:
Josefina Montoya (1820s)
Josefina is a girl growing up in New Mexico before the Mexican-American war, when the period was still under Mexican control. Her books integrate some Spanish terms and examine Josefina's life following the death of her mother. She is shy, thoughtful, and caring. Plus, we get to pronounce her name "HO-se-fina", which is totally awesome.

In the 2000s, the company later added post-white settlement Native American Kaya'aton'my,first-generation American Russian Jewish Rebecca Rubin, spunky tomboy Kit Kittredge, and civil-rights minded Julie Albright. The diversity of character and ethnic background grew significantly over the years since the original 1986 release, but the general guiding principles remain the same.

The books had their flaws, but they fulfilled Rowland's original vision of interesting young girls in history and lives unlike their own. Rowland introduced girls to disparate historical periods through the lens of girls who were their own age, with similar hopes and ideals. It was an innovative idea, and kids bought into it with great fervency. Bought into it so much, of course, that they begged their parents for books, dolls, magazine subscriptions, costumes, accessories, and everything else that turned this educational premise into a lucrative financial enterprise. It may have worked too well on me; I'm still putting that Samantha doll on my birthday list. It's worth a try. If you're interested in fulfilling my decades-long dream, don't forget to throw in the wire-frame bed too.

Thursday, March 11, 2010

We Miss Our Discontinued Candy: Bygone Sweets


It probably doesn't bode especially well for our generation that we can get all wistful and misty-eyed over some nutritionally void sugar-laden snacks, but sometimes we just can't help ourselves in these matters. It's tragic in its own small way that today's children will never taste the glorious sugary sweets that so sustained us in our youth. By "sustained" of course I mean it kept our hyperactivity level off the charts and kept our dentists' respective children in expensive sneakers. What? It's a valid interpretation of sustenance, given you accept that these treats served no real nourishing purpose.

You just don't know what you have till it's gone. For a brief, fleeting period these sugary snacks enticed us with their off-the-charts sweetness. Like all good things, though, our love affair with these candies were forced to come to a bitter end. For many of us, we didn't even realize these sweets no longer graced our grocery store shelves until it was too late. Had I been alerted of the impending discontinuation, I would have stocked up on Hershey's Tastations before it was too late.



Mintaburst/Cinnaburst/Fruitaburst Gum



You name the flavor, this gum was a'burstin' with it. Unfortunately, it bursts no more. The burst in question was a mysterious compound of so-called "flavor crystals," which seems to be some sort of code for "gritty hard pieces in your gum that are kind of gross but also ripe with flavor."

Astropop



When I think of what the ideal adjective for describing a favorite candy is, "stabby" usually ranks pretty close to the top of the list. Any candy that can double as weaponry is okay in my book. That book, of course, is called "Lollipop Swords: Beginning Swashbuckling for Youngsters." Look for it coming soon to a bookstore near you.

These things were pure sugar, which from a child's perspective is the be-all-end-all of attractive candy characteristics. Astrioios unfailingly stained our lips and tongues, but this should have been the least of our parents' concerns. The most, of course, being that it was possible to lick the Astropop into a finely tuned dagger and inflict multiple puncture wounds onto our siblings on car trips. Ouch.



Tastetations



Mmmm....Tasteations. These things were creamy hard candy goodness with the Hershey's chocolatey seal of approval thrown in for good measure. Sure, you might feel like a crotchety little old lady carrying around hard candies in your pockets, but the taste made it well worth the minor image sacrifice. Apparently Hershey's first-ever hard candy just wasn't enough to hold our attention--their heyday was pretty short-lived.



Carefree Gum




How, I ask you, are we supposed to adequately sprinkle Clueless movie quotes into everyday situations when the cultural context has cruelly been discontinued? I'm referring, of course, to Cher's impassioned tirade against gym class in which she claims she barely burned off the calories in a stick of Carefree Gum.

By the way, that above commercial is actually pretty funny. Kudos to Milli Vanilli for taking the low road after their incredibly embarrassing lip-syncing debacle. You know what I always say: if you can't make fun of yourself in a gum commercial, you just can't make fun of yourself.



Gatorade Gum



Also known as GatorGum, this sports-themed chewing gum had it heyday in 70s and 80s and enjoyed a brief revival in the late 90s. When I think sports and quenchiness, I don't typically jump immediately to gum, but hey, it worked.

I know the commercial is a bit dated for what we usually post around here, but it's just so funny I couldn't resist. It's cheesy in a way that advertising just can't get away with anymore. "Active people are discovering the gum that's different!" (Man in sweatband crosses finish line) "Now you can lick...dryyyyyy mouth" (Sweatbanded man opens mouth to reveal a camel and some sand). Brilliant.



Dinosaur Eggs



These egg-shaped jawbreakers from the Wonka candy company came in individual boxes, which misled us to believe we could consume them in a single sitting. These things were huge, plus some of them had the added licking obstacle of the Dinosour taste.



Lifesavers Holes




If you ever wondered what they do with all the leftover cutouts at the Lifesavers factory, look no further than the briefly popular "Holes" candy pieces. It doesn't get much lazier than this. "Hey, you know those extra candy pieces we already have but usually toss in the trash?" "Yes?" "We should totally sell them." "Sounds like a plan. Let's give them a kind of gross sounding but fitting name." "Done and done."



Mars Bars (US)




These have been unavailable in the US (despite a steady supply abroad) for nearly ten years. I've heard a rumor, though, that they've been relaunched. If this is true, I'm off to devour one now. These things are awesome. One might even say out of this world. Ba dum ching!



Butterfinger BBs



Who better to take candy advice from than the man himself, Bartholomew J. Simpson? This kid knew his stuff. These have since been discontinued, so the best we can do now is chop up a bunch of butterfingers into small circular pellets and simulate the experience at the movies. Somehow, it just isn't the same.



Crispy M&Ms




Yet another bygone product from our pals at M&Ms. It seems every couple of years or so, they come up with some variation on the classic. The crispy kind had a sort of Nestle Crunch style popped rice inside. They were equal parts satisfying crunch and tastiness, though many of us failed to realize their deliciousness till it was too late.



Tearjerker's Gum


Do you love being tortured by sour candies? Instead of just enduring its presence in your mouth, do you prefer to chew the heck out of it for an extended period of time? Well, then you're in luck. Or at least you were if you grew up in the 90s. These may still be available in limited



Hershey's Cookies and Mint Candy Bar

Just when they come up with something I really adore, they pull it from the market. It's just my luck. This bar was magnificent--milk chocolate, oreo-type coookie bits, mint flavoring...it had it all. And it was not, as the package implied, green. Thank goodness.



This post has made me pretty hungry, which is unfortunate as all of these products are no longer available in safe sell-by date form. We may no longer be able to enjoy them, but at least we have our memories. Sigh. Oh, and if any of you knows where to find these, by all means, please share with the class.

Monday, March 1, 2010

Spice Girls


If I were to ask you to tell me what you want, what you really really want, I have a feeling most of you would instinctively issue the same reply. What more could we possibly really really want than the elusive and suspiciously made-up sounding zig-a-zig-ah? The best part is, we had no idea of the zig-a-zig-ah shaped void in our respective lives until the Spice Girls handily brought it to our attention. When you think about it, it was really a pretty thoughtful gesture.


Spice Girls - Wannabe
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The Spice Girls didn't need meaningfully discernible lyrics or a roster of musically significant songs: they built their empire largely on image and public persona. What they needed, it seemed, was a healthy dose of Girl Power, some sparkly Union Jack dresses, and a line of delicious ice-cream flavored licensed Chupa Chup lollipops. The group was a marketing phenomenon. Each member was so well branded and commidified. Young boys found them appealing, young girls wanted to be them, and everybody loved those lollipops. No, really. They were completely delicious. I could really go for one right about now.

Aside from their marketing prowess, the girls had a fair amount of talent. As with most burgeoning pop groups of the time, they were chosen not only for their looks but for their vocal ability. The Spice Girls were far from an organically formed musical group. Their path to fame was tightly managed and preconceived by a team of industry professionals. If you're questioning my sources on that one, look no further than the handy timeline on the Spice Girls' still-active homepage. That thing is a gold mine. Just look at all I learned:

1) Heart Management LTD (which is apparently a music management team and not a cardiac coaching facility as I'd originally theorized) held an open audition in London in 1993 for their newly-conceived girl group. The magazine ad they ran began with, "R U 18-23 with the ability to sing and dance? Are you streetwise, outgoing, ambitious, and dedicated?" For some reason, I just love that they threw "streetwise" in there. It really conjures an effective visual of a line of girls at the audition each armed with a switchblade.


2) For their audition numbers, Mel C sang I'm So Excited, Mel B sang The Greatest Love of All, and Victoria sang Mein Herr. Now that they mention it, I'd love to see Posh in her current severe unsmiling state break out into a showstopping rendition of the Cabaret classic. She'd have to let her hair down, if she still had any remaining length on it.

3) The site does a great manager-approved job of glossing over the booting of an earlier group member, slickly stating, "It soon became clear that Michelle doesn't fit in, so she leaves to care for her sick mum and then to go on to university. She is replaced by Emma Bunton." Don't you just love that? Because she didn't fit in, she had to run off and care for her ailing mother. Somehow, I don't think the exchange went quite like that.

4) In 1994 the girls eventually take charge of the project, citing Chris Herbert's terrible, god-awful ideas as reasoning. This guy thought they should wear matching outfits and sing cover songs. What is this, Labelle does karaoke? Well done, girls.

The gripping fact list goes on and on, I seriously recommend you check it out. Until you've completed you solo assignment, though, let's get back to basics. The girls each assumed an alter-ego performance persona, giving girls everywhere a questionable "type" to aspire to depending on their penchant for sneakers or 7-inch platform heels:



Ginger


Thusly named because of her flaming red hair, Geri Haliwell was Ginger Spice. It's rumored that she was originally christened "Sexy Spice" but the music managers were afraid it wasn't kid-friendly. You know, like micro-mini dresses and exposed knickers. Thank goodness for the swap.


Posh


You've got to wonder how many Americans were familiar with the word "posh" before Victoria Beckham (then Adams) assumed the title in her Spice Girl role. It's a pretty distinctly British concept of upper class, usually having something to do with accents and manners, though I'm sure her designer clothes helped pave the way for her title.


Baby


Emma Bunton was the youngest of the group, so she assumed the role of "Baby Spice". She was the baby-faced girly-girl of the group and because of her, I wore my hair in sky-high pigtails for years. She was the one I most aspired to be, even though the press gave her some flack for not being model thin.

Sporty



Apparently wearing a sportsbra or a track suit with an athletic-style ponytail is grounds for dubbing yourself "the sporty one". To be fair, Mel C was actually fairly athletic. She always threw in some fun gymnast moves at the shows.

Scary



Mel B was Scary Spice on account of her leopard print wardrobe, pierced tongue, and unruly hair. She was supposed to be the crazy one of the group, speaking her mind and getting in people's faces. Mel certainly proved herself as outspoken and headline-grabbing with the Maury-style paternity suit she launched on Eddie Murphy. Looks like she's still got it.


Spice Girls - Two Become One
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Catchy, isn't it? You know you want to sing along...

The Spice Girls emitted an aura of Girl Power, launching the concept into one of the most major catch phrase-inspired ideological mindsets of the decade. The concept stressed female solidarity and embracing empowerment. There arguable wasn't much substance behind the phrase, though it did give us a great sparkly slogan to pin to our backpacks.

Whatever the strength of their alleged message, the Spice Girls were irrefutably a cultural phenomenon. They quickly became the best-selling girl group of all time, moving over 40 million albums over the years. They held major influence over fashion choices for young girls, leaving many of us to classify ourselves by our wardrobes as a Sporty or a Posh. The Spice Girls also had oodles of lucrative marketing deals, including a Pepsi spokes-group gig and a host of officially licensed merchandise. If memory serves correctly, Target once had an all-Spice Girls aisle. Not too shabby.



Spice Girls - Spice Up Your Life
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Their success wasn't limited to music, though it's disputable whether they should have ventured into the feature film arena. Regardless of your feelings on Spice World, you must admit it was a spectacular financial success. For years Spice World boasted the highest-grossing debut on Super Bowl weekend. In the movie, the girls play themselves in a light comedy modeled off of the Beatles' successful films. It had all sorts of cutesy cameos and zany madcap scenarios. It's delightfully fluffy and cheesy and precisely what you'd expect from a Spice Girls movie.




Love them or hate them, there's no denying their enduring influence over a generation of young girls. Once upon a time, they were the reigning queens of Brit pop. Their recent reunion tour showcased their staying power, selling out shows all over the world. The verdict is in: we just can't get enough. So don't be embarrassed. Slip in the earbuds and blast Wannabe. You know you want to.Oh, and if you happen to know what a zig-a-zig-ah is, please enlighten me. I've been agonizing over that one for years.

Tuesday, February 16, 2010

Raves

Only a few days left! Don't forget to entire the Children of the 90s Ultimate Nostalgia-Fest 2010 Giveaway! It's open until Wednesday, February 17. Click here to see rules and enter for your chance to win some fun Goosebumps, BSC, Magic Eye, Lisa Frank, Pete and Pete, and more!


Even before they were harping about online predators, Dateline NBC had me terrified to leave the comfort of my own home. With their multi-part series on the dangers of 90s raves, I was almost certain that someone was going to randomly usher me into an abandoned warehouse against my will, stick an ecstasy-laced candy pacifier in my mouth, and subject me to endless hours of pulsating techno music and seizure-inducing light shows. You know you're growing up in pretty cushy conditions when your most major fears revolve around involuntary attendance at a wild underground party.




Other generations have all the luck. Their subcultural miscreants were usually tied to some sort of ideological principles. You know, peace, free love, that sort of thing. It's almost as if the preceding counter-cultural movements took all the good visionary underpinnings and we were stuck sorting through the remnants bin. Our take on rebellious youth culture amounted to Seattle Grunge culture and Euro-techno ravers. We may not have been as idealistic as the hippies who came before us, but it could have been worse. After all, we could have been pseudo-intellectual fake glasses-sporting ironic t-shirt clad hipsters.

There were some vague alliances between rave culture and principles, but the connection was fuzzy at best. At its heart, rave culture represented the happy-go-lucky invincibility that characterized the 90s. You know you're getting older when you start drawing broad metaphors between youth culture and the state of the economy, but it's an aging leap I'm willing to make. Raving was youth culture in its purest, least dilute form: wild, irresponsible, and generally under contempt of adults everywhere.

Many of us may have been too young at the time to be a driving force in the rave scene, but that wasn't about to stop us from defiantly sucking our pacifiers in homeroom. Rave trends quickly disseminated from underground phenomenon into mainstream fashion statements. While the raw ingredients undoubtedly varied from rave to rave, here's a rough recipe for a legitimate 90s raver.


Abandoned Warehouse


What's a party without a proper venue? By proper venue, of course, I mean a sketchy abandoned space that may or may not have once been some sort of industrial storage facility. As many of the early raves were a sort of impromptu underground effort, any old enclosed area would have to do. Raves were by no means limited to these settings, but there was a certain charm to illegal party squatting. Or at least that's what I gathered from my avid viewing of numerous multi-part Dateline NBC undercover exposes. They made it seem like every abandoned warehouse in the country was packed fire-code defiantly full of sweaty, effervescent teenagers.



Light Show


If you're going to party straight through to the wee hours of the morning, you've got to have some sort of visual stimulation. Laser light shows were a signature rave feature, with brightly colored strobe-like flashing creating a uniquely headache-inducing effect. I had to settle for my cheaply imitative Nickelodeon brand laser light how generator. I had the power to turn my basement into a wild party light-flashing party scene, but unfortunately I was only 10 at the time. The closest I was coming to raving was chugging a bottle of Surge and nursing a ring pop.



Pacifier

This was one of those inexplicable trends that caught on in a big way despite a total lack of purpose and functionality. Our parents spent months coaxing us off these damned things only to have us pick up the habit again 15 years down the road. I'm still not completely clear on if the pacifier had any sort of representational meaning or if someone just thought it might be fun to start selling them as necklaces to teenagers. Either way, these things were everywhere.



Candy Rings/Necklaces


The more I look at it, the more it seems like ravers all had some sort of serious oral fixation. The ecstasy could only make everything all the more delicious, so it was probably a good idea to keep some highly portable snacks on your person at all times.



Glowsticks


They're sort of like your own personal laser light show. If you get bored with whatever lights the party coordinators are flashing, you can always wave your glowstick super quickly in front of your face. I'm going to go out on a limb and say the drugs probably enhanced this experience somewhat as well.



Ecstasy and/or Cocaine


Speaking of mood-altering substances, 90s partiers weren't really the depressant type. Leave the mellowed-out drugs to the peace and free love hippies. Ravers needed uppers to maintain a decent level of prolonged hyperactivity. If you've got to flail wildly in a warehouse with only the aid of glowsticks and laser light shows to keep you awake, you probably needed a little something to keep the edge on.



UV Facepaint


Again with the glowing. It's a pretty safe bet to say if it glowed, ravers wanted to slather their bodies in it. I suppose it's a bit hard to see in a darkened warehouse, so any light source is much appreciated.


It's odd to think of raves as retro, but countercultural phenomenons tend to age quickly. While in the 90s raving seemed edgy and dangerous and unspeakably modern, in retrospect it loses a bit of its luster. Not literally, of course. I imagine that UV facepaint bonds to pores for life.It was a pretty wild ride while it lasted, but for now we'll just have to relive the experience (or vicarious experience) through the magic of memory. So grab your glowsticks, pop in a pacifier, and beware the judgmental Dateline undercover reporters; it's rave reminiscing time.

Wednesday, February 3, 2010

500 Followers and a Special Ask Children of the 90s Extravaganza


In typical self-congratulatory blog fashion, I've got to hand it to myself. I have achieved my goal at tearing hundreds of unsuspecting 90s children away from their pressing school and office to-dos all in the name of some hearty nostalgia. Yesterday I finally reached a milestone 500 blogger followers with the help of my blog friend Sadako at Dibbly Fresh. Of course, with all of the readership statistics available these days, it's hard to benchmark any progress. I'm not going to let those stats get in the way of celebration of this pure, undiluted 90s victory. Thank you for your understanding, and I humbly (sort of) accept your accolades.

Before I let my head explode from the outpouring of good reader vibes, let me say that you readers are the lifeblood of Children of the 90s. For some unknown, writing experiment-fueled reason, I've been churning out 1000+ words daily on topics near and dear to our childhood selves with zero cash income. That's right, you uphold this free service with your support, comments, and hilarious additions in the comment section. All in all, it's fun because of you all, so thanks for your reading and/or lurking. It's much appreciated.

As a thank you for your loyal devoted readership, I'd like to extend an exciting limited-time offer to you. Well, maybe don't get too excited till you hear what it is. I doubt this has got any sort of bootleg sales black market value. And really, it might not be all that exciting. Damn, that anticipatory build-up can really come back to get you.

Okay, here goes: Here's your chance to ask your loyal 90s chronicler any and all burning questions. If you have anything at all you want to ask, drop it in the comment section. In an ideal world, we'd all celebrate by chugging Surge, bedazzling each other's jean jackets, and playing a zit-sticker frenzied game of GirlTalk! Unfortunately Surge has since been discontinued, my EZ 2DO bedazzler gave out ages ago, and and I'm pretty sure my mom sold my GirlTalk! game at a yard sale. We're going to have to settle for the next best thing, so ask away.

If you don't have any pressing curiosities, feel free to just stop by the comment section and say hi. I have the handy aid of Google Analytics to let me know how many of you read each day, and it's rarely reflected in the comments. The percentage of lurkers here seems to be extraordinarily high. Don't be shy. I'd love to meet you. Heck, I'd even read your blog. Reveal yourself, lurkers. It's time.

And if you're thinking this post is a huge cop-out and a negligent disregard for my otherwise rigorous weekdaily posting standard, you might be right. Before you go on getting too grumbly over the matter, let me assure you that I have not forgotten to provide you with a doctor-recommended dose of 90s child-specific wit. In celebration of my blog buddy Andy's upcoming birthday, I am guest posting over there today. In case you don't already read his blog, he's hilarious--I highly recommend you check it out. Anywho, you can find today's birthday-inspired post over at Wild ARS Chase.


Oh, and by the by, we've been tossing around the idea of making some kick-ass Children of the 90s t-shirts. Let me know if you'd be up for purchasing one of these bad boys. For an as-of-yet undetermined cut-rate price, you too can sport the proud declaration that you are indeed a Child of the 90s. Oh, and your back can serve as a handy advertisement for my blog, meaning when you leave someone you're really just leaving them with the gift of humor-tinged nostalgia. Who wouldn't want that? Really, it sounds just wonderful.

So thanks, fellow Children of the 90s, for your continued readership and support. You guys are da bomb, and I can say that because it makes sense to all of you in a cultural context. I'm browsing for some very exciting 90s-themed giveaway items, too, so stay tuned for that. Y'all are all that and a bag of chips and don't you forget it.

Monday, December 21, 2009

90s Kid-Friendly TV Program Blocks


Parents in the 90s must not have considered the potentially detrimental effects of parking their kids in front of the TV for four or five straight hours. How else can you explain the endless list of hours-long program blocks marketed at TV-hungry kids in the 90s? Children's TV was shaping up to be the ultimate babysitter, seamlessly filling in every possible day and time slot during which kids might be loitering around the house. After all, why go outside and play with our Huffy bikes and Skip-Its when we could just experience it vicariously through the commercials? Those kids were always way more enthusiastic than we could ever be, anyway.

For a decade of children far less dependent on technology than today's kids, we sure watched a lot of TV. We can only imagine the future of children's programming as parents' growing anxiousness to keep their children satiated and entertained continues to grow. In our childhood years, though, we were content watching a few hours at a time and luxuriating in the laziness. It still had that delightful aura of the forbidden. Our parents may have tried their best to limit our TV hours, but at the end of the day (or the case of some of these blocks, the beginning) it was a lot easier to just let the mind-numbing glow of passive entertainment wash over us. It's like those parents who load up their grocery carts with organic kale and banana chips for their kids, but eventually cave to nuking some chicken nuggets. It may not be the right choice, but it's an easy one. As we grow into adults, we can certainly appreciate their laziness.


ABC's TGIF



TGIF reigned supreme when it came to Friday night kid's TV. Originally conceived in the late 80s as the "Friday Night Fun Club", ABC's kid-friendly block morphed into TGIF: Thank Goodness It's Funny. The original lineup included Perfect Strangers, Full House, Mr. Belvedere, and Just the Ten of US. A lot of pretty terrible short-lived shows cycled through TGIF over the years, but they were able to mask it with some solid favorites like Boy Meets World, Step by Step, Family Matters, and Sabrina the Teenage Witch. For every miscalculated move like Teen Angel, there always seemed to be a Dinosaurs waiting in the wings.



SNICK



SNICk was a brilliant marketing tool, as it mainly catered to the then-unclaimed tween demographic. The key to capturing the interest of 8-12 year olds is treating them like teenagers. I don't mean in a current Limited Too miniskirts and go-go boots way. This was thankfully far subtler. Nickelodeon shows with teenage characters and market them at tweens, a demographic that at times is likely to act too cool for kid's shows. SNICK premiered in 1992 featuring Clarissa Explains It All, Ren and Stimpy, Roundhouse, and Are You Afraid of the Dark? Though the lineup changed frequently throughout the years, Nick was pretty masterful at holding our fleeting attention spans. They threw in some goodies like The Secret World of Alex Mack and All That and we were hooked.



Nick in the Afternoon



Another wise and undoubtedly calculated move on the part of Nickelodeon, the network aimed to capture the at-home idling demographic of kids in the summertime. They installed a popsicle stick host with the hours-deliberating-in-the-Nick-boardroom moniker Stick Stickly. It was a great means of getting more mileage out of their reruns, packaging the block as a chance for kids to request their favorite classic episodes. For Nick, this meant they didn't have to come up with anything other than a popsicle stick and some googly eyes. Not too shabby.



The Disney Afternoon




There's no doubt Disney is great at hawking its animated goods to kids. The Disney Afternoon block was no exception, featuring endless variations of their always popular characters. The block premiered in 1990 with Adventures of the Gummi Bears, DuckTales, Chip n' Dale Rescue Rangers, and TaleSpin. Later shows included Darkwing Duck, Goof Troop, and the far-inferior Disney's Doug. The shows aired in the after-school hours, a perfect means of entertaining the growing number of latchkey kids left to fend for themselves with nothing but the remote control and a tube of Pringles.



FOX Kids



FOX Kids was a formidable franchise, despite the fact that it rarely aired the same shows two years in a row. Though the block opened in 1990 with animated shows like Bobby's World and the game show Fun House, the lineup changed regularly throughout its 12-year run. That's not to say there was no quality programming: FOX Kids played classics like Mighty Morphin Power Rangers, Animaniacs, Tiny Toon Adventures, and Goosebumps. My favorite, though, was always the magazine. For some as-of-yet unexplained reason, this block of children's TV shows warranted its own publication. Sometimes we got it free with Pizza Hut orders, others it came in the mail, but whatever route it took to my mailbox the glorified promo was inexplicably awesome.



Nick Junior




Let me just say, that Face mascot is actually pretty creepy. What is that thing? Why is it so happy all the time? I liked it as a kid, but as an adult it's almost disturbingly cheerful. Maybe I just haven't had enough coffee yet to deal with this sort of unnerving smileyness, but it definitely is weirding me out.

Nick Junior was marketed at a younger set, namely kids under the age of 5. I'll admit, though, on elementary school sick days there was nothing quite like curling up with some Blue's Clues and Gullah Gullah Island. I wasn't going to shout it from the rooftops or anything, but I sincerely enjoyed shows like Eureka's Castle, Muppet Babies, and David the Knome. Whew. Feels good to finally get that one off my chest.


Teen NBC (TNBC)



Turns out Saturday mornings weren't just for cartoons: apparently older kids could get in on the action too with these delightfully cheesy teen sitcoms. With shows like Saved by the Bell and California Dreams, they could definitely hold our attention while padding the rest of the block with total fluff. That, of course, hinges on the notion that the aforementioned TNBC shows had any substance. I'll leave that one up to you.


Nick at Nite



Nick at Nite may not have been just for kids, but it was a means of enjoying some good ol' fashioned cross-generational TV. Kids and parents could watch old favorites together, delighting in shows like I Love Lucy, The Brady Bunch and Mister Ed. It introduced a new generation of kids to a lineup of classic shows. The Nick@Nite model has wavered a bit over the years, though, now broadcasting old 90s reruns in lieu of black and white oldies. When did we become so retro? It's rumored they may even add Friends to their lineup in the next couple of years. If the thought of kids viewing Friends the way you saw Bewitched doesn't make you feel the tiniest bit old, I don't know what will.


Overall, the programming blocks were a happy compromise. Kids liked the notion that they were getting away with watching an ungodly amount of TV, while parents liked the fact that the shows were at best marginally educational and at the least, appropriate. We may have lost countless of potentially active hours glued to our screens, but it's given us wonderful life preparation for our hours spent in front of our desk's computers. Thanks, SNICK!

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